3 John Dean Paul Colored Etchings

John Dean Paul Colored Etchings, "Leicestershire" Including "The Death" , " A Struggle from the Start" and "Symptoms of a Skurry in a Pewy Country" Overall size framed is 20 1/2" d x 35 3/4" w. Condit

Includes "A Struggle For the Start" , "The First Ten Minuets__Shaking off The Cocktails", "Systems of a Scurry in a Pewy Country", and " The Death", Sight View 8-3/4" x 22", Overall View 17-1/2"

ENGLISH WAX SILHOUETTES, LOT OF FOUR, 18TH.C. H 3", 4" JOHN PAUL JONES ETC. Hand-colored portraits depict: "Adam Viscount Duncan of Camperdown" by Thomas Wyon. "General Wolfe" by J.C. Lockee. "John Pa

John Paul Jones ( 1924-1999) Etching , signed lower right. Numbered edition of 20 (small edition) Retail Tag : $ 1,495 Frame: 26 x 26" Site: 17 1/2 x 18 3/4" Jones a very accomplished artist and print

John Paul Jones (1924-1999) original signed etching. Signed and dated in pencil "John Paul Jones 48" lower right. Titled in pencil "Room Interior" lower left. Measures 15 7/8" x 18 3/8" sheet size. Ve

John Paul Jones (1924-1999) original signed etching. Signed in pencil "John Paul Jones" lower right. Stated "Proof" in pencil lower left. Measures 15 1/4" x 12 3/4" sheet size. Very good condition. Un

WILLIAM HEATH (PAUL PRY) 3 FASHION CARICATURE 1827-9 HAND-COLORED ETCHING "DEDICATED...FEATHERED RACE, FASHION BEHIND, NOTHING EXTENUATE, 17"X18" FR.

John Paul Jones (California, Oregon, Iowa 1924-1999) pencil signed Proof etching. Signed and dated in pencil ''John Paul Jones 49' lower right. Proof in pencil lower left. Measures 18 3/4" x 24 7/8" s

John Douglas Woodward (1846-1924) Glimpse of Sandusky, From St. Paul's Church, 1875, Hand colored etching, Initialed within print. Titled Glimpse of Sandusky from St. Paul's Church Framed dimensions:

Comprises two Paul Louis Guilbert colored drypoint etchings of "Notre Dame". Signed lower right. 22/100 and 25/100. Framed and matted. [Sight: 5 1/2" H x 6 3/4" W; Frame: 10 1/2" H x 11 3/4" W]. In go

(lot of 4) After Francis Calcraft Turner (British, 1795-1846), "Vale of Aylesbury Steeple Chase - Plates 1, 2, 3, and 4," hand colored etchings, published by John Moore (London, England), largest over

"A Trip to the Races" hand colored etching Pub Feby Ist 1794 by SW Fores N° 3 Piccadilly. 15 x 20 inches (sight) gilt custom frame 21 1/2 x 27 inches (overall)

Paul Geissler (German, 1881-1965) Yale Universitat. Two hand-colored etchings depicting Yale University. Together with ten prints of English structures in one frame (each: 3.75" x 4" frame: 54" x 8")

Prideaux John Selby (British, 1788-1867), Robert Mitford British, 1781-1870) and another, three (3) colored etchings, of a Black Tern, a Sea Eagle and a Rail. Provenance: Phyllis Lucas Gallery, NYC.

3 original hand colored etchings/engravings including the Last Supper by Currier and Ives; St. Joseph by Currier and Ives; his grace John shoes Archbishop of New York by EB and EC Kellogg, circa 1850s

(New York, 1785-1851) From Birds of America: one Havell edition, 1827-1838, hand colored etching, engraving and aquatint with "J. Whatman/Turkey Mill" watermark, sheet 38 x 25-3/8 in., plate 19-1/2 x

colored etching and aquatint, titled lower left, signed lower right in pencil over chap mark, signed in print Condition: unframed image: 17 3/4 x 11 inches

hand-colored etching on wove paper, published in 1795 by Hannah Humphrey, London, matted and framed. Platemark 9 3/4 x 13 5/8 in.; Sheet Size 11 3/8 x 15 3/8 in.; DOA 16 1/8 x 20 in. The Estate of Wil

John E Dowell (American, b 1941) etching "Philadelphia Song", hand colored aquatint and etching, pencil signed "John E. Dowell '81", edition 23/100, 18" x 13" plate, framed 29-3/4" x 24-1/4", good con

Paul Renouard (French, 1845-1924) portfolio of 12 WWI etchings, including two colored and ten black and white, all signed. Provenance: Phyllis Lucas Gallery, NYC. [19 3/4" H x 27 1/2" W]. All fair wit

John Harris (British, 1686-1740) , "The Chapter House of the Cathedral Church of St Paul's London", 18th c., hand-colored engraving, sight 18 3/8 in. x 22 1/2 in., framed . Provenance: Estate of James

Paul Connor, "Two Ducks" 15 1/2" x 20 1/4" gouache, signed lower right and Prideaux John Selby (1788-1867), "Scooping Avocet" Plate XX , 16 3/4" x 22 3/4" (sight) colored engraving

John Dean Paul (British, 1775-1852) 'The Mall' and 'Buckingham House in 1750'. Two oils on canvas, unsigned. Provenance: W. Russell Button, Inc., Douglas, Michigan Each: 21" x 30" Frames: 25.25" x 34.

(English, 1775-1852) depicting Melbourne House and the Banqueting Hall, Whitefall, c. 1750, with label verso Overall: 22"h x 28"w Sight: 17-1/2"h x 23-1/2"w Provenance: David Messum Fine Art, London: