Charlotte & Peter Fiell, Domus: L'Arte nella Casa, 12 vol

Charlotte & Peter Fiell, Domus: L'Arte nella Casa, 12 volTaschen reprint of the Gio Ponti's magazine which created an insight towards identifying the style of a particular age from Art Deco, Modern Mo

7 Volumes I - VII "L'Arte Nella Casa" Dimensions: 12.75" H x 9" W Provenance: Property from the Estate of John 'Parker' Prindle, Jr. Boston, MA.

Architektur Fiell, Charlotte u. Peter Domus Volume I-XII. 12 Bde. Mit zahlr. meist farb. Abb. Köln, Taschen, 2006. 4°. Je ill. OKt. in ill. OUmschlag. Die einflussreiche Architektur- und Des

Gaetano Pesce Vitra Armchair, model Green Street. Designed 1984. Fiberglass, stainless steel rods. 93 x 56 x 58 cm. Literature: Charlotte & Peter Fiell, 1000 Chairs, Köln 1997, Abb. S. 560.

Gaetano Pesce Vitra Chair, model Green Street. Designed 1984. Fiberglass, stainless steel rods. 95 x 49 x 56 cm. Literature: Charlotte & Peter Fiell, 1000 Chairs, Köln 1997, Vgl. Abb. S. 560.

Gaetano Pesce Vitra Armchair, model Green Street. Designed 1984. Fiberglass, stainless steel rods. 95 x 60 x 57cm. Marked with sticker. Literature: Charlotte & Peter Fiell, 1000 Chairs, Köln 1997

Giovanni Ciusa Romagna (Italian, 1907-1958)Mietitricioil on panelsigned lower left Ciusa Romagna, with exhibition label to reverse.37 x 27in (94 x 68.5cm) Exhibited:L' arte

Entwurf 1966, Metalldraht. Schaumstoffpolsterung, Bezug mit rotem grob gewebten Wollstoff. Sessel: 100 x 110 x 87 cm. Hocker: H. 44 cm, D. 67 cm., Literature: Charlotte & Peter Fiell, 1000 chairs, KÃ

Sofa, Marshmallow model. Steel and leather. Cm 130,00 x 90,00 x 70,00. Publications: Charlotte&Peter Fiell, 1000 chairs, Taschen, 2017, p. 263

Eames Chair. Bent rosewood, metal and upholstered leather.. Cm 82,00 x 82,00 x 82,00. Literature: Charlotte & Peter Fiell, 1000 chairs, Taschen, 2016, p. 275. Footrest: 45 x 66 x 57 cm

Entwurf 1951, Rahmen aus geschnittenem Flachstahl, verchromt. Sitzfläche und Rückenlehne mit Seilbespannung. 73 x 79 x 70 cm., Literature: Charlotte und Peter Fiell, 1000 Chairs, Köln 2015, S

EDWARD WORMLEY (1907 - 1995) DUNBAR "Listen to Me" chaise, Berne, IN, 2000s Bent laminated birch and cherry, bronze, upholstery Unmarked 26" x 76" x 26 1/2" Literature: Charlotte and Peter Fiell, 1000

Entwurf 1973, Braunes Leder. 74 x 85 x 170 cm. Vorne mit eingenaehtem Firmenetikett B&B Italia bezeichnet., Literature: Fiell, Charlotte & Peter, 1000 chairs, Koeln 1997, S. 500 (zum Vergleich).

Charlotte Perriand (1903-1999)‘Berger’ stoolLacquered woodModel created circa 1955H 27,5×Ø 32,5cmBibliography:- "Charlotte Perriand, L’Oeuvre complète, Vol. 3: 1956-19

Charlotte Perriand (1903-1999)‘Berger’ high stoolWalnutModel created circa 1955H 40×Ø 32,5cmBibliography:- "Charlotte Perriand, L’Œuvre complète, Vol. 3: 1956-1968", J. Barsac, Ed. Norma, 20

Charlotte Perriand (1903-1999)‘Berger’ high stoolAsh woodModel created circa 1955H 40×Ø 32,5cmBibliography:- "Charlotte Perriand, L’Œuvre complète, Vol. 3: 1956-1968", J. Barsac, Ed. Norma,

Height: 26 Width: 31 Depth: 31 Lovely pair of ebonized wooden stools circa 1950s by Charlotte Perriand.Good Patina.Bibliography: J.Barsac, Charlotte Perriand, l'Auvre complete, 1956-1968, Vol. 3, Edit

Stool. Ash. Cm 31,00 x 29,00. 1950s. Literature: J.Barsac, Charlotte Perriand, l'œuvre complète, 1956-1968, Vol. 3, Editions Norma, Paris, 2017. Exemplaire similaire reproduit pp. 14, 30, 41, 9

, cm. 188x104. Bibliografia: 1997, A. M. Massinelli, Scagliola. L'arte della pietra dura, Editalia, p. 106, n. 68.

Vaso trilobato serie Autunno Gemmato con grandi applicazioni a festone e piede a trifoglio. Tracce di vecchia etichetta FTB Altezza cm 34,5, Bibliografia: M. Barovier, a cura di, L'arte dei Barovier.

signed and dated lower right, label and rubber stamp on the back by Galleria d'Arte L'Attico, Roma, Label on the back by Galleria Marie-Loiuse Janneret Art, Olio su tela, W. 38 - H. 41 Cm, Collezione

Libreria mod. Giorno Legno laccato, cristallo molato. Prod. Schopenauer (Fontana Arte), 1993 cm 205x241x40 Literature: L. Falconi, Fontana Arte. Una storia trasparente, Milano, 1998, p. 223.

olio su tavola, W. 96 - H. 119 Cm, Expertise Dott.ssa Mina Gregori, "Quest'opera si collega strettamente all'arte di Fra Bartolomeo e rappresenta l'ultimo stile di Mariotto Albertinelli, quando lavora

Etichetta al retro della Galleria L'Isola, Roma, Etichetta al retro della Galleria d'arte Il Traghetto, Venezia, Etichetta al retro della Galleria Arte 92, Milano, Tempera su cartoncino Bristol, W. 35