REMBRANDT (REMBRANDT HARMENSZ VAN RIJN) [AFTER] -

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) The Descent from the Cross: Second Plate, 1633, fifth (final) state (B., Holl. 81; H. 103; BB. 33-C) etc

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) 'The Death of the Virgin', 1639 etching, trimmed to plate image 39.2 x 31.2cm Provenance: With Lilla Buk

Rembrandt Harmensz Van Rijn (Holland, 1606-1669)Christ before Pilateetching with drypoint and engraving on laid paperLarge Plate (B., Holl. 77; H. 143) Etching with drypoint and engraving, 1635-36, wa

Rembrandt Harmensz van Rijn (1606-1669) The Little Jewish Bride (Saskia as Saint Catherine) (Bartsch, Hollstein 342, Hind 154, New Hollstein 169), 1638 Etching with drypoint on laid paper, New Hollste

Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: Small Plate (Bartsch 72; New Hollstein 206) Etching, 1642, on laid, New Hollstein's final second state, with thread margins, 150 x 114mm

Medium: Etching. Title: Six's Bridge (B., Holl. 208; H. 209), c. 1645. Dimensions: 8.5 X 5 inches (etching), frame: 12 x 16 inches. Lot note and provenance: Private collection, Maryland. The etching w

After Rembrandt Harmensz. van Rijn, oil on canvas portrait of Hendrick Martensz Sorgh; the seated figure wears period garments with a large black hat. Unsigned, canvas relined, heavily varnished surfa

Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Jews in the Synagogue (B. 126; H. 234; New Holl. 242), 1648 etching and drypoint on laid paper a H.L. Basan impression with no watermarks, New Hollsteins

Rembrandt Harmensz. Van Rijn (1606-1669): The Rat Catcher Etching in black on laid paper. 5 3/4 x 4 /8 in. (sheet), 8 1/2 x 8 1/4 in. (frame). Property Formerly in the Collection of Doris Gottlieb Bri

RAISING OF LAZARUS (B.73; H.73), etching on wove paper, sight 14 x 9 ¾”, label on verso states late Basan/ early 19th Century impression, hand-made custom frame 27 x 25” with glass.

REMBRANDT HARMENSZ VAN RIJN (NACHFOLGER DES 18. JH.) 1606 Leiden - 1669 Amsterdam PORTRÄT EINES BÄRTIGEN ORIENTALEN Öl auf Eichenholztafel. 37,5 cm x 28,5 cm. Verso: Altes Etikett des Kunstauktions

THE DEATH OF THE VIRGIN (B.99), 1659, etching on wove paper, probably a Armand Durand edition, image 15 ½ x 12 ¼”, full margins, hand-made custom frame 32 x 28” with glass.

Rembrandt Harmensz van Rijn (1606-1669) etching, sheet of studies; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon. Probably a 19th century impression. Not examined out of the frame.

Rembrandt Harmensz van Rijn (1606-1669) etching,"The Rest on the Flight to Egypt," B. 57 III; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon, page 190. Probably a 19th century impres

Rembrandt Harmensz van Rijn (1606-1669) etching,"Abraham's Sacrifice," 1655; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon, page 185. Probably an 18th or 19th century impression. No

Vintage lithograph print. Rembrandt Harmensz van Rijn. 'The bitten hunter'. Publisher: Dresdner Meisterdruck, Eastern Germany. Gemaldegalerie Dresden. M 1182. Paper size: 24" x 32,3," (61 x 82 cm). Im

Rembrandt Harmenszoon van Rijn (July 15, 1606 – October 4, 1669) was a Dutch painter and etcher considered one of the greatest artists in European history. He is known for his mastery of light and s

Rembrandt Harmensz van Rijn (1606-1669) etching, Dutch landscape. Illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon. Probably a 19th century impression. Not examined out of the frame. A

Rembrandt Harmensz van Rijn (1606-1669) etching,"The Three Trees," B. 212; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon, page 185. Probably a 19th century impression. Not examined

Rembrandt etching of Beggar Seated Warming His Hands At A Chafing Dish about 1630, Rembrandt Harmensz. van Rijn (Dutch, 1606–1669), Bartsch 173 ii; Hind 8 ii, DIMENSIONS - Sheet: 8.2 x 5.1 cm (3 1/4

Nach Rembrandt Harmensz van Rijn (1606-1662), 'Landschaft mit Boot und Windmühle' / 'Landscape with boat and windmill', Entwurf 1642 Technik: Kupferstich auf Büttenpapier, hinter Passepartout, Signa

Rembrandt Harmensz van Rijn (1606-1669) etching,"Jan Cornelis Sylvius, Preacher," B. 46-E, 1646; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon. Probably an 18th or 19th century impr

After Rembrandt Harmensz van Rijn (1606 -1669), "The Raising of Lazarus," etching, after the 1632 original, presented in a gilt frame, H.- 15 1/4 in., W.- 10 3/4 in.

Early 20th Century Hardcover book "Rembrandt Harmensz Van Rijn, A Memorial Of His Tercentenary MDCVI - MCMVI, With 70 Plates" Publish 1906. AS IS Condition, loose cover, binding, tears, toning. Shippi