WIGEON DRAKE, LONG ISLAND, NY

EARLY WIGEON DRAKE, unknown carver, Long Island, NY. Very good working paint and good structural condition. Some tight checks to natural cork. Retains glass eyes and full keel. Overall length is appro

Mackey Long-Tailed Drake Long Island, NY, c. 1880 11 1/4 in. long An early hunting decoy that saw use along the rugged waters of the Atlantic Coast. William Mackey owned this decoy and illustrated a p

EARLY GOLDENEYE DRAKE, Long Island, NY, circa 1920s. Good gunning paint and structural condition. Cork construction. Some paint flaking and dents to body and minor wear to tail. Head with dowel slight

BROADBILL DRAKE, Long Island, NY, unknown carver. Working paint and fair structural condition. Chip to tail edge. Two-piece hollow construction with halves separated at seams. Painted eye detail. Over

TWO BROADBILL DRAKES, Long Island, NY, unknown carvers. One with traces of working paint remaining. The other with working paint worn in areas. Both ns good structural condition. Both cork constructio

EARLY GOLDENEYE DRAKE, probably Long Island, NY. Weathered paint and condition. Cork construction. Paint pattern with natural cork exposed. Full keel branded LAWSON. See “American Bird Decoys” by

REDHEAD DRAKE, probably Long Island, NY, unknown carver. Good original paint and structural condition. Hollow construction. Paint with some minor shrinkage to breast and shelf rubs. Retains glass eyes

A 14 inch Mallard drake by Wildfowler Decoys, Babylon, Long Island, NY, signed on the bottom. A 13 1/4 inch Mallard Drake by by Bob Berry and North American Duck. Gallery. Both are in original paint w

PINTAIL DRAKE AND A BLACK DUCK, possibly Long Island, NY. Both cork composition. Bottom board construction. Both carved by same maker. Wear to both.

Tom Shumate carved wood duck decoy, Widgeon Drake, 1973. Signed on base "Tom Shumate 1973" and also labeled on base "1st Place Winner Long Island NY 1972, Midwest Second Place 1972 (Michigan Waterfowl

A 15 3/4 inch decoy, unsigned, from Long Island, NY, circa 1890-1910 exhibiting classic form similar to Kellum. Shows gunning wear and some in-use touch-up with original..

A grouping of 4 Miniature Flying Mallard flat-back duck carvings by John Lee Baldwin (1868-1938) of Babylon, NY (Long Island). These Mallards (all drakes) were made to mount on a plaque or a wall and

Four broadbill cork decoys, comprised of two drakes and two hens, South Shore of Long Island. Provenance: From Wildfowler Decoys, Inc. (Quogue) and Peacock Point, Long Island estate. [Hens: 13 inches;

Lot of 3 Goldeneye wood decoys, possibly Wildfowler Decoy Co., comprising two drakes and one hen. Provenance: From Wildfowler Decoys, Inc. (Quogue) and Peacock Point, Long Island estate. [14 inches].

Lot of 4 Broadbill cork decoys, comprising three drakes and one hen. Provenance: From Wildfowler Decoys, Inc. (Quogue) and Peacock Point, Long Island estate. [13 inches]. In good condition.

Long-Tailed Drake Capt. Abe Smith Freeport, NY, c. 1890 12 in. long A rare diver drake with a clean and stylish paint similar to that of Joseph Lincoln. Carved by a Long Island oyster house owner, a r

Wood duck Drake by Bob Hand, Sag Harbor, NY. Bob was a legend on Long Island and began carving when there were very few decorative carvers. He has won many awards including first place in many nationa

Antique American landscape oil painting of a farmer herding cattle. A storm approaching. This painting is powerful in person!! The work is signed lower left "Moran". We aren't sure which of the famous

Two maritime paintings, signed lower left and lower right in one of the artist's pseudonyms: J.J. Enwright, each: oil on canvas, each: 16'' H x 12'' W, est: $800/1200 Provenance: Private Collection, S

Maurice G. Debonnet (1871-1946) Painting Long Island, NY "Gathering the Nets" c1920s. Debonnet was active in the Brooklyn art scene in the 1910s-1940s and is best know for his Long Island Harbor Scene

"Gloucester Harbor" Oil on canvas Signed lower right: J. J. Enwright; signed again, titled and numbered on the stretcher: #6970 16" H x 20" W Notes: J. J. Enwright was a pseudonym used by Amundse

(Approx. 40 0ld Hat Pin Holders, majority porcelain, a few silver. From Long Island, N.Y. estate. Overall good estate found condition. Includes Nippon, Bavaria, etc.

Corner of My Garden, 1902 Oil on canvas laid to canvas Signed and dated lower left: Leon Foster Jones, titled on a gallery label affixed verso 26" H x 25" W Provenance: Hammer Galleries, New York

Hand-colored lithograph. "A Geological Map of Long & Staten Islands with the Environs of New York"; William W. Mather, geologist and J. Calvin Smith, surveyor. This landmark pre-Civil War map is the e