Kent Lovelace ''Preening Swan'' Oil on Copper

American, b. 1951. Oil on canvas, signed lower left. Preening swan. 24"h. 30"w., framed, 32.25"h. 38.5"w.

Comprises: bronze, brass, sterling plate and copper, among others. Includes: tray, inkwell, letter holders, figural lamp, swan-form oil lamp, and others. 9 items total. [Tallest: 17 1/4"]. Conditions

**Originally Listed At $400** Kent Lemon (American, b. 1960). "February 10th" oil on canvas, 1985. Signed on the lower right. An elegant still life by Kent Lemon featuring a copper kettle, a white por

SHOWING A OIL ON BOARD TITLED , " SNOWED IN " SIGNATURE LOWER RIGHT ROCKWELL KENT . IN A GALLERY FRAME. MEASURES 15" BY 18" . AS FOUND ESTATE CONDITION. PLEASE USE PHOTOS AS PART OF THE DESCRIPTION. T

Signed SKILLING Large Swan Oil Painting. Oil on canvas. Sponge painted frame. William Skilling American artist born in 1940. Signed Skilling.-- Dimensions: Image Size: H: 35.25 inches: W: 47.25 inches

Philip Connard, R.A. (British, 1875-1958), Leda and the Swanoil on canvas, signed lower right, presented under glass in a period gilt composition frame with gallery plaque, retaining gallery and exhib

Jacob Lawrence (American, 1917-2000), Memorabilialithograph in colors, 1990, on BFK Rives paper, pencil signed, titled, and numbered 55/100, printed by Kent Lovelace, Stone Press Editions, Seattle and

Adolphe Gumery (1861 - 1943, French) Leda and the Swan Oil on canvas. Signed lower left A. Gumery and dated 1900. 39" x 31"; framed 49" x 41" in an elaborate gilded frame Provenance: Ch

Alfred Augustus Glendening, Sr. (British, ca. 1840-1917) "Thames River with Swans" oil on canvas monogrammed and dated "'92" lower right, verso with "The Cooling Galleries, London/Toronto" label. Gilt

David A. Maass (American, b. 1929). Oil on masonite titled "Swan Lake Breezy Point - Green-Winged Teal and Pintails" depicting ducks in flight against a fall wetland. Signed along the lower

Italian School After Sasso Ferrato G. Battista (Italian, 1591-1666) Oil on Copper, Ca. 18th.c., "Madonna And Child", H 7.2" W 5.7" | Oil on copper mounted on wood panel. Black frame with blue malachit

Allegory of Celestial and Earthly Love, 16th century, oil on copper.The painting is 9.2" x 8.2", in a frame 14" x 12.6".////////////////////////////////////////////////////////////////////////////////

A large 'Stations Of The Cross' oil on copper, Gothic Revival wood frames. 19th century. Condition report: - Missing pieces. - Some stations with flaking paint.  Dimensions: (W:71 x

(Italian, 1696-1782), titled "Madonna and Child with the Infant Saint John the Baptist," appears to be unsigned. Sight size: 10-3/4"h x 8-1/2"w Provenance: Griffith Coombs, Kansas City. Anonymous sale

This lot consists of a very old Madonna with Child landscape hand painted oil on copper dated to the 17th-19th century. The lot depicts the landscape with a Madonna, child and angels in the style of L

Pair 16/17th C Italian Oil on Copper Paintings after figures in Raphael's Loggia in the Vatican; in period hand carved frames; the reverse with an old attribution to Andrea del Sarto and various colle

Group of Seven Oil on Copper Portraits of British Families, each inscribed with sitter information en verso, each 7 5/8 in. x 5 5/8 in., framed alike, each overall 9 3/8 in. x 7 5/8 in. (7 pcs.)

After Rembrandt Harmenszoon van Rijn1606-1669 (Dutch)Belshazzar's feastoil on copper38x50 cmOther Notes: The picture, painted c. 1635, is an example of Rembrandt's attempt to establish himself as a pa

Lawrence. From a Nyack, NY estate. Dimensions: 26.25" high x 22" wide. Condition: Fine craquelure throughout.

DESCRIPTION: Antique Spanish School "Divina Pastora" oil on copper painting depicting the Virgin Mary with her hand on a sheep, the background with St. Michael the Archangel swooping down to protect a

From the Minneapolis Institute of Arts, an oval painting of a lady in a blue dress. [Art: 13 3/4 x 10 3/4 inches; Frame: 20 1/4 x 17 1/4 inches].

Oil on copper. Most prominent of Old Master Flemish artists , the younger Teniers II. Influenced by Van Ostade,by far, his most successful and sought after are his scenes of local and regional taverns

Gennaro Greco, called il Mascacotta (Italian, 1663-1714), titled "An Architectural Capriccio with Classical Ruins and Figures," appears to be unsigned. Sight size: 8-1/8"h x 10-1/8"w Provenance: Anony

Rare Untouched Early Oil on Copper Portrait of John Paul Jones 1760-1780 10" by 12"framed. Unrestored as found condition.. Housed in later frame c.1870. Sold at Christies in 2005. Marbleized paperand