MAX FLEISCHER American 1883-1972 Pencil on Paper

Pencil on paper, framed. Featuring Betty Boop. Signed with monogram. Attributed to Max Fleischer (1883-1972, American) on the lower right corner. 19 x 10 cm (7.5 x 3.9 inches). Frame size: 32.5 x 26 c

Max Fleischer (American 1883-1972) Serigraph Cell Betty Boop "Sunday Drive" logo top left. Certificate verso APG Publishing King Features, 1537/1950 . Measures sight 9-1/4" H x 11" W, Frame 17-3/4" H

Max Fleischer (AMERICAN / NEW YORK, 1883 - 1972) limited edition procell titled "Clark Ken's Secret" depicting Clark Kent covertly changing into his Superman outfit. Signed in gold marker to lower cen

Beautiful Place, 1972, serigraph, edition 52/100 on Arches paper, blindstamp lower left, published by London Arts Inc., printed by Peter Baum. Pencil signed lower right, edition numbered low

Peter Max (American,1937) titled "Planetarian Traveler" pencil signed and numbered 52/100 serigraph on arches paper. Raised embossed seal lower left. Produced in 1972. Measures 27" (69cm) width by 22"

a Life-sized whimsical Betty Boop painted composition sculpture portrays the iconic animation cartoon character created by illustrator Grim Natwick (1890-1990) for Max Fleischer's (1883-1972) studio.

A pioneer of film animation, cartoonist Max Fleischer (1883-1972) created cartoon characters Betty Boop and Popeye. He is also remembered for his more than 20 motion picture production inventions, par

A pioneer of film animation, cartoonist Max Fleischer (1883-1972) created cartoon characters Betty Boop and Popeye. He is also remembered for his more than 20 motion picture production inventions, par

Jay Schrock, 'Native American,' 1972, pencil on paper, depicting a portrait of a bust of a Native American man, signed and dated to lower right, in a wood frame. Approximate dimensions: paper h. 14",

Edgar Payne (American, 1883-1947) Untitled Pencil on paper 8 x 10.25 (in) 14 x 16.5 x 1.25 (in) Framed Signed in pencil Edgar Payne, lower right

Johann Berthelsen (American 1883-1972), framed gouache on paper depicting a hazy setting sun over water. Signed lower right. Dimensions:  Art: 9.5" H x 13" W;&n

David Clyde Driskell1931-2020American Worker1972pencil and charcoal on paper11 3/4 x 9 1/4 (image) inchessigned, titled, datedProvenance: private collection, Michigan

Marguerite Hohenberg (Austrian/American, 1883-1972), "Chronological #219", gouache on paper, monogrammed lower right, signed, titled and inscribed "Gallery #22" en verso, partial label with artist and

Marguerite (Kurtz) Hohenberg (Austrian/American, 1883-1972) Untitled Abstraction gouache on paper signed with artist's monogram upper right 19 5/8" x 25 7/16"

Marguerite (Kurtz) Hohenberg (Austrian/American, 1883-1972) Untitled Abstraction gouache on paper signed with artist's monogram upper left 23 3/4" x 17 1/2"

Marguerite (Kurtz) Hohenberg (Austrian/American, 1883-1972) Untitled Abstraction gouache on paper signed with artist's monogram upper right 19 7/8" x 13"

Marguerite (Kurtz) Hohenberg (American, 1883-1972) Abstraction, 1937 oil on paper signed lower right and verso on separate paper sheet 19 5/8" x 12 7/8"

Hobson Pittman (American, 1890-1972), watercolor and pencil on paper, "Seal Harbor Aug. 30, 61", pencil signed upper left, 5 3/4" x 8 3/4" sight, 12 3/4" x 15 3/4" overall

Emil Armin, (American, 1883-1972), Shade Palms, ink on paper, signed and titled, 12" x 6.5". Provenance: Property from the Estate of Frank Ternenyi, Chicago, Illinois

Emil Armin, (American, 1883-1972), Cow Passengers, ink on paper, signed and titled, 24.75" x 7.5". Provenance: Property from the Estate of Frank Ternenyi, Chicago, Illinois

Peter Max (American, b. 1937), "Saturn Messenger," 1972, screenprint, pencil signed lower right, edition 74/175, image: 20"h x 28"w, overall (with matting/unframed): 26.75"h x 34"w. Note: Accompanied

Tony Oursler, drawing, Tony Oursler (American, b. 1957), "Crab", 1972, color pencil on paper, museum exhibition label verso, unsigned, 11.5"h x 14.5"l (total) Provenance: The Estate of a Williamstown

GROUPING OF ELIOT CANDEE CLARK (AMERICAN, 1883-1980) DRAWINGS, pastel and pencil on paper, uncounted, majority of examples signed or initialed, some examples with no signature located. Unframed. First

Emil Armin (American, 1883-1972) Spanish Moors, 1968 watercolor on paper initialed EA, dated, and titled (lower right) 13 1/4 x 9 1/2 inches. Provenance: R.H. Love Galleries, Chicago (label verso)