JOHN POSTLE HESELTINE (U.K. 1843-1929) Beers Head 1878 Plate Signed Etching

VARIOUS WATER SCENES: Frank Harding WESTMINSTER BRIDGE, etching, signed in pencil, sheet 9 ¼ x 17 ¼”; John Postle Heseltine BEERS HEAD, 1878, etching, signed and dated and titled i

Figure devant tapa africain, 1929 (plate 126) Lithograph on Japan imperial paper under glass Edition: 35/50 Signed and numbered in pencil in the lower margin, at right: Henri Matisse Image: 21.25"

Title: Mosaic. John Sloan (1871-1951) Medium: Etching, 1917. Edition 100 - printing 35. Signed in pencil. Inscribed "100 proofs" and "JS imp." This impression was printed by John Sloan. Plate size

JOHN MARIN (AMERICAN, 1870-1953), ETCHING AND DRYPOINT, 1913, PLATE SIZE: H 12 3/4", W 10 1/4", "WOOLWORTH BUILDING #2:Pencil signed (within the plate mark); signed, titles and dated in the plate; ins

Myochin School, signed Muneyoshi?, Meiji Period Fully articulated russet iron body constructed of numerous hammered plates joined inside the body, the head realistically carved with scales and fitted

(The Country Dance) Etching signed in plate by Renoir. Pierre-Auguste Renoir original soft ground etching on vellum, circa 1890, signed in plate on the bottom right. Ref: Delteil #2

JASPER JOHNS (B. 1930)"TARGET WITH FOUR FACES"Year: 1979Etching in colors on Rives BFKDimensions: 76x55 cmSigned, dated and numbered in pencil XX/88Published by Petersburg Press, New York and London /

a Hudson River scenic - possibly near Constitution Island, oil on canvas, signed 'Julie H. Beers 1878' (lower right), 17x14in., overall framed 26x22in. Condition: UV light reveals approx. 2x1.5†i

John Martin Tracy (1843-1893) Leicester signed "J.M. Tracy" lower right oil on board, 10 1/2 by 14 in. Newhouse Galleries labels on back with title, artist John Martin Tracy was born in Rochester, Ohi

John Emms (British, 1843-1912) Two hounds signed 'J. EMMS' (lower right) oil on canvas 11 x 10in (28 x 25.4cm) Footnotes: Provenance Sale, Bonhams, New York, The Dog Sale, 16 February 2010, Lot 119;

JASPER JOHNS (B. 1930) Untitled, 1976 Etching on watermarked artist paper 13" x 9 3/4" Signed in pencil lower right side

DE BEERS: DIAMOND SINGLE-STONE RING Set with a brilliant-cut diamond, weighing 1.26 carats, mounted in platinum, signed De Beers, numbered C93092, partial UK hallmark, ring size approx. I½, maker

DE BEERS: DIAMOND THREE-STONE RING Set with three brilliant-cut diamonds, weighing 1.22, 0.51 and 0.51 carats, signed De Beers, numbered C35459, partial UK hallmark, ring size approx. L, maker's case

TAOS IN WINTER II, drypoint and aquatint etching signed and titled in pencil, plate 10 x 14”, sheet 14 x 18”

REYNOLDS BEAL (AMERICAN, 1867-1951) MARBLEHEAD, RACE WEEK (BRESSLER 1158) 1929, etching on paper; signed 'Reynolds Beal 1929' in pencil lower right, titled on the lower margin; framed. 8 3/4 x 11 3/4

Joan Miro "La Femme Des Sables" etching and aquatint print signed "Miro" in the lower right corner and marked "HC" in the lower left corner, exhibition print (HC) from edition of 75. Plate: 36" H x 23

John Frederick Herring Sr. (1795-1865): A Bay in a Stall Oil on canvas, 1843, signed 'J. F. Herring Senr' and dated center left, lined. 15 x 20 in., 20 x 25 1/2 in. (frame). Estate of Don F. Gaston, G

Henri Matisse Etching, "Jeune Femme Contemplant un Bocal de Poissons Rouge". 1929. Signed and numbered in pencil, 23/25. Measures appx 3 3/4" x 5 3/4" and 12 1/4" x 14" in frame. In good condition.

Carl Rungius (1869-1959), Lord of the Canyon, etching and drypoint, 6 1/8 x 8 3/8 (plate), signed lower right: C. Rungius, Provenance: Arthur H. Harlow & Co, New York, NY (label verso) From a Private

René Magritte (Belgian, 1898-1967) La sourire du diable, plate II from Aube à l'Antipode 1966. Etching. Signed 'Magritte' in pencil (lower right). Edition E. A. I/V. Reference: Kaplan/Baum 7. 7 x 5

Pablo Picasso (Spanish, 1881-1973) Deux Buveurs catalans, (plate 12 from La Suite Vollard), 1934 etching signed in pencil 9 1/4 x 11 3/4 inches. Provenance: Kovler Galleries, Chicago Property from the

JADED GARDEN, 1962, etching, signed and dated and titled and inscribed proof in pencil, plate 12 ¼ x 15”, sheet 14 ¼ x 16 ¼”, frame 18 ½ x 21” with glass.

circa 1934; Bloch I, 216 (plate 25 from 'The Vollard Suite') aquatint and etching signed lower right Provenance: Ray Marlowe, Los Angeles 7 1/2 x 8 1/2 inches

John Stobart (b. 1929): Pilot Meeting Packet Brig Oil on canvas, 1969, signed 'Stobart' lower right, dated lower left, with label from Kennedy Galleries, NY. 10 1/2 x 14 in., 16 1/4 x 20 in. (frame).