William Mulready The Last In 1850 engraving

Description: A ca. 1850 hand colored engraving after William Tylee Ranney's painting "The Trapper's Last Shot" published by J.M. Emerson & Co., engraved by T.D. Booth.Title: The Trappers' Last ShotTyp

Joseph Mallord William Turner. (English, 1775-1851). Venice, The Grand Canal. Antique engraving on wove paper after the original by master engraver E. Brandard. 1850. Signed in the plate. Excellent. I

AFTER WILLIAM BARRAUD (British, 1810 - 1850). Off Duty, Colored engraving. Published in London by Louis Brall & Sons and made by William Turner Davey. Framed. Not examined out of frame. - 21" x 32"; f

Entitled "The Sonnet", after a popular painting by William Mulready, (1786-1863,) showing a young couple by a brook, the lady clearly moved by the poem the young man has written. Engraved by J. C. Arm

After William Tylee Ranney (1813-1857) Two Works: Daniel Boone's First View of Kentucky and The Trapper's Last Shot, 1850 Comprising Daniel Boone's First View of Kentucky, etched by Alfred Jones, prin

HILL, John (1770-1850), After William G. WALL (1792-1864). New York, from Governors Island / No. 20 of the Hudson River Port Folio. Aquatint engraving with original hand color. New York: Henry I. Mega

William Penn's Treaty With the Indians Pennsylvania 1681 Artist: After Benjamin West Print Type: Engraving Date: Circa 1850 Publishe

William Barraud (English, 1810-1850) & Henry Barraud (English, 1811-1874). A large and exemplary antique Victorian equestrian etching, titled "The Meet at Badminton," featuring an Early Victorian hunt

AFTER WILLIAM BARRAUD AND HENRY BARRAUD (ENGLISH, 1811-1874 & 1810-1850) Portrait of Mr. William Long on Bertha Early nineteenth-century engraving Framed 46 x 53 cm. Worldwide shipping available. Cont

Black and white engraving, engraved by WIlliam Finden in the 19th Century, a rare version of the painting, The Deerstalkers Return, by Edwin Landseer, R.A.. This engraving was printed before 1850. Fra

Hand colored copper plate engraving by edward hacker ca. 1850. Original painted ca. 1840 by William or Henry Barraud in London.

John C. McCrae (American, active 1850), "The Courtship of Washington", steel engraving on paper, 18-1/2" x 24" sight, framed size 22" x 28", good condition with marginal damages

The Trappers Last Shot. Approx. 20 x 24 in. (sight). 22 1/2 x 28 5/8 in. Discoloration from previous mat. Repaired tear right edge. Provenance: David Howard Fine Art, Mill Valley, CA

Original engraving by DeSilver & Thomas Cowperthwait, circa 1850. Map features insets of Jerusalem. Dimensions: 13 3/4" x 17 1/4" No Reserve This item ships from Ocean View, DE.

Original engraving by DeSilver & Thomas Cowperthwait, circa 1850. Map features insets of Liverpool, London and Scilly. Dimensions: 13 3/4" x 17 1/4" No Reserve This item ships from Ocean View, DE.

After I. Van Rye. London, 1754. Original engraving handcolored at time of publication. Sheet size: 10 71/4 x 15 5/8 in. No Reserve This item ships from New York, NY

Hand-colored engraving from "The Naturalist's Library" by Sir William Jardine, Edinburgh, 1843. Displayed in a handmade mat. Dimensions: 10" L x 8.5" H This item ships from Ocean View, DE.

Engraving “William Penn’s Treaty with the Indians”, published by E. Littell, Philadelphia, circa 1830, very good , light creasing, measures 11 x 7.5”.

Two fine engravings 1747 from Gentleman’s Magazine of William III and as Prince of Orange with Princess of Orange. Both approximately 5 x 8”. No Reserve Free shipping for this item within the cont

After William Hogarth (English, 1697-1764): Industry and Idleness. Engraving on paper. Engraved by F.F. Walker, from the original design by Hogarth in 1833. Framed. The last scene from a series of 12

DESCRIPTION: Two volume set of "The Works of Flavius Josephus, the Jewish Historian" by William Whiston. Revised with notes by Rev. Samuel Burder. Illustrated with engravings. Printed and published by

Love and devotion Oil on panel Signed bottom rightH. 19" W. 16" Provenance: Galerie Bernard Desroches (Montreal)

Oil painting signed William Mulready (1786- 1863). 28 1/2" h x 37 1/4" w x 1" d - actual picture - 36 1/4" h x 45" w x 3" d with frame.

Hogarth, William (English 1697- 1764) Engraving on paper, O Vanity of youthfull Blood, so by misuse to poison Good!' June 25,1735. Plate No. 4, from the series, A Rakes’s Progress. Image 15.75"