Old Master Through Modern Prints 2020-11-12 Auction - 476 Price Results - Swann Auction Galleries in NY - Page 12
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LOUIS LOZOWICK New York.JOAN MIRÓ La Femme Toupie.ALBRECHT DÜRER Hercules, or the Effects of
Done
New York, NY, United States
Auction Details

Old Master Through Modern Prints

This large sale surveys the history of fine art printmaking, from Albrecht Dürer and Rembrandt van Rijn through European Modernists like Pablo Picasso, to American Regionalism, Surrealism and beyond.
Auction Curator:
Todd Weyman
Todd Weyman
Vice President of Swann Galleries
Lot Number: Lowest
24
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ELLISON HOOVER Liberty.: ELLISON HOOVER Liberty. Lithograph, circa 1940. 343x235 mm; 13½x9 inches, full margins. Edition of approximately 50. Signed in pencil, lower right. A superb, dark, richly-inked impression of
0265: ELLISON HOOVER Liberty.Est. $1,500-$2,500
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STOW WENGENROTH New York Nocturne.: STOW WENGENROTH New York Nocturne. Lithograph, 1945. 250x430 mm; 10x17 inches, full margins. Edition of 85. Signed in pencil, lower right. A very good impression of this scarce, important
0266: STOW WENGENROTH New York Nocturne.Est. $8,000-$12,000
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BIRGER SANDZÉN Wind Whipped Pines.: BIRGER SANDZÉN Wind Whipped Pines. Lithograph, 1928. 405x562 mm; 16x22¼ inches, full margins. Signed and titled in pencil, lower margin. A superb impression of this large, scarce
0272: BIRGER SANDZÉN Wind Whipped Pines.Est. $1,500-$2,500Lot Passed
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WANDA GÁG Gumbo Lane.: WANDA GÁG Gumbo Lane. Lithograph, 1927. 253x326 mm; 9x12 inches, full margins. Edition of 50 (from an intended edition of 100). Signed in pencil, lower right. A very good impression of this
0273: WANDA GÁG Gumbo Lane.Est. $1,200-$1,800
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THOMAS HART BENTON Down the River.: THOMAS HART BENTON Down the River. Lithograph, 1939. 318x252 mm; 12½x10 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New
0274: THOMAS HART BENTON Down the River.Est. $3,000-$5,000
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THOMAS HART BENTON White Calf.: THOMAS HART BENTON White Calf. Lithograph, 1945. 253x325 mm; 10x12 inches, wide margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very
0275: THOMAS HART BENTON White Calf.Est. $1,500-$2,500Lot Passed
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THOMAS HART BENTON Goin' Home.: THOMAS HART BENTON Goin' Home. Lithograph, 1937. 240x302 mm; 9x11 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very
0276: THOMAS HART BENTON Goin' Home.Est. $1,500-$2,500
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THOMAS HART BENTON The Race.: THOMAS HART BENTON The Race. Lithograph, 1942. 225x337 mm; 8x13¼ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A
0277: THOMAS HART BENTON The Race.Est. $12,000-$18,000Lot Passed
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THOMAS HART BENTON Aaron.: THOMAS HART BENTON Aaron. Lithograph, 1941. 328x242 mm; 12x9½ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very
0278: THOMAS HART BENTON Aaron.Est. $1,500-$2,500
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THOMAS HART BENTON Morning Train.: THOMAS HART BENTON Morning Train. Lithograph, 1943. 238x345 mm; 9x13½ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York.
0279: THOMAS HART BENTON Morning Train.Est. $3,000-$5,000
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THOMAS HART BENTON Forward Pass.: THOMAS HART BENTON Forward Pass. Lithograph, 1972. 328x500 mm; 12x19¾ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York.
0280: THOMAS HART BENTON Forward Pass.Est. $2,500-$3,500
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GRANT WOOD February.: GRANT WOOD February. Lithograph, 1941. 225x300 mm; 9x11¾ inches, wide margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb
0281: GRANT WOOD February.Est. $4,000-$6,000
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JOHN STEUART CURRY Our Good Earth.: JOHN STEUART CURRY Our Good Earth. Lithograph, 1942. 325x260 mm; 12¾x10¼ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists,
0282: JOHN STEUART CURRY Our Good Earth.Est. $2,000-$3,000
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GEORGES SCHREIBER Southern Siesta.: GEORGES SCHREIBER Southern Siesta. Lithograph, 1939. 225x300 mm; 9x12 inches, wide margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A
0283: GEORGES SCHREIBER Southern Siesta.Est. $1,000-$1,500Lot Passed
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BERNARD STEFFEN Haying.: BERNARD STEFFEN Haying. Color screenprint, 1946. 255x205 mm; 10x8 inches, wide margins. Edition of 150. Signed and titled in pencil, lower margin. A very good impression.
0284: BERNARD STEFFEN Haying.Est. $1,000-$1,500
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PAUL CADMUS Going South.: PAUL CADMUS Going South. Etching, 1934. 246x125 mm; 9x5 inches, full margins. First state (of 2), before the artist's name in the plate lower left. Edition of approximately only 15. Signed,
0285: PAUL CADMUS Going South.Est. $7,000-$10,000
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PAUL CADMUS Fleet's In!: PAUL CADMUS Fleet's In! Etching, 1934. 190x355 mm; 7½x14 inches, full margins. Second edition (of 2). An artist's proof in this state, aside from the edition of 35. Signed, titled, numbered
0286: PAUL CADMUS Fleet's In!Est. $4,000-$6,000
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PAUL CADMUS Shore Leave.: PAUL CADMUS Shore Leave. Etching on cream laid paper, 1935. 266x294 mm; 10½x11½ inches, wide margins. First edition (of 2), printed in 1935. Edition of 50. Signed in pencil, lower
0287: PAUL CADMUS Shore Leave.Est. $2,500-$3,500
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PAUL CADMUS Coney Island.: PAUL CADMUS Coney Island. Etching, 1935. 233x260 mm; 9¼x10¼ inches, full margins. Artist's proof, aside from the edition of 50. Signed, titled and inscribed "(artist's proof)" in
0288: PAUL CADMUS Coney Island.Est. $4,000-$6,000Lot Passed
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