(Attributed to) Giovanni Battista Cipriani (1727-1785)

Giovanni Battista Cipriani (1727-1775, Italy) pencil study of a classical female figure, signed lower right, with Sabin Galleries Limited, London label. 8" x 6" ss / 14.25" x 10.75" oa

After Giovani Battista Cipriani (1727-1785): Gabriel Engraving in red on heavy paper. 5 1/4 x 4 in. (oval sheet), 12 x 10 in. (frame). Master Class: John Rosselli at Home

GIOVANNI BATTISTA CIPRIANI (ITALY 1727-1783), SANGUINE CHALK, CHERUB, SIGNED/CYPHER. SIGHT 9 1/2 X 8 1/4"; FRAMED AND GLAZED-23 X 20"

Francesco Bartolozzi (Italian, 1728-1815), after Giovanni Battista Cipriani (Italian, 1727-1783), hand-colored engravings depicting cherubic scenes, 7 1/2" x 18" image size, 16 1/4" x 26 1/4" framed.

Manner of Giovanni Battista CiprianiThe Virgin and Child with the Infant St. John the B

Lot of three framed hand colored stipple engravings produced by Francesco Bartolozzi, published by Mariano Bovi and original image after Giovanni Battista Cipriani. Each one framed measuring 14.5" x 2

Attributed to Giovanni Battista Piazzetta (Italian, 1682-1754), Anguished Man, chalk and stumping on paper, sheet: 16"h x 11.25"w, overall (with matting): 20"h x 16"w. Provenance: Sotheby's New York:

Attributed to Giovanni Battista Gaulli Baciccia (1639-1709): Design for a Wall Decoration Ink and wash on paper, signed 'Baccici' lower left, inscrined 'No 7' lower center and '6' lower right, with an

Attributed to: Giovanni Battista Salvi aka IL SASSOFERRATO (Italian, 1609-1685) Titled: “The Madonna” Medium: Oil on relined Canvas- 17th Century, Image Size: Height 26-3/8”in.; Width 20” in.

18th century Old Master drawing in the style of or attributed to Giovanni Battista Tiepolo. Ink wash of figures. Framed under glass. Sight: 13.75 x 9.25in. Overall: 21.5 x 16.5in.

A lot of two unsigned pen and ink wash/chalk drawings on paper, attributed to Giovanni Battista Crosato (Italian 1697 - 1756). Each depicting classical scenes with female figures. Information provided

ATTRIBUTED TO GIOVANNI BATTISTA TIEPOLO 5 March 1696 Venice - 27 March 1770 Madrid THE VIRGIN APPEARS TO SAINT DOMENIC (?) Charcoal and red chalk on hand-made paper by D&C Blauw from 1720, made in Zaa

Elders and Soldiers, Attributed to Giovanni Battista Gaulli (Italian, 1639-1709) 17th C. (Detto il Bacicco) unframed. Overall: Apx. 20"h x 15"w Sight: 11-1/2"h x 8-1/2"w Provenance. Property from a Pr

Red chalk on paper. Featuring sketch of a woman with a child. Inscribed on verso with ink. Attributed to Giovanni Battista Tiepolo (1696-1770, Italian). 26 x 18.5 cm (10.25 x 7.25 inches). Provenance:

Ink on paper. Featuring a sketch portrait of a man. Signed G. B. Tiepolo on the lower left corner. Inscribed 1701 on the lower right corner of verso. Attributed GO giovanni Battista Tiepolo (1696-1770

Descrizione itineraria di Roma fatta da Gio. Batt. Cipriani

Giovanni Battista Tiepolo (1696-1770)Varj CapricciEtchings, circa 1740s, excellent impressions from the Manfrin edition of 1785, complete with title page and ten plates, on laid paper with partial tex

PIAZZETTA, Giovanni Battista. Naturam Referens Patet Ars Sed Utrumque Magistra. Appresso Teodoro Viero Venezia, ca. 1785 Folio oblungo, mm. 307x443; Leg. coeva in mezza pella e cartonato marmorizzato,

Pair of etchings of "Dwarves and Dogs", drawn by Giovanni Battista Tiepolo (Italian, 1696-1770) and engraved by his son Giovanni Domenico Tiepolo (Italian,1727-1804); signed in plate: "Jo. Bapta Tiepo

Domenico Tiepolo,Venice,1727-1804 Jesus, Mary, Joseph brown ink, wash, pencil 8x7.4 Domenico Tiepolo studied under his famous father Giovanni Battista. His tour de force was his 104 drawings of Punchi

tempera su tavola a fondo oro, W. 85 - H. 123 Cm, Expertise Aldo Bertini, 10 V 1968 (“opera rara e significativa di scuola catalana, del primo decennio del Quattrocento all’incirca, nella

Saint Roch with a Dog. Oil on canvas or Oil on paper laid to canvas. Unsigned. Verso: inscribed 'Brauer Tiepolo'. From a Ridgefield, CT estate. For more photos, please visit www.ClarkeNY.com and find

Rome, in the Salomoni printing house in the square of S. Ignazio, 1784. In Atlantic folio, 415 x 540 mm., 4 volumes, editorial hardcover by the Piranesian printing house. The first volume of Roman Ant

olio su tavola, W. 45 - H. 55 Cm, Collezione Molinari Pradelli, Castenaso (BO), La Bottega di San Luca, Torino, 2003, Collezione privata, Torino, "Firenze e la Toscana dei Medici nell'Europa del '500"