UTAGAWA KUNITSUNA, GELAENDE DES HACHIMAN SCHREINS IN FUKAGAWA

Three antique Japanese ukiyo-e woodblock prints: scene of figures crossing a bridge entitled 'Sweet White Rice Wine' by Utagawa Kunitsuna (1805-1868), from the 'Scenic Places of th

Artist: Utagawa Hiroshige Title: Fukagawa Susaki and Jumantsubo, No. 107 from One Hundred Famous Views of Edo Date: c1950 Medium: Japanese Woodblock Print Size: oban This view looking northwest from F

Artist: Kunitsuna, Utagawa, 1805-1868 Title: The Kaminarimon at the Kanseon Temple in Asakusa Series: Famous Places in Edo Date: 1853 Medium: Japanese woodblock print Image

Japanese Woodblock Print, Utagawa Hiroshige, The Fukagawa Timberyard. 14 inches H x 9.5 W. Unframed.

Artist: Kuniyoshi Utagawa (1798-1861) Title: Hachiman Taro Yoshi'ie Series: Thirty-six Hero Poets Publisher: Murataya Ichibei Date: 1852-1853 Size: 35.8 x 24.9 cm Ref: JG0423BL11

Hiroshige Utagawa (Japanese 1797-1858) ''Sunamura Moto Hachiman''- woodblock in color, from the series 'One Hundred Famous Views of Edo'', faded. 13 3/8 x 8 7/8''; together with Hiroshige Utagawa- ''K

Utagawa Hiroshige (Ando) (Japanese, 1797 - 1858). "Moto-Hachiman Shrine, Sunamura. No. 29 from 'One Hundred Famous Views of Edo." 1856. Japanese woodblock print, vertical Oban. Published by Uoya Eikic

The Hall of 33 Bays in Fukagawa (Fukagawa - Sanjusangendo深川三十三間堂). Original color woodblock print from the series Meisho Edo hyakkei (“100 Famous

Japanese Woodblock Print Utagawa Kunisada Toyokuni III (1786 - 1864). Scene from Dramatic Play, Hachiman Matsuri Yomiya no Nigiwai, 1860. Paper measures 13.5 inches H x 9.5 W within matting, frame mea

Utagawa Hiroshige triptych, "The Cherry Blossoms on the bank of the Tama"; "Sugatamibashi, Takada", & "The Hachiman shrine, Fukagawaeach scene is 8.75" by 6" (opening size), good colors, not faded

from the series "Famous Places in the Eastern Capital"; color woodblock print on paper, matted, framed, and glazed Sight: 8 1/2 x 13 1/2 in. (21.6 x 34.3 cm.), Frame: 13 3/4 x 19 3/4 in. (34.9 x 50.2

Includes a Kiyoshi Saito Japanese woodblock print, "Autumn in Nara", and a Hiroshige Utagawa Japanese print, "One Hundred Famous Views of Edo: Fukagawa Susaki and Jumantsubo". From

"J'étais totalement impliqué et amoureux du Quattrocento. Mais je ne pouvais bien sûr pas maintenant peindre des personnages du Quattrocento. Mes prêtres étaient contemporains [...].";

Alberto Giacometti (1902-1985), Lamp model "figure", circa 1933-1934, bronze sculpture, monogrammed and numbered "AG 070" by the foundation, h.155 cm; Certificate of the Giacometti Committee, Paris, 2

Francis Picabia (1879-1953), "Sans titre (Espagnole)", 1926-1927, gouache, aquarelle, encre et crayon sur papier, signée, 62,5x48 cm; Bibliographie: Maria Lluïsa Borràs, Picabia: la peinture

Horloge astronomique aussi nommée pendule à planétaire par Antide Janvier (1751-1835), datée 1810, pendule à quatre colonnes soutenant un plateau accueillant le cadran du zodi

Bague platine sertie d'un diamant taille brillant de 11.46 carats, J, VS2 selon le rapport GGTL n°21-D-27588 daté du 22/04/21, épaulé de platine sertie d'un diamant taille brillant

Joseph Sima (1891-1971), Composition, oil on canvas, signed and dated 1961, 60x73 cm; Provenance: Acquired directly from the artist; Private collection, Lausanne, Switzerland huile sur toile, sign&#23

Importante bague Art Déco platine ornée d'un saphir étoilé cabochon Ceylan non chauffé (env. 75 cts) selon le rapport SSEF n°121713 da platine ornée d'un saphir &#23

Maitreya (彌勒菩薩, Mile Pusa) assis, sculpture en bronze doré, Chine, dynastie Ming, le Bouddha du futur à l'expression sereine, esquissant un léger sourire, co

Julio Le Parc (1928), "Modulation 648", 1984, acrylique sur toile, signée, datée et titrée au verso, 150x250 cm

Chanel, Camélia, bague or gris 750 ajouré ornée d'un saphir taille coussin, les pétales sertis de diamants taille brillant, signée, num or gris 750 ajouré ornée d'un

BANKSY (1974 - )"KATE MOSS"Green, Turquoise Blue Colourway screenprint in colours on wove paperYear : 2005Signed and dated in pencil, numbered XX/20Published by Pictures on Walls, LondonDimensions : 5

Cette notoriété lui permet de se consacrer au thème du portrait qu'il affectionne particulièrement. A l'instar de son contemporain, Albert Anker, Larsson privilégie l’aquarelle,