27022: George Gilbert Scott (British, 1811-1878) Landsc

Drawing by George Gilbert Scott, Cross Roads,c1860 Frame: 14.5" x 12 3/4" Drawing: 9" x 7 1/4" George Gilbert Scott(source: Wiki) Sir George Gilbert Scott RA (13 July 1811 - 27 March 1878), known as S

George Haydock Dodgson (British, 1811-1880), Wooded Genre Scene with Figures, 1878, watercolor, signed and dated lower left, sight: 16.5"h x 27.5"w, overall (with frame): 22.25"h x 33"w

Sir Giles Gilbert Scott K6 Jubilee Cast Iron and Wooden British Telephone Booth, Kiosk K6 was inspired by George V's Silver Jubilee, this piece was purchased by the U.S. owner in "Off Street" conditio

Gilbert Stuart Newton. (British, 1795 - 1835). The Prince of Spain's Visit to Catalina. Antique steel engraving on wove paper after the original by master engraver Charles George Lewis (English, 1808-

Henry Dawson (British, 1811-1878) Untitled (The Country Lane) oil on canvas signed H Dawson (lower left) 24 ¼ x 36 inches.

Henry Dawson (British, 1811-1878). Men Men-of-War at Sheerness. Antique engraving on wove paper after the original by master engraver engraver Arthur Willmore (British, 1814-1888). Signed in the plate

Henry Dawson (British, 1811-1878). St Paul's from the River Thames. Antique etching on wove paper after the original painting by master engraver W. A. Reid. Year: 1902. Signed in the plate. Condition:

Henry. T. Dawson (British, 1811-1878). "Landscape in the Dukeries". Antique Heliogravure on thick wove paper after the original by Alfred Dawson (British, 1843-1931). 1890. Signed in the plate. Excell

Giles Gilbert Scott, British, 1880 to 1960, a pencil on paper drain gin depicting a rural landscape titled The Cross Road to lower center. Signed lower left. Matted and framed. Circa the mid 20th cent

Gilbert Scott Wright (British, 1880-1958), The Arrival, watercolor, signed lower right, sight: 12.25"h x 20.25"w, overall (with frame): 36.5"h x 32.25"w

Gilbert Scott Wright (British, 1880-1959)Two horses in a stable, 1918oil on millboardsigned lower left G. Wright and dated12 x 14in (30.5 x 35.5cm) Provenance:Property from

Cruikshank, George (British 1792-1878), The Headache, 1835, engraving, published by Thomas McLean in 1835, image 8 x 9.75inches, frame 17.25 x 18.25 inches.

George Cruikshank (British, 1792 - 1878)Monk on Donkeyswatercolor on paperLeonard Clayton, New York label on back5 3/4" x 8 1/4"

George Cruikshank (British 1792-1878) The Worship of Bacchus etching, 1865, after the original oil painting held at the Tate Gallery in London, signed  and annotated "First Proof' in pe

1) and 2) George Cruikshank (British, 1792-1878), Anglo-Franco relations satirical prints, 9 1/4" x 12 1/2" sight, 13" x 15 3/4" framed; 3) and 4) George Cruikshank (British, 1792-1878), modern maladi

George Cruikshank (British, 1792-1878) antique hand colored copperplate engraving from David Carey’s Life in Paris, the Rambles, Sprees and Amours of Dick Wildfire, Fairburn, London, 1822. The

George Cruikshank (British, 1792-1878), 1835, two etchings, 1) "Checkmate", depicting a mortified woman walking in on her husband with the maid, the drama highlighted by the scenes of mythology in the

Cruikshank, 'The Bee Changes a Rock Into a Palace', by George Cruikshank (British, 1792-1878), etching, titled and signed in plate Overall: 13-1/2"h x 11-/4"w Sight: 6-1/2"h x 4"w Provenance: Property

Attributed to George Clarkson Stanfield (British, 1828-1878) The working mill in a continental medieval town, probably Saarburg, Germany oil on canvas 60.9 x 91.5cm (24 x 36in).

GEORGE CLARKSON STANFIELD (BRITISH, 1828-1878) OIL ON CANVAS, 19TH C., H 24", W 36", SCHOONER OFF THE DOVER COAST Signed lower right. Framed Measurements H 32" W 44"

George D. Callow (British, 1822-1878) Coast Scene. Oil on canvas. Signed lower left and dated 1861 12" x 22" Frame: 17" x 27"

George Thompson Pritchard (American/British, 1878 - 1962), "Sunset Cottage Landscape", oil on canvas, signed lower left. Approx. h. 33.75", w. 43.5" (frame), h. 26", w. 36" (canvas).

George Clarkson Stanfield (British, 1828-1878), attributed, oil on board painting depicting a fishing scene. Not signed. Frame Size: 22 inches high x 28.75 inches wide. George Clarkson Stanfield was a

George I Cruikshank (British, 1792-1878), Public Opinion, The Master Cook and Cupid Playing at Trap Ball, coloured prints, published 1820/23, with four other satirical colour prints including after Wi