Attributed to Thomas Rowlandson Landscape with a Man

Attributed to Thomas Rowlandson (British, 1756 - 1827), Noble Man, watercolor on paper, bears pencil signature, overall (sheet/unframed): 7.25"h x 5.25"w

Initialed T.C. Attributed to Thomas Cole (1801-1848) 5 1/4"h x 8 3/4"w

Thomas Rowlandson, attributed to. England. Round form satirical watercolor painting of men betting on dogs. Bull baiting a bull. On paper. Framed. Unsigned. Label on reverse. Overall framed diameter:

American, 1783-1872. Oil on canvas, unsigned. Black robed young gentleman holding a scroll and seated in a waterside landscape. A collection label on the back identifies the sitter as Andrew Thurlow T

THOMAS ROWLANDSON (1756-1827), BRITISHMAN SAMPLING GOODS IN A GENERAL STOREWatercolour and ink on paper; signed "Rowlandson" lower left.Sheet 7.75 ins x 8 ins; 19.7 cms x 20.3 cmsProvenance:Private Co

THOMAS ROWLANDSON (1756-1827), BRITISHMAN IN A BOAT ATTACKED BY A CROCODILEWatercolour and ink on laid paper; signed "Rowlandson" lower right.Sheet 7.25 ins x 9.25 ins; 18.4 cms x 23.5 cmsProvenance:P

ATTRIBUTED TO THOMAS ROWLANDSONUnited Kingdom, 1756-1827Mining scene. Unsigned.Mixed media on paper, 5.5” x 9” sight. Framed 13.5” x 15.5”.

ATTR. THOMAS ROWLANDSON (BRITISH, 1756-1827) WATERCOLOR ON WOVE PAPER, H 13.75", W 18", UNTITLED An untitled watercolor on wove paper attributed to Thomas Rowlandson. Depicting a woodland path with a

English School 18th Century Pen and Ink Drawing with gray wash on paper; attributed to Thomas Rowlandson, 'Two Ladies and a Girl Fussing over a small Boy'; laid paper matted and framed in gold leaf. H

Attributed to Thomas Chambers (1808-1866): Landscape with Ruins Oil on canvas, unsigned, lined. 10 x 14 in., 14 1/2 x 18 1/2 in. (frame).

Four oil on canvas landscapes, one depicting a waterfall, one with a lake scene, one with a forest and the last one of a bear, a deer and a raccoon in a forest. All paintings signed l.r. in bright red

Two English Ink Washes one by THOMAS ROWLANDSON the other by WILLIAM TURNER OF OXFORDThomas Rowlandson (English 1756-1827) Country Landscape Cornwall red ink and wash signed T. Rowlandson lower right

Antique Thomas Rowlandson British Foxhunt Watercolor Painting Horseback Landscape. Signed bottom left. Sheet is laid down on heavy paper that is attached to mat at top. Displays toning, spotting and s

"Attributed to Thomas Hand (British, 1771–1804) Extensive Landscape with Figures, Cattle, Horses and Donkeys, with Building in Distance Oil on canvas16 3/8 x 20 3/8 in. (41.6 x 51.8cm) Provenan

ATTRIBUTED TO THOMAS JONES BARKEREngland, 1815-1882"Landscape with Two Donkeys and a Peasant Boy". Signed illegibly lower left. Titled on label verso, which also notes the artist as "T.

DESCRIPTION: Thomas Rowlandson (1757-1827, British). Ink and watercolor. Man, woman, and dog in a garden, man playing the flute. Signed and dated 1789 to lower left corner. Framed in black painted woo

Thomas Creswick (1811-1869) Fisher Boy and Dog at Crossing Third quarter of the 19th Century. The classic British School landscape depicting a pleasant summer day is nicely lit by the sun from left to

ATTRIBUTED TO THOMAS SYDNEY COOPER Sheep in a Pastoral Landscape Oil on canvas, 29.5 x 39.5cm Signed With wax seal mark verso

(SATIRE -- ALCOHOL.) Thomas Rowlandson. The Last Drop. Hand-colored etching of death coaxing a bowl of booze down the hatch of a large-bellied man with plentiful evidence of the swiller's habit scatte

"Quaker in Love" hand colored satirical etching by Thomas Rowlandson (English, 1757-1827.) The image shows a man in Quaker garb fondling an apparently willing young woman, while two other young women

,United States, England,Late 19th- Early 20th Century Includes a peach blow cup decorated with Asiatic landscape and butterfly design attributed to Thomas Webb, an ivory colored bottle vase decorated

In the manner of John Constable (England, 1776-1837). Oil on wood panel house and man with dog in winter landscape. Unsigned, attributed to Constable in ink on verso. 8 1/2" x 11 1/2" (with frame 12"

(British, 1738–1806) Portrait of a Smiling Boy in a Landscape with a Greyhound, unsigned, oil on canvas, 53-3/4 x 41 in.; original English 18th century Maratta carved and gilt wood frame, 61-3/

Attributed to Thomas Gainsborough (British 1727-1788). Oil on board landscape depicting a villa on a hill with figures in the foreground, apparently unsigned, framed. (Sight) approx. h. 10.75",' w. 14