Attr. Giovanni Battista Pittoni Red Chalk / Pastel

ATTRIBUTED TO GIOVANNI BATTISTA TIEPOLO 5 March 1696 Venice - 27 March 1770 Madrid THE VIRGIN APPEARS TO SAINT DOMENIC (?) Charcoal and red chalk on hand-made paper by D&C Blauw from 1720, made in Zaa

Red chalk on paper. Featuring sketch of a woman with a child. Inscribed on verso with ink. Attributed to Giovanni Battista Tiepolo (1696-1770, Italian). 26 x 18.5 cm (10.25 x 7.25 inches). Provenance:

Detailed oil portrait study on paper. Unsigned. Attribution verso. Dimensions: (Paper) H 11.25" x W 8.5" Condition: Paper with some edge tears and some handling wear.

Antique Oil on canvas (relined). Head of a Saint. Bearded head of a man in oval painted reserve. Plaque attribution. Antique frame. 19" X 14" (25" X 20")

GIOVANNI BATTISTA CIMAROLI (ATTR.) C. 1687 Salò (Gardasee) - C. 1753 Venedig (?) UPPER ITALIAN FLUVIAL LANDSCAPE Oil on canvas (relined). 68,5 cm x 87 cm (F. 83 cm x 102 cm). Min. restored, min. dama

GIOVANNI BATTISTA CIPRIANI (ITALY 1727-1783), SANGUINE CHALK, CHERUB, SIGNED/CYPHER. SIGHT 9 1/2 X 8 1/4"; FRAMED AND GLAZED-23 X 20"

Pair of Antique Engravings after Giovanni Battista Passeri, (Italian, 1694-1780) Etruscan Red Figure Vases, depicting a volute krater and an amphora from the collection of the Vatican, matted and fram

Attributed to Giovanni Battista Piazzetta (Italian, 1682-1754), Anguished Man, chalk and stumping on paper, sheet: 16"h x 11.25"w, overall (with matting): 20"h x 16"w. Provenance: Sotheby's New York:

Giovanni Battista Piranesi, (1720-1778), universally claimed the greatest etcher of the 18th century..From “Vasi Candelabri Cippiy Sarcofagi Tripodi Lucerne ed Ornamenti Antichi” published in

A lot of two unsigned pen and ink wash/chalk drawings on paper, attributed to Giovanni Battista Crosato (Italian 1697 - 1756). Each depicting classical scenes with female figures. Information provided

Attr: Paul Cesar Helleu (French, 1859-1927) Her Breakfast Coffee," pencil and red chalk on laid paper, signed lower right. 7.5" H X 12.5" W (16" X 20.5"). With photocopy of appraisal from Francine Leg

ATTRIBUTED TO: Guercino (Italian b.1591 -d.1666). Titled: St. Simieon. Medium: Red chalk; inscribed in pen and brown ink. Image Size: 7-1/2” x 10-1/4" (without frame). Signed: Middle right facing

Red chalk or pencil. Jean-Baptiste Huet, French (1745-1811). Approx. 5 1/2" x 6 1/2" sight, 12 1/2" x 13 1/2" framed. From a collection of antiques that were purchased when the consignor's parents liv

Attributed to Christophe Gabriel Allegrain (French, 1710-1795). Black and red chalk on paper, attribution on clipping from original sheet attached to verso, 11 x 8 3/4 in., framed

Watercolor, possibly red chalk. Charles Andre Van Loo, French (1705-1765). Approx. 10 1/2" x 7 1/2" sight, 16" x 13" framed. From a collection of antiques that were purchased when the consignor's pare

‘Untitled’, chalk pastel on paper, vivid blue and red abstract imagery, pencil-signed lower right. Provenance: Andre Emmerich Gallery Inc, New York (see label on reverse). Condition: this

Drawing Red chalk, woman on donkey. 18th cent Italian, watermark: , possibly Giovani Battiste Piazzeeta. (work 8.25 x 7 1/8 in). Attributed to Giovanni, but marks not found. True example of Giovanni's

Attributed to Guercino (Giovanni Francesco Barbieri, Italian, 1591-1666), Portrait of a man, red chalk on paper, 11X7.5 cm, apparently unsigned. Tears, minor creases. Not examined out of the frame.

Pastel and chalk on paper study, featuring a bather. Signed and attr. Edgar Degas (French, 1834–1917, Paris, France, based in Paris, France). Though he rejected the label, Edgar Degas contribut

Camille Pissarro (1830-1903) French, MM/P. Mixed Media On Paper. Titled "Le Rassmblement" Pastel and black chalk on paper. Sketch of a crowd in center of town. Figure in center has red and blue. Most

tempera su tavola a fondo oro, W. 85 - H. 123 Cm, Expertise Aldo Bertini, 10 V 1968 (“opera rara e significativa di scuola catalana, del primo decennio del Quattrocento all’incirca, nella

Saint Roch with a Dog. Oil on canvas or Oil on paper laid to canvas. Unsigned. Verso: inscribed 'Brauer Tiepolo'. From a Ridgefield, CT estate. For more photos, please visit www.ClarkeNY.com and find

Rome, in the Salomoni printing house in the square of S. Ignazio, 1784. In Atlantic folio, 415 x 540 mm., 4 volumes, editorial hardcover by the Piranesian printing house. The first volume of Roman Ant

olio su tavola, W. 45 - H. 55 Cm, Collezione Molinari Pradelli, Castenaso (BO), La Bottega di San Luca, Torino, 2003, Collezione privata, Torino, "Firenze e la Toscana dei Medici nell'Europa del '500"