Tradition Travel Transition 2021-11-04 Auction - 374 Price Results - Bonhams in England - Page 12
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A black-lacquer two-case inroAn impressive imperial presentation cloisonnéA fine cloisonné-enamel and musen ('wireless')
Done
London, England, United Kingdom
Auction Details

Tradition Travel Transition

The fascination for Japan as a travel destination speaks to many. Before the world is ready again for tourism, Bonhams has gathered a collection of Japanese prints capturing the most scenic, albeit unfrequented and secluded, sides of Japan in the 20th century. This collection of Shin Hanga (New Print) by Kawase Hasui (1883-1957) spans more than 30 lots, and will be presented in Bonhams London sale of Tradition Travel and Transition: Japanese Art across the Centuries on 4 November 2021. Kawase Hasui, a towering figure in Japan's Shin Hanga tradition, is well known for his love of travel, a pastime which meant much more than mere tourism for him. As Hasui himself once wrote: '... travelling is my favourite hobby... and this hobby is not just something that I casually speak of, since sketching is my goal...' He was particular about where he would open his sketchbook, depicting famous spots but rarely choosing the most obvious or famous angles. Lot 350 (Evening in Beppu), for example, depicts the onsen (hot spring) resort of Beppu, as popular in 1929 as it is today, but seen through a tangle of bare, wintry branches. The majority of his prints in this sale come from private collections. Some bear one of the earliest copyright seals of his long-term publisher, Watanabe Shozaburo, while a few are designs even earlier and rarer, dating from before the great earthquake that devastated Tokyo and Yokohama in 1923. Most major museum collections of Hasui's prints are in the United States, where his work first gained an international following in the 1920s—it is rumoured that the late Steve Jobs was also an avid collector.
Lot Number: Lowest
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Anonymous: AnonymousMuromachi period (1333-1573), 14th/15th centuryNezumi soshi (Tale of a Mouse); fragment of a makimono mounted as a kakejiku, ink and slight colour on paper in silk mounts, depicting a
0265: AnonymousEst. £10,000-£12,000Lot Passed
Anonymous: AnonymousEdo period (1615-1868), early/mid 19th centurySumo Wrestlers; kakejiku, ink and colours on silk in silk mounts, the jikusaki (scroll ends) carved in red lacquer, depicting two sumo champions
0266: AnonymousEst. £1,500-£2,000Lot Passed
MANNER OF MARUYAMA OZUI (1766-1829): MANNER OF MARUYAMA OZUI (1766-1829)Meiji (1868-1912) or Taisho (1912-1926) era, late 19th/early 20th centuryChinese Lady and Attendant, with Peonies, kakejiku (hanging scroll), ink and colours on
0267: MANNER OF MARUYAMA OZUI (1766-1829)Est. £800-£1,200Lot Passed
MARUYAMA OZUI (1766-1829): MARUYAMA OZUI (1766-1829)Edo period (1615-1868), late 18th/early 19th centuryKarika Sonja, the Seventh Rakan (Disciple of Buddha); a kakejiku (hanging scroll); ink, mineral colours and gold on silk
0268: MARUYAMA OZUI (1766-1829)Est. £2,500-£3,000Lot Passed
Sold
After Katsushika Hokusai (1760-1849): After Katsushika Hokusai (1760-1849)Meiji era (1868-1912), late 19th/early 20th century A Severed Head, a kakejiku (hanging scroll), in ink, colour and gofun on silk in silk mounts, inscribed Hokusai
0269: After Katsushika Hokusai (1760-1849)Est. £1,000-£1,500
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TOSA MITSUSADA (1738-1806): TOSA MITSUSADA (1738-1806)Edo period (1615-1868), late 18th/early 19th century A set of 12 album leaves, in ink and colours on silk, each depicting a scene from chapters of Genji monogatari (The Tale
0270: TOSA MITSUSADA (1738-1806)Est. £1,500-£2,000Lot Passed
Sold
Anonymous: AnonymousEdo period (1615-1868), probably 18th centuryMakimono (horizontal handscroll), depicting erotic images, ink, colours, gofun, gold and silver on paper with lacquered details, depicting 12
0271: AnonymousEst. £4,000-£5,000
