Tradition Travel Transition 2021-11-04 Auction - 374 Price Results - Bonhams in England - Page 13
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A black-lacquer two-case inroAn impressive imperial presentation cloisonnéA fine cloisonné-enamel and musen ('wireless')
Done
London, England, United Kingdom
Auction Details

Tradition Travel Transition

The fascination for Japan as a travel destination speaks to many. Before the world is ready again for tourism, Bonhams has gathered a collection of Japanese prints capturing the most scenic, albeit unfrequented and secluded, sides of Japan in the 20th century. This collection of Shin Hanga (New Print) by Kawase Hasui (1883-1957) spans more than 30 lots, and will be presented in Bonhams London sale of Tradition Travel and Transition: Japanese Art across the Centuries on 4 November 2021. Kawase Hasui, a towering figure in Japan's Shin Hanga tradition, is well known for his love of travel, a pastime which meant much more than mere tourism for him. As Hasui himself once wrote: '... travelling is my favourite hobby... and this hobby is not just something that I casually speak of, since sketching is my goal...' He was particular about where he would open his sketchbook, depicting famous spots but rarely choosing the most obvious or famous angles. Lot 350 (Evening in Beppu), for example, depicts the onsen (hot spring) resort of Beppu, as popular in 1929 as it is today, but seen through a tangle of bare, wintry branches. The majority of his prints in this sale come from private collections. Some bear one of the earliest copyright seals of his long-term publisher, Watanabe Shozaburo, while a few are designs even earlier and rarer, dating from before the great earthquake that devastated Tokyo and Yokohama in 1923. Most major museum collections of Hasui's prints are in the United States, where his work first gained an international following in the 1920s—it is rumoured that the late Steve Jobs was also an avid collector.
Lot Number: Lowest
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Suzuki Harunobu (1725-1770): Suzuki Harunobu (1725-1770)Edo period (1615-1868), circa late 1760sA chuban yoko-e erotic print from the series Furyu Enshoku Mane'emon (Elegant Erotic Mane'emon), no.12, depicting a courtesan
0289: Suzuki Harunobu (1725-1770)Est. £800-£1,000
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Suzuki Harunobu (1725-1770): Suzuki Harunobu (1725-1770)Edo period (1615-1868), circa late 1760sA chuban yoko-e erotic print depicting a Heian-period young aristocratic couple kissing and embracing by the window from
0290: Suzuki Harunobu (1725-1770)Est. £3,500-£5,500
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Suzuki Harunobu (1725-1770): Suzuki Harunobu (1725-1770)Edo period (1615-1868), circa 1768A chuban yoko-e erotic print titled Suicho Kokei (The Bedroom of an Upper-class Lady), depicting two samurai retainers sneaking into a
0291: Suzuki Harunobu (1725-1770)Est. £1,000-£1,500
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Attributed to Shiba Kokan (1747-1818): Attributed to Shiba Kokan (1747-1818)Edo period (1615-1868), circa 1774A chuban yoko-e erotic print from the series Mamesuke (Bean Man), depicting a scene in a public mixed bath, Mameshuke seated on
0292: Attributed to Shiba Kokan (1747-1818)Est. £700-£900
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Suzuki Harunobu (1725-1770): Suzuki Harunobu (1725-1770)Edo period (1868-1912), circa late 1760sA chuban yoko-e erotic print depicting an intimate moment between a couple visiting a kiku matsuri (chrysanthemum exhibition), the
0293: Suzuki Harunobu (1725-1770)Est. £3,500-£5,500
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Utagawa Kunimaro (active 1830–1870): Utagawa Kunimaro (active 1830–1870)Edo period (1615-1868), circa 1848-54A three-volume set of hanshibon-size erotic books titled Keichu ookarakuri (Large Puppet Play in the Bedroom), each
0294: Utagawa Kunimaro (active 1830–1870)Est. £1,000-£1,500
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Keisai Eisen (1790–1848): Keisai Eisen (1790–1848)Edo period (1615-1868), circa 1825Three oban yoko-e erotic prints from the series Kyoka dai koino michikusa (Theme for the Kyoka Poems: Amorous Detour): the first titled
0295: Keisai Eisen (1790–1848)Est. £1,000-£1,500
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Anonymous: AnonymousEdo period (1615-1868), mid 19th centuryThree oban yoko-e erotic prints: each of a couple making love, the first depicting a young upper class couple; the second a courtesan and her client
