* John Selbing, (Swedish, 1908-2001), Orrefors, c. 1954

* John Selbing (Swedish, 1908-2001) Orrefors, c. 1954 three Klot over Kon (Ball of Kings), sculptures glass signed Orrefors Expo SU 16-54 Heights 44, 49 and 53 centimeters. Estimate $4,000-6,000 Prope

William Freed (1908-1984) Radiance, c.1954 Oil on board Signed upper left, reverse

Capt. John C. Schweikart (1870-1954) Detroit and Strawberry Island, MI, c. 1910 16 1/2 in. long A hollow decoy exhibiting the maker's "signature" reared-back bull neck, aluminum wing tips and primarie

American/French 1885-1956 View of a Church at Night, c. 1954 Signed Storrs (lr) Oil on canvas 32 x 25 3/4 inches (81.3 x 65.4 cm) Provenance: Palm Springs Art Museum, Palm Springs, CA Sotheby's, New Y

Virginia Cuthbert (American, 1908-2001) "Garden Fantasy". Signed lower left, Virginia Cuthbert. C 1955. Oil on canvas. Pictured in "Virginia Cuthbert, A Retrospective", 1990, p. 22, Nina Freudenheim G

Grouping of Mid-Century English ceramics including c.1940's Lancaster "Long John Silver" Toby jug, c.1954 Royal Doulton "Rip Van Winkle" Toby jug, and a rare Mid-Century Beswick England "Great Tit" fi

Flying Canvasback Pair John Glenn (1876-1954) Rock Hall, MD, c. 1910 14 1/2 in. long, 15 in. tall on stand Glenn was among the early Upper Bay decoy makers who made birds in the regional style. Settin

"Figures on a Mountain Stream" oil on canvas 35 x 32 inches. signed Johnson.

'A Sunset in May'' Oil on Masonite Signed lower right: Heinie Hartwig (C); titled and numbered 214 on a label affixed verso 20" H x 30" W

Mario Korbel(1882-1954)"Andante, 1917Patinated bronzeSigned, dated, and inscribed in the casting: Mario Korbel / No. 1 ©; with foundry mark: Roman Bronze Works N-Y-(C)27" H x 36" W x 6" D; with bas

Ken Payne(1938-2012)"Wolves of the Mystic Moon," 2001Patinated bronze on rotating wood plinthEdition: 3/50Signed, dated, and numbered in the casting: Ken Payne © '01; further attributed and

Late 19th century Italian oil on canvas, depicting the biblical scene of John the Baptist before King Herod, from the studio of Giovanni Fattori, (Italian, 1825-1908), 36"h x 44"w, overall size includ

Verne Q Powell 14K gold C flute, soldered tone holes, open holes, B-foot, traditional scale, A-440 pitch, SN 1355, made in 1954, 27.5" long, weight 15.3 troy ounces of 14K gold, AGW is 8.95 TO of fine

Ihle Schottenring Car, c. 1954 Large double-seater, by Gebrüder Ihle, Bruchsal, Germany, all-steel body, rack-and-pinion steering, cable-operated rear brakes, Sachs single-cylinder 2-stroke motor, le

Walter Lamb (1900-1989) Three Furniture Plant Stands, c. 1954 Brown Jordan, USA bronze tubing, fiberglass Tallest | H 58 x Dia 15 1/2 inches Property from the Phyllis Seltzer Trust, Cleveland, Ohio

Virginia Cuthbert (American, 1908 - 2001) Pittsburgh, PA oil on canvas. signed 'Virginia Cuthbert' (lower right). 36 x 42 in.

Blue dyed cotton linen panel boldly printed in black "FREMONT / KANSAS / FUSILIERS." Bears open ended 1" wide hems along either side [Approximate: 23 1/4" H x 27 1/4"]. Stains, small holes with little

Edward Wormley (1907-1995) Dining Table, model 5461, c. 1954 Dunbar, USA lacquered tawi, lacquered mahogany, brass manufacturer's plaque and paper labels to underside H 28 x W 41 x D 72 inches This lo

Isamu Noguchi, Japanese, 1944-1988, Early "Akari" Floor Lamp, model 43L, washi paper, bamboo, enameled cast iron, Ozeki & Co., Ltd. based impressed "Made In Japan". c.1954, associated unsigned shade,

John C. Moore & Son Plateau with frolicking bear-form feet New York, USA, c. 1860coin silver 1.375 h x 7.75 dia in (3 x 20 cm) The present work was retailed by John William Tucker of San Franc

John C. Terelak oil on canvas print labeled "Back Roads", signed lower left, 1988. John Charles Terelak (Born 1942) works in New York and Massachusetts and is known for urban, marine and coastal lands

Pair Mathieu Mategot Armchairs, Atelier Mategot France, circa 1954, leather and enameled steel Literature: Mathieu Mategot, Jousse and Mondineau, pp.186-187, 189 (PAND43/2)(MS) From the Connecticut Es

(British, 1734-1797) Reverend John C. Carver of Morthen, South Yorkshire, wearing a brocaded dark blue velvet coat, waistcoat and holding a tricorn hat, 1760, inscription verso oil on canvas, 50-1/8 x

Edouard Cortes (French, 1882-1969) 'Place de la Bastille' Oil on Canvas c.1954, signed lower left; including the original sales transparency, copy of the original invoice and gallery guarantee; proven