American Folk Art, Zimmerman Undertaker

Kurt Zimmerman (German American, 1925-2017). Original naive outsider folk art painting on paper. Titled "Inside Is Outside," presented with the encasing wood frame as part of the work. Titled and sign

American Folk Art tattoo flash drawings with photographs (two works) USA, circa 1960 ink and watercolor with collage on board 31"w x 18"h; 14"w x 15"h Catalog Note: These were originally acquired from

Circa 1820-30,painting on popular wood panel of half length portrait of a young lady in high waisted white dress, seated in bamboo style Windsor chair, in newer frame, 9 1/2 x 11 1/2".Note: Painting h

probably late 19th/early 20th century, in the form of an Indian warrior with drawn bow, standing on an iron and copper directional, 22 x 23 in. Provenance: Offered Sotheby's New York, January 20, 201

Bill Traylor, American, circa 1853 to 1947, oil painting on wood board depicting a portrait of an animal. Signed upper left. Framed. Provenance: Dumus Inc., New York, NY, United States, May 13, 2023,

American Folk Art Primitive Portrait, Oil On Canvas, Ca. 1800, Of A Young Girl In A Blue/green Dress With Cat, H 37" W 28" | Primitive American portrait of a Young Girl in a bluish/green dress, cat se

Jimmie Lee Sudduth (Alabama, 1910-2007) mud and paint on board outsider art painting, depicting a Native American figure with colorful buckskin fringed clothing and feathered hat, standing with a dog,

AMERICAN FOLK ART MOLDED-COPPER FULL-BODY EAGLE WEATHERVANE, the raised-wing form clutching what appears to be a serpent. Fine old verdigris surface. Presented on a custom iron stand. Circa 1870. 34"

Rare 19th century American folk art cigar store indian attributed to Samuel Robbs. From a old NYC collection. Very old surface. Traces of the original paint. Ware and losses present. Un touched

LARGE AMERICAN FOLK ART MOLDED-COPPER FULL-BODY ROOSTER WEATHERVANE, a fine example of impressive size, retaining early, possibly original, gilt surface with red-painted comb and wattle. Presented on

H6". carved wood. Excellent folk carving. American. From an important Kentucky Folk Art collection

Twentieth century. Oil on canvas. Signed Gerry Bosco. Children playing at a schoolhouse. 26"h. 30"w. Framed 28.5"h. 34"w.

American Folk Art Salesman sample staircase wood, paint, metal 16 h × 11.75 w × 8.25 d in (41 × 30 × 21 cm) This work will ship from Toomey & Co. in Chicago, Ill

Group of seven, each crafted from hand carved wood with painted finish. Includes four black painted masks and three pink painted masks with red and gold accents. Six with inlaid glass eyes. Largest me

H28" carved wood. Excellent folk carving. American. From an important Kentucky Folk Art collection dated 1965

Early 20th century, sheet iron. Large rooster made from several sheets with riveted iron brackets as well as post supports. Most likely an advertising sign or architectural finial. Original yellow and

Late 19th-early 20th century. Carved wooden deer head with mounted antlers and leather ears. Olive green paint shows red ground underneath. Age splits, some wear. 20.5"h. 17"w.

Marked - Potter Works - Little W. 12th St. NY. A great stylistic Deer w/ a nice pose. A 4 gallon crock. First time on the market. Measures 12 inches from ear to ear diameter and 11 iches tall. WHAT'S

Early 20th century, sandstone. Unsigned life size carving on a rough block base. Weathered. 21"h. 14"w. 11"d.

Unusual carved mission oak rocking chair with figural cravings. The back crest depicts a young African American boy running while holding a chicken by its neck while being chased on a farm / plantatio

AMERICAN FOLK ART CARVED AND PAINTED PANELS, PAIR, each rectangular form featuring a tied-back drape. Original dry green-painted surfaces. Probably from a horse-drawn hearse. Fourth quarter 19th/early

AMERICAN FOLK ART MOLDED-COPPER FULL-BODY RUNNING HORSE WEATHERVANE, with cut-out sheet mane and tail, retaining an outstanding early, possibly original, gilt surface with traces of verdigris. Present

AMERICAN FOLK ART MOLDED-COPPER FULL-BODY HORSE WEATHERVANE, galloping form with cut-out and applied mane. Light verdigris on likely original gilded surface. Mounted on a custom iron display stand. Pr

Oil on canvas, 36.25 x 29 inches, in a period frame, 41 x 33.75 inches. Stencil of a canvas supplier Edward Dechaun, New York. Provenance: from a Wiscasset, Maine Estate.