0296: AnonymousEst. £1,000-£1,500
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Kitagawa Utamaro (1753-1806) and others: Kitagawa Utamaro (1753-1806) and othersEdo period (1868-1912), late 18th and early 19th centuriesThree oban yoko-e erotic prints: the first depicting a young man and young girl in front of a
0297: Kitagawa Utamaro (1753-1806) and othersEst. £1,000-£1,500
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Kitagawa Utamaro (1753-1806): Kitagawa Utamaro (1753-1806)Edo period (1615-1868), late 18th/early 19th centuryTwo oban tate-e prints: the first of the courtesan Fujie of the Nakamanjiya from the series Yukun gosseku (Courtesans
0299: Kitagawa Utamaro (1753-1806)Est. £800-£1,000
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Suzuki Harunobu (1725-1770): Suzuki Harunobu (1725-1770)Edo period (1615-1868), dated 1771A two-volume set of chuban-size books titled Ehon haru no nishiki (Picture Book: The Brocade of Spring), depicting beautiful ladies in
0300: Suzuki Harunobu (1725-1770)Est. £3,000-£5,000
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Katsushika Hokusai (1760-1849): Katsushika Hokusai (1760-1849)Edo period (1615-1868), circa 1832An oban yoko-e print of Izumizaki yagetsu (Night Moon at Izumizaki) from the series Ryukyu hakkei (Eight Views of the Ryukyu Islands),
0301: Katsushika Hokusai (1760-1849)Est. £2,500-£3,000
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Katsushika Hokusai (1760-1849): Katsushika Hokusai (1760-1849)Edo period (1615-1868), circa 1804-1805Two kokonotsugiriban yoko-e surimono of Fukuroi and Kusatsu from the untitled series Tokaido gojusantsugi (53 Stations on the
0302: Katsushika Hokusai (1760-1849)Est. £500-£600
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Katsushika Hokusai (1760-1849): Katsushika Hokusai (1760-1849)Edo period (1615-1868), circa 1830-1832An oban yoko-e print of Sunshu Ejiri (Ejiri in Suruga Province) from the series Fugaku sanjurokkei (36 Views of Mount Fuji),
0303: Katsushika Hokusai (1760-1849)Est. £2,000-£3,000
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Utagawa Hiroshige (1797-1858): Utagawa Hiroshige (1797-1858)Edo period (1868-1912), three early 1830s and one dated 1857Four oban prints: three yoko-e of Shono, Kanbara and Kuwana from the Hoeido Tokaido gojusantsugi (53 Station
0304: Utagawa Hiroshige (1797-1858)Est. £1,000-£1,500
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Utagawa Hiroshige (1797-1858): Utagawa Hiroshige (1797-1858)Edo period (1615-1868), dated 1857An oban tate-e print of Mitsumata wakare no fuchi (Deep Water at the Division into Three Forks), from the series Meisho Edo hyakkei
0305: Utagawa Hiroshige (1797-1858)Est. £800-£1,000
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Utagawa Hiroshige (1797-1858): Utagawa Hiroshige (1797-1858)Edo period (1615-1868), dated 1857An oban tate-e print of Kanda Myojin akebono no kei (Dawn at the Kanda Myojin Shrine), from the series Meisho Edo hyakkei (100 Famous
0306: Utagawa Hiroshige (1797-1858)Est. £800-£1,000
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Utagawa Hiroshige (1797-1858): Utagawa Hiroshige (1797-1858)Edo period (1615-1868), dated 1857An oban tate-e print of Shoheibashi Seido Kandagawa (Seido Shrine and Kanda River Seen from Shohei Bridge), from the series Meisho Edo
0307: Utagawa Hiroshige (1797-1858)Est. £800-£1,000
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Utagawa Hiroshige (1797-1858): Utagawa Hiroshige (1797-1858)Edo period (1615-1868), circa 1847-1852Two oban tate-e prints of Karasaki yau (Night Rain at Karasaki) and Seta sekisho (Sunset Glow at Seta) from the series Omi Hakkei
0308: Utagawa Hiroshige (1797-1858)Est. £2,000-£3,000
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Utagawa Hiroshige II (1826–1869): Utagawa Hiroshige II (1826–1869)Edo period (1615-1868), dated 1859An oban tate-e print of Banshu Muro-no-tsu shinkei (True View of Muro Harbor in Harima Province), from the series Shokoku
0309: Utagawa Hiroshige II (1826–1869)Est. £1,000-£1,500
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Utagawa Hiroshige (1797-1858), Utagawa Toyokuni III: Utagawa Hiroshige (1797-1858), Utagawa Toyokuni III (1786-1865) and Utagawa Hiroshige II (1826-1869)Edo period (1615-1868), mid 19th centuryFour oban tate-e prints: two by Hiroshige, the first of
0310: Utagawa Hiroshige (1797-1858), Utagawa Toyokuni IIIEst. £1,500-£2,000
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