GRANT WOOD February. Lithograph, 1941. 227x303 mm; 9x11¾ inches, full margins. Edition of 250.

GRANT WOOD February. Lithograph, 1941. 227x303 mm; 9x11¾ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb impressi

GRANT WOOD February. Lithograph, 1941. 227x303 mm; 9x11¾ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb impressi

GRANT WOOD March. Lithograph, 1939. 228x302 mm; 9x11⅞ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb impression

GRANT WOOD Honorary Degree. Lithograph, 1938. 300x177 mm; 11¾x6 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very goo

MABEL DWIGHT In the Crowd (Faces in the Crowd). Lithograph, 1931. 236x300 mm; 9x11 inches, full margins. Edition of 32. Signed, dated and titled in pencil, lower margin. Printed by George Miller, New

THOMAS HART BENTON Goin' Home. Lithograph, 1937. 240x302 mm; 9⅜x11⅞ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York.

THOMAS HART BENTON Nebraska Evening. Lithograph, 1941. 257x332 mm; 10x13 inches, wide margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very

MIGUEL COVARRUBIAS Rumba. Lithograph, 1942. 235x340 mm; 9¼x13¼ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very

THOMAS HART BENTON Shallow Creek. Lithograph, 1939. 360x240 mm; 14¼x9½ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York

JOHN ROGERS COX Wheat Shocks. Lithograph, 1951. 225x301 mm; 8x11 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very good im

RAPHAEL SOYER Young Model. Lithograph, 1940. 305x245 mm; 12x9 inches, full margins. Edition of 250. Signed and titled "The Model" in pencil, lower margin. Published by the Associated American Artists,

THOMAS HART BENTON Wreck of the Ol'97. Lithograph, 1944. 263x382 mm; 10 x15 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A b

3 lithographs, Gordon Grant (American) 1875-1962: "Fisherman's Haven," 1945, 11 x 13 1/2 inches, full margins, edition of 250, signed in lower margin in pencil by the artist; "Boats to Let," 1946, 11

RICHARD DIEBENKORN Unititled (for Harvey Gantt). Color lithograph, 1990. 128x169 mm; 5x6 inches, full margins. The "right to produce" proof, aside from the edition of 250. Initialed, dated and inscrib

Grant Wood (American 1892-1942)- ''Fertility'' (Cole 15)- lithograph on wove BFK Rives, 1939, signed in pencil, AAA publication in an edition of 250, full margins. 9 x 11 7/8''

Grant Wood. American. Tree Planting Group. Lithograph. 1937. Edition of 250. Signed and dated in pencil, lower right. Published by Associated American Artists, New York. 1937. 8 1/2x11 inches, full ma

Wood, Grant (American, 1891-1942), Honorary Degree, 1938 (Cole #4), lithograph, 11.875 x 6.875 inches, pencil signed lower right margin, a strongly impression from the edition of 250 Published by Asso

PABLO PICASSO Salomé. Drypoint, 1905. 405x350 mm; 16x13¾ inches, full margins. Edition of 250. Van Gelder watermark. Printed by Louis Fort, Paris. Published by Vollard, Paris. From La Suite

MARTIN LEWIS Veterans. Lithograph, 1935. 250x342 mm; 9¾x13½ inches, full margins. Edition of only 8. Signed in pencil, lower right. A very good impression of this extremely scarce, first-kno

BENTON SPRUANCE The Homecoming. Lithograph, 1935. 230x350 mm; 9x13¾ inches, full margins. Edition of 28 (from an intended edition of 30). Signed and dated in pencil, lower right margin. A very go

JOAN MIRÓ (after)Sur Quatre Murs.Color lithograph, 1951. 260x792 mm; 10¼x31¼ inches, full margins. Edition of 400. Signed and dated in pencil, lower right. Published by Maeght, Paris. A

THOMAS HART BENTON Ten Pound Hammer. Lithograph, 1967. 350x250 mm; 13¾x9¾ inches, full margins. Edition of 300. Signed in pencil, lower right. A very good impression of this scarce lithograp

GEORGE BELLOWS Dance in a Madhouse. Lithograph, 1917. 471x624 mm; 18½x24 inches, full margins. Edition of approximately 77. Signed "Geo. Bellows" and initialed "E.S.B." by the artist's wife, Emma

ROBERT RIGGS The Pool. Lithograph, circa 1933. 370x495 mm; 14½x19½ inches, full margins. Edition of 40. Signed and titled in pencil, lower margin. A very good impression of this large, scarc