Fine rigmate pair of bluebills, Stevens Brothers, Weedsport, New York, last quarter 19th century.

Fine rigmate pair of bluebills, Stevens Brothers, Weedsport, New York, last quarter 19th century. Both have Stevens stencil on underside. Both heads still swivel as they should. Drake has fine comb pa

Black duck, Stevens Brothers, Weedsport, New York, last quarter 19th century. Glass eyes. Inlayed lead weight and line staple. The ink stamp of Ha. Stevens on underside. Head swivels as it should. Mea

A near perfect example of a bluebill drake, George Stevens, Weedsport, New York, 3rd-4th quarter 19th century. "GW Stevens Standard Decoys" stenciled on underside. Head swivels as it should. Excellent

Fine American Rococo Revival Rosewood Mechanical Cylinder Secretary third quarter 19th century, probably New York, having a complex, molded cornice above a pair of glazed doors, the lower case with a

American Renaissance Revival bronze-mounted marquetry credenza, attributed to Pottier and Stymus, New York, last quarter 19th c., approx 45"h, 51.5"w, 18"d

Greater yellowlegs in content pose, William Bowman, Lawrence, Long Island, New York, last quarter 19th century. 11.5" long with relief wing carving, extended wingtips, and shoe button eyes. Provenance

Steinway & Sons Upright Piano. New York. Last quarter of the 19th century. Hardwoods, marquetry and gilt bronze. Metal harp. Measurements: 138 x 164 x 73 cm. Steinway & Sons upright piano, with the se

New York iron and walnut adjustable folding campaign style armchair, The Marks Adjustable Folding Chair Co., with caned back and slat, the frame grain painted, last quarter 19th C. Left seat rail with

Heriz Carpet Northwest Persia, last quarter of the 19th century The madder field with a central geometric pendant medallion flanked by ivory spandrels is within a palmette and vine border. Approximate

Northern Europe, England, ca. last quarter of the 19th century CE. A fine pair of Queen Anne style sconces, each comprised of a hand-carved mahogany frame, a brass candle holder, and a lovely needlepo

Pair of American Aesthetic Movement Slipper Chairs , late 19th c., manner of Herter Brothers, New York, reticulated base with sunflower finials, central crane cartouche, ruched seat, scrolled tapered

Fine Persian Pictorial Rug Depicting the Selling of Joseph, fourth quarter 19th century, silk and wool, with three central scenes of Joseph and his brothers, surrounded by smaller narrative scenes, ov

Black bellied plover, Obediah Verity, Seaford, New York, 3rd quarter 19th century. 10.5” long. Deep wing carving and carved eyes. Eyes are facing somewhat forward on beetle style head. Provenanc

American, New York, third quarter 19th century. An Empire style pier table, having a square form with a white marble top, mounted with gilt metal acanthine rinceau molding and foliated ormolu, with fi

Fine pair of first quarter 19th century samplers done by Ann Elizabeth Wood and Catherine D Wood. The samplers have been partially stitched together back to back apparently with the intent of making a

American, manner of New York, 19th century. Pair of parcel gilt mahogany mirrors in the federal taste, each having a scrolled broken double pediment centering on a flowering urn above an inlaid oval w

Pair American Renaissance Revival bookcases, Last quarter 19th c., American, in the manner of Daniel Pabst, parcel gilt burl and figured walnut, the center section topped with arched pediment, above r

Bronze vanity box, retailed at Stern Brothers New York, manufactured in France, late 19th century. Lid with inset guilloche enamel under pierced bronze and hand painted portrait of a lady at center. I

A Large French Ormolu Mantel Clock by Ferdinand Barbedienne, the design by Louis-constant Sevin, Paris, Last quarter 19th c.   Surmounted by a figure of Neptune, over an

Impressive pair of Ferdinand Barbedienne Gilt Bronze Relief Plaques, last quarter 19th century. Each cast in low relief depicting a classically-draped figure after the Fontaine des Innocents by Jean G

Wool. Iran. original Persian Serapi circa last quarter 19th century from north west Persia. Bold geometric design with floral influence on rust colored field. Teal, green, blue and cream accent colors

American, second quarter 19th century. Domed brown tooled leather steamer trunk with brass lock, and plaque engraved, "Cornelia Prime/Huntington/New York". Manufacturer's name obscured by plaque, the

A Louis XV style gilt bronze mounted marquetry inlaid kingwood tablesecond half 19th centuryheight 28in (71cm); width 12 1/2in (32cm); depth 11in (28cm) Provenance:With Dalva Brothers, New York, New Y

American Late Classical Bronze-Mounted Mahogany and Scagliola-Top Center Table second quarter 19th century, school of Duncan Phyfe, New York, the circular top with a banded and parcel-gilt edge, and f