FERRARI, GIOVANNI BATTISTA. Limon Citratus Amalphit

Hand Colored Copper Plate Published 1646, Rome for "Hesperides sive de malorum aureorum cultura et usu libri quatuor" by Giovanni Battista Ferrari. Paper Size: 13.75 x 9 inch (35 x 24cm) Very minor ba

Hand Colored Copper Plate Published 1646, Rome for "Hesperides sive de malorum aureorum cultura et usu libri quatuor" by Giovanni Battista Ferrari. Paper Size: 13.75 x 9 inch (35 x 24cm) Very minor ba

"Scalprum Inoculatoris" A garden knife. Hand Colored Copper Plate Published 1646, Rome for "Hesperides sive de malorum aureorum cultura et usu libri quatuor" by Giovanni Battista Ferrari. Paper Size:

Oil on board of Italian lakeside scene. With a scratched signature reading G.B. Ferrari, NY, 1863. Dimensions: (Frame) H 17.5" x W 22.25", (Board) H 12.25" x W 16.5" Condition: Painting dirty, needs c

Giovanni Baptista Ferrari (Italian, 1584–1655). Hand colored botanical copperplate engravings of citrus fruits by Giovanni Battista Ferrari from Hesperides sive de Malorum Aureorum cultura et u

Giovanni Battista Ferrari (c. 1582-1655): Citrus: Two Plates, from Hesperides Sive de Malorum Two engravings in back with hand-coloring on laid paper. Both 12 x 8 in. (plate), 20 x 15 3/4 in. (frame).

Giovanni Battista Ferrari (Italian, 1584-1655) Engraving. Hand colored engraving. Enscribed 'Phillipp Gagliard Rom. deline. C. Cungnis Incidit' LR Sight: 12.5: x 8" Frame: 22" x 17.75"

Framed (w/ glass), matted and numbered print. Minor spotting to mat

Framed (with glass), matted and numbered print.

Framed (with glass), matted and numbered print.

A grouping of four hand-colored engravings of citrus fruits by Giovanni Battista Ferrari (Italian, 1730-1778). From Hesperides. Each framed under glass, in painted wood frames; two with Trowbridge Gal

Giovanni Battista Ferrari (c. 1582 - 1655). Hand-colored engraving. Hermanni Scheus, Rome: 1646. 11 3/4 x 8 inches sight size, 20 1/4 x 16 1/2 inches framed. Property of a New York Collector

Six Piece Framed Group, to include four digital botanical prints, "Tulip Serotina Major", "Peonia Flore Symplici", "Papaver Orientale", and "Lilium Bulbiferum", all after Giovanni Battista Ferrari alo

Giovanna Battista Ferrari (Italian, 1582-1655) and Cornelis Bloemart (Dutch, 1603-1684), two hand-colored engravings, Nos. 205 and 249, "Limon Caietanus" and " Limon Striatus Amalphitaus" from the boo

tempera su tavola a fondo oro, W. 85 - H. 123 Cm, Expertise Aldo Bertini, 10 V 1968 (“opera rara e significativa di scuola catalana, del primo decennio del Quattrocento all’incirca, nella

Saint Roch with a Dog. Oil on canvas or Oil on paper laid to canvas. Unsigned. Verso: inscribed 'Brauer Tiepolo'. From a Ridgefield, CT estate. For more photos, please visit www.ClarkeNY.com and find

Rome, in the Salomoni printing house in the square of S. Ignazio, 1784. In Atlantic folio, 415 x 540 mm., 4 volumes, editorial hardcover by the Piranesian printing house. The first volume of Roman Ant

olio su tavola, W. 45 - H. 55 Cm, Collezione Molinari Pradelli, Castenaso (BO), La Bottega di San Luca, Torino, 2003, Collezione privata, Torino, "Firenze e la Toscana dei Medici nell'Europa del '500"

(Sassoferrato, 1609 - Roma, 1685) Madonna col Bambino Olio su tela, cm 48X39 Allievo del Domenichino e raffinato interprete della tradizione rinascimentale, in modo particolare di Raffaello, il Sassof

MERANO GIOVANNI BATTISTA (1632-1698) "I Farisei chiedono a Pietro il tributo" olio cm. 119x91,5 scheda Dottoressa Anna Orlando

Heading: Author: Ramusio, Giovanni Battista Title: Delle Navigationi et Viaggi Place Published: Venice Publisher:Stamperia de Giunti Date Published: 1563; 1574; ; 1556 Description:

olio su rame, W. 34 - H. 51 Cm, La Bottega di San Luca, Torino, Collezione Privata, Torino, G. Manni, E. Negro e M. Pirondini, Arte emiliana - dalle raccolte storiche al nuovo collezionismo, Banca Pop

siglato e datato al retro "BC 1607 Genova", iscritto al retro, tempera su pergamena, W. 270 - H. 330 mm

Giovanni Battista Salvi (1609-1685), known as Sassoferrato, MadonnaSassoferrato (1609-1685) created countless versions of the painting of Mary, one of the favorite objects of piety of the seventeenth