Barry McGee (b. 1966 American)

Print, "Fong" 9/30 Signed lower left. 10in. x 17in. (25cm. x 43cm) together with a bound catalog of his 2004 Exhibition at Rose Art Gallery, Brandeis University

Barry McGee American, b. 1966 Untitled Acrylic and mixed media on found paperboard 10 x 7 7/8 inches (25.4 x 19.8 cm) Unframed Provenance: Acquired directly from the artist by the current owner C

Barry McGee (American, b. 1966) Untitled Medium: Acrylic Measures 11X11 inches Exhibition 2012-2013 The Institute of Contemporary Art, Boston

Barry (Twist) McGee (American, b. 1966), "If Only the Jukebox Took Tears" 1991, oil and wax on canvas, signed and dated verso, overall (canvas/unframed): 72"h x 42.25"w. Exhibition History: Southern E

UNTITLED, lithograph, signed in pencil, numbered 10/60, sheet 30 x 22”, Editions Copenhagen, a few soft handling creases visible at certain angles in raking light, otherwise in good condition.

GEOMETRIC PATTERN ORANGE GREEN BLACK, 2011, die-cut vinyl multiple on Foamcore, published by Bodega, 37 ¼ x 19 ½”, frame 43 ¼ x 25 ½”. Provenance: MOCA ART IN THE STREE

GEOMETRIC PATTERN RED GREEN BLACK 2011, die-cut vinyl multiple on Foamcore, published by Bodega, 39 x 21”, frame 45 ¼ x 27 ¼”. Provenance: MOCA ART IN THE STREETS 2011.

PROJECT TOOM BY LIFE, 2003, color poster, 22 ¾ x 17”, with folds as issued.

ATTRIBUTED TO BARRY MCGEE (B. 1966) Acrylic on wood 24" x 22" Unsigned Private collection; Avery Gallery, New York, together with gallery letter to current owner

Transmission, 1998; and "Untitled (aka "The Bishop")," 1999 Each: Blood, gold leaf and epoxy resin on panel Each: Signed, titled and dated verso: von der Ahe; signed [indistinct] and dated again on

Untitled (aka Sweets of Sin")," 1999 Blood, gold leaf and epoxy resin on panel Signed, titled, dated, all verso: von der Ahe; signed [indistinct] and dated again, and inscribed "NYC," all on the gal

INDUSTRIAL WORKERS, 1999, color lithograph, signed and dated in pencil, numbered 35/80, image 25 x 25”, full margins, frame 33 ½ x 33” with Plexiglas; MOTHER & CHILD, 1999, color gicl

"Times T," 2010 Assemblage comprised of five issues of the New York Times Style Magazine, hand cut, under Plexiglas Appears unsigned 24" H x 21.5" W x 1.5" D Provenance: Susanne Vielmetter Los An

Barry McGee (Born 1966) Untitled (Graffiti Wall), 1991 6 wood panels with spray paint Commissioned for the Yerba Buena Museum of Art, San Francisco Image: 96 x 252 inches installed

Original acrylic painting of face on glass bottle. Provenance: The Collection of Jonas Meyer Karp, Cincinnati, OH. 2 7/8w x 1 1/4d x 6 7/8h.

Barry McGee (born 1966) Untitled, c. 1990 Spray paint on wood panel Unsigned 97 x 48 inches

RUBIES AND EMERALDS, oil painting on canvas, signed lower left, titled on verso, 24 x 30”, frame 35 ½ x 41 ½ x 2 ½”. Provenance: Marcus Ashley Fine Art Gallery, Lake Tahoe.

Untitled,1998 Intaglio and mixed media on paper under Plexiglas Initialed in the lower right corner: H; titled and dated by repute 14.75" H x 11" W Provenance: Santa Monica Auctions, Santa Monica

MATEO ROMERO (PUEBLO NATIVE AMERICAN, b. 1966) NATIVE AMERICAN OIL ON CANVAS , TITLED "THE LAST OF THE HOSTILES" , SIGNED UPPER RIGHT , MATEO ROMERO - 59" x 59"

David Patchen (b.1966 American) ''Foglio'' Blown Glass Vessel 17''x10''. Multi-colored striped pedestal vase with central large murrines. Signed on bottom. It has one tiny flea bite to bottom platform

September McGee (b.1953 American) Taos Woman Portrait 1978 Gouache & Pastel on Board 14''x8''. An early southwest native portrait by this artist. Signed and dated l.r. Framed 19.5''x13.5''. Excellent

A black and white portrait photo completed with an original autograph by David M. Price (b. 1966), an American journalist and weather forecaster who is currently working for WNBC-TV in New York as a w

Julie Blackmon (American, b. 1966) "Airstream", 2011 archival pigment print signed, titled and numbered "2/15" lower right (under matting). Matted, glazed and framed. sight 21-3/4" x 28-3/4", framed 3

DAVID PATCHEN (AMERICAN, B. 1966) MURRINE FOGLIO STUDIO ART GLASS SCULPTURE, compressed ovoid form with a sheared and pulled mouth, variety of murrine canes with many color combinations, all circling