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Sold
Anonymous: AnonymousEdo period (1615-1868), 18th/19th centuryTwo folding albums of 12 erotic paintings: the first, ink, colour, gold, silver and gofun on mica ground, with double-page illustrations of 12 scenes
0272: AnonymousEst. £1,000-£1,500
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Anonymous: AnonymousEdo period (1615-1868) to Meiji era (1868-1912), 19th to early 20th centurySeven paintings of various formats and sizes: two holding-fan paintings; the first, ink, colour and gofun on gold
0273: AnonymousEst. £600-£800Lot Passed
Anonymous: AnonymousMeiji era (1868-1912), late 19th/early 20th centuryEgrets and Lotus: each a section of a kakejiku (hanging scroll), now mounted as three framed and glazed paintings, in ink and colour on
0274: AnonymousEst. £1,500-£2,500Lot Passed
Utagawa Hiroshige II (1826-1869): Utagawa Hiroshige II (1826-1869)Edo period (1615-1868), probably mid 19th century Album leaf, in ink, colour and kirikane on silk, mounted on card, depicting a lively street scene of an elegantly
0275: Utagawa Hiroshige II (1826-1869)Est. £1,500-£2,000Lot Passed
Utagawa Hiroshige II (1826-1869): Utagawa Hiroshige II (1826-1869)Edo period (1615-1868), probably mid 19th century Album leaf, in ink, colour and kirikane on silk, mounted on card, depicting a lively street scene of passers-by
0276: Utagawa Hiroshige II (1826-1869)Est. £1,500-£2,000Lot Passed
Yoshida Hiroshi (1876-1950): Yoshida Hiroshi (1876-1950)Meiji (1868-1912) or Taisho (1912-1926) era, early 20th centuryA kakejiku, ink on silk in silk mounts, depicting three sailing boats in the foreground and a fleet of others
0277: Yoshida Hiroshi (1876-1950)Est. £4,000-£5,000Lot Passed
Yoshida Hiroshi (1876-1950): Yoshida Hiroshi (1876-1950)Meiji (1868-1912) or Taisho (1912-1926) era, early 20th centuryA kakejiku, ink on paper in silk mounts, depicting two sailing boats, a mass of grasses bending over the
0278: Yoshida Hiroshi (1876-1950)Est. £2,000-£3,000Lot Passed
Yoshida Hiroshi (1876-1950): Yoshida Hiroshi (1876-1950)Meiji (1868-1912) or Taisho (1912-1926) era, probably circa 1906Oil on canvas, a minaret of a mosque dominating a bustling bazaar in Cairo, Egypt, signed at the bottom left
0279: Yoshida Hiroshi (1876-1950)Est. £7,000-£9,000Lot Passed
Sold
Attributed to Suzuki Harunobu (1725-1770): Attributed to Suzuki Harunobu (1725-1770)Edo period (1615-1868), circa late 1760s Two chuban yoko-e erotic prints: the first from the series Enshoku koi no urakata (The Spell of Amorous Love),
0284: Attributed to Suzuki Harunobu (1725-1770)Est. £1,200-£1,500
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Sold
Suzuki Harunobu (1725-1770): Suzuki Harunobu (1725-1770)Edo period (1615-1868), circa late 1760sA chuban yoko-e erotic print of Tenugui no kihan (Returning Sail at the Cotton Hand Towel Rack) from the series Furyu zashiki hakkei
0285: Suzuki Harunobu (1725-1770)Est. £1,200-£1,800
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Sold
Suzuki Harunobu (1725-1770): Suzuki Harunobu (1725-1770)Edo period (1868-1912), circa late 1760sA chuban yoko-e erotic print, depicting a man and woman seated on a mattress, the former approaching the courtesan from behind,
0286: Suzuki Harunobu (1725-1770)Est. £3,500-£5,500
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Sold
Suzuki Harunobu (1725-1770): Suzuki Harunobu (1725-1770)Edo period (1868-1912), circa late 1760s Two chuban yoko-e erotic prints from the series Furyu Enshoku Mane'emon (Elegant Erotic Mane'emon): the first, no.14, depicting a
0287: Suzuki Harunobu (1725-1770)Est. £1,200-£1,800
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Sold
Suzuki Harunobu (1725-1770) and attributed to Shiba: Suzuki Harunobu (1725-1770) and attributed to Shiba Kokan (1747-1818)Edo period (1615-1868), circa late 1760s and circa 1774Two chuban yoko-e erotic prints: the first, no.13, from the series Furyu
0288: Suzuki Harunobu (1725-1770) and attributed to ShibaEst. £1,200-£1,800
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