William Roscoe, [Ca. 1827] + Thomas Phillips, 178

ROWLANDSON, Thomas (1756-1827), illustrator. -- William COMBE (1742-1823). The English Dance of Death. London: J. Diggens, 1815. 2 volumes, 8vo (231 x 141 mm). Numerous hand-colored engraved plates. (

ROWLANDSON, Thomas (1756-1827), illustrator. -- William COMBE (1742-1823). Doctor Syntax in Paris, or a Tour in Search of the Grotesque. London: For W. Wright, 1820. 8vo (231 x 138 mm). Hand-colored a

Pair of English George IV sterling silver stuffing spoons, ca. 1827-28, hallmarked, possibly William Cooper, engraved with Griffin, 122 grams. 8 1/2''l

Richard J. Lane, after William Collins. "Studies From Nature." London: Hullmandel, [ca. 1827]. Pair mounted on sheet, each approx. 11 x 7.5cm. Sheet mildly toned and very lightly soiled. "Plate 7 of L

Ca. 1827 watercolor attributed to John Harden (1772-1847). The scene shows family members gathered in the interior of Brathay Hall, near a window for light as they embroider, sew and read. Brathay Hal

A William Cary (English, 1759-1825) Gould-Type Compound Monocular Microscope, ca. 1827, Signed Cary, London. Having tapered body tube, rack-and-pinion focusing, gimbaled concave single mirror, bull's

London, Robert Jennings & amp; William Chaplin, 1830; 1831; 1832; 1833. In 8th. 4 vols. Antiporte engraved, with numerous plates engraved in the text in full page, many protected by tissue paper, slig

**Originally Listed At $300** Western Europe, France, Paris, ca. 1827. A wonderful book by Sir William Gell (British, 1777-1836) and John Peter Gandy (British, 1787-1850) entitled "Vues des Ruines de

English (London), 18th-early 19th century. A group of three sterling meat skewers, dated ca 1784-1827, examples by George Smith III & William Fearn, William Sumner I and Charles Eley, a sterling fiddl

G. Ostuni. O-Luce. Floor lamp model n. 326. Wood, brass. Dimension: 66,14" h. 1950 ca. Lampada da terra modello 326. Dimensioni: h 178 cm. Prod. O-luce, 1950 ca. Biblio: Catalogue Phillips, London, 26

Two English Ink Washes one by THOMAS ROWLANDSON the other by WILLIAM TURNER OF OXFORDThomas Rowlandson (English 1756-1827) Country Landscape Cornwall red ink and wash signed T. Rowlandson lower right

(lot of 2) Framed hand colored etchings on paper, signed in print H. Bunbury Del (Henry William Bunbury, British, 1750-1811) and Rowlandson Scul (Thomas Rowlandson, British, 1757-1827), including: (1)

John Keyse Sherwin (British, 1751-1790)after Thomas Rowlandson(British, 1757-1827): Smithfield Sharpers or The Countrymen Defrauded. ca. 1788. Etching on paper on linen support, framed. The lower marg

Four Cast Iron Animal Figural Still Banks. Arcade "Good Luck Horseshoe", A.C. Williams "St Bernard with Pack" small version, ca. 1915 and Pig, ca. 1930. John Wright "Cat with Bow" seated, ca. 1922 mea

Seth Thomas Clock Co, Thomaston, Ct, Sonora time, strike, and Westminster chime clock, chiming on 4 bells, in a red adamantine case, with a porcelain dial, ca 1910, 13-1/4" h, very good condition

Seth Thomas banjo clock with battleship tablets, spring driven with pendulum and key, mahogany case with original finish, removable heavy brass eagle finial, ca 1900, 37”

Paintings Oil Painting on Canvas "Yosemite Valley" El Capitan Attributed to William Harring (1811-1894) San Francisco Artist Contemporary of Albert Bierstadt and Thomas Hill c. 1870s Yosemite Valley w

William Marple (Amer. 1827-1910) Original Oil Painting "Morning Mount Hamilton, CA. 1878": Stunning oil painting on canvas. Titled Morning Mount Hamilton, CA. 1878. Signed on back of canvas. Picture s

THE ENGLISH DANCE OF DEATH, Vol. I-II, by William Combe, with illustrations by Thomas Rowlandson, printed by J. Diggens, published by R. Ackermann, London, ca. 1815-16. Hardcover octavos, 594 total gi

New England, ca. 1830, comprising 6 side chairs and 1 armchair 34-1/4"h Provenance: The Smith family, Redding, Connecticut, and Thomas C. Williams, Litchfield, Connecticut, Acquired from above, May 19

Attributed to Thomas Phillips (Dudley 1770-1845 London) Study of a young lady oil on canvas 58.8 x 50.6cm (23 1/8 x 19 15/16in). Footnotes: Provenance Private Collection, USA This lot is

William Charles Anthony Frerichs (American 1829-1905), 'Clearing After Storm' second half 19th century, oil on canvas, depicting a landscape with a waterfall, signed in red 'W. Freichs' to lower right

Norbert Kox & William Thomas Thompson. Control Towers. 2002. Signed, dated, titled. Collaborative piece. Oil on canvas back to board. Excellent condition. 97.5" w x 25" h with artist-made frame. Est.