Carol Summers (American, B. 1925) Three Works.

Carol Summers (American, B. 1925) Three Works. Color serigraphs 'Coast Range' and 'Aguacaliente' (2), each pencil signed, titled, and numbered from editions of 75 and 100. Provenance: Fairweather Hard

CAROL SUMMERS (American, b. 1925) Woodcut in colors on rice paper, Untitled (abstract landscape), Signed, titled illegibly and numbered 70/75; MARTIN PREKOP (American, b. 1940) Lithograph, "Four Light

Woodcut. Signed and titled center left. No. 31 from an edition of 50. From a New York collection. - Dimensions: Sight: 49" high x 37" wide

Carol Summers (American, B. 1925) Memory. Color woodcut. Pencil signed middle right, titled and numbered 35/50. Provenance: Benjamin Galleries, Chicago Sight: 36.5" x 37" Frame: 40" x 40.5"

Carol Summers (American, B. 1925) Dark Rainbow. Color woodcut, dated 1961, signed lower right, titled, and numbered 27/50. Ref: Summers 45 37" x 49" Frame: 46" x 57.25"

Carol Summers (American, b. 1925), "Creation of Malwa", color woodcut, 36"h x 36"w (sheet), signed, framed Provenance: From a New York Corporate Collection

Carol Summers, (American, b. 1925) High Tatras, 1969, woodcut, signed and numbered in pencil, edition of 100, 36.5" x 24"

Carol Summers, (American, b. 1925), The Incredible String Band, 1972, woodcut, signed, titled and numbered in pencil, edition of 75, 36.5" x 37"

Artist: Carol SummersTitle: "The Joyous Lake"Dimensions:48'' X 37 1/2''Medium: Woodcut. Framed.Signed: In pencil at right and titled and numbered 44/100 in pencil at leftDated: 1978

Carol Summers (American, b. 1925) "Shrines", 1981, color woodcut, from an edition of 150. Size: 21" x 29", 53 x 74 cm (sheet); 30.5" x 38", 77 x 97 cm (frame).

Carol Summers (American, B. 1925) Stromboli Dark. Color woodcut. Pencil signed lower right, titled dated 1965, and numbered 125/210. Together with an artist unknown color intaglio print, illegibly pen

Carol Summers (American, B. 1925) Omaggio a Pesce. Color woodcut. Pencil signed middle right, titled and numbered 50/50 Sight: 29" x 20.75" Frame: 35.5" x 27"

Carol Summers (American, b. 1925- ), "Vesuvio"-1964, color woodblock on paper, pencil signed and at upper right, titled and limited edition noted in pencil at left "23/50 Vesuvio". Modern art print de

Carol Summers (American, b.1925), "Wild Palms," woodcut in colors, pencil signed lower right, titled lower left, A/P edition, overall (unframed): 37"h x 37.5"w

Carol Summers, woodcut, 1965, Carol Summers (American, b. 1925), "Stromboli Dark", color woodcut on paper, pencil signed, titled, dated and numbered (20/210) at lower left, 20.75"h x 28.5"w (sight), 2

Carol Summers, color woodcut, Carol Summers (American, b. 1925), "The Dream of Constantine", color woodcut on paper, signed, titled and numbered, "Carol Summers, 32/75", 37"squ. (sheet), 37.5"squ. (wi

Carol Summers (American b. 1925) ""Aetria Alive "" lithograph in colors pencil signed center right titled center left edition number 38/50 overall (with frame): 50.25""h x 38.25""w

Carol Summers, color woodcut, Carol Summers (American, b. 1925), "Ponope", signed, titled and numbered in pencil "24/75 Ponope Carol Summers", upper mid, 49"h x 37"w (sheet), framed under plexi Proven

Carol Summers (American, b. 1925), "Machha Puchhare," color lithograph, pencil signed upper right, titled upper left, edition 46/75, overall (with frame): 32.5"h x 32.5"w

Carol Summers (American, b. 1925), "Big Sur," lithograph in colors, pencil signed upper right, titled upper center, edition 9/75, overall (with frame): 47"h x 47"w

Hans P. Luetcke Height of largest 22 x width 16 1/2 inches (American/German, b. 1925) Three works including Hollow Horn Bear, Chief High Horse, Presenting the First Born, pencil on paper, signed Hans

COMET OVER THE LOWER FALLS OF THE YELLOWSTONE, color woodblock print, signed and titled and numbered 50/50 in pencil, printed by Tamarind, blind stamp lower left, sheet 41 x 29 ½”, frame 47

CALIFORNIA, color woodblock print, signed and titled and numbered 50/75 in pencil, sheet 37 x 37”, frame 42 ½ x 42 ½” with Plexiglas. Provenance: Fairweather Hardin Gallery, Chicago.

UNTITLED, watercolor on paper, signed in pencil in reverse lower right, 20 x 26”, three old paper hinges on verso, otherwise in good studio condition. Provenance: Acquired directly from the artist b