Johann Ridinger, Black Chalk, Stag Looking Left

Johann Elias Ridinger (German, 1698-1767) Sight size: 9"h x 6"w Overall: 12-3/4"h x 10-1/4"w

DESCRIPTION: Charcoal and white chalk sketch on paper by Giovanni Boldini depicting a seated woman wearing a dress and looking away from the viewer. Signed at lower left. Mounted in a black and silver

Johann Wille, Black Chalk on Paper, Cottage Johann German, 1715-1808. Image size, 10"h x 7"w

London 1819 A Lot of 3 8 Inch Forks Very Fine Description: 232.70 gms. made by Thomas Wilkes Barker 1810-1822 Stag's head looking left and an apprentice mark on each. Condition report: Upon request, W

Venetian School, 16th Century The Last Supper bears signature and number 'Tintoretto 15/6' (lower left) black chalk, pen and brown ink, heightened with white chalk on brown paper, on a François R

Portrait of a woman looking left, chalk on wove paper, unsigned. 8.5 H X 6.5" W (15.5" X 12.5"). Trimmed."

Johann Elias Ridinger (German, 1695-1767) Stag in Woods oil on canvas 27 x 20 1/2 inches. Estimate $1,000-2,000

Carved Black Forest Stag & Mountain Ram Left: circa 1933. German Wood carving of stag with antlers standing on rocks. Label on base: "Andreas Kaserer KGL Bayer Leferant Berchtesgarden Germany". Right:

Johann Elias Ridinger, four etchings of stags. Frames overall 28" x 24".

Sir Thomas Lawrence P.R.A. (Bristol 1769-1830 London) Portrait of Caroline Upton, bust-length, in profile to the left pencil and black chalk on paper 21.8 x 17.9cm (8 9/16 x 7 1/16in). Footnotes:

Two untitled Fesson prints in colors; Fendi Olives and Black Dress, 1987 and Woman Looking Left, 1985(framed separately); Each stamped to recto and signed, dated and inscribed "One of a Kind" to verso

Provenance: Stair Galleries. Black and white chalk, stamped lower left, unframed. Both 23 1/2 x 18 1/4 in. (sheet).

Philibert D'amiens De Ranchicourt (1781-1825): Standing ManProvenance: Stair Galleries. Black and white chalk, stamped lower left, unframed. Both 23 1/2 x 18 1/4 in. (sheet).

Philibert D'amiens De Ranchicourt (1781-1825): Standing Man Leaning On Spade. Provenance: Stair Galleries. Black and white chalk, stamped lower left, unframed. Both 23 1/2 x 18 1/4 in. (sheet).

Provenance: Stair Galleries. Black and white chalk, stamped lower left, unframed. Both 23 1/2 x 18 1/4 in. (sheet).

Black nose, no whiskers, looking to left, was a member of the "Kingdom of Ice and Snow" group. Swarovski crystal acid mark on the base. Dimensions: 2"L x 2"W x 1.25"H Manufacturer: Swarovski Country o

Josef Floch (Austrian/American, 1894-1977) Impressionist figural study oil on canvas painting depicting a seated woman with brown hair looking left wearing a green and black ensemble with red jewelry,

Paul Signac (1863-1935)-attributed, Bacino di San Marco with boats watercolour with black chalk on light brown paper signed bottom left and dated 1904 framed under glass , 19,5x30 cm

(French, 1827-1875) Study of a Lion's Head facing Right, Study of a Lion's Head Facing Left, black and white chalk on brown paper, octagonal. Paper size: 3-1/2"h x 2-3/4"w approximately Overall: 12-3/

Circle of Willem de Heusch (Dutch, c. 1625-1692) , "Study of an Italianate Fortification", grey wash over black chalk on paper, signed "d. Heus" lower left, unidentified collectors mark lower right, "

NO RESERVE Birds.- Griset (Ernest Henri) Tawny Eagle sitting on rocky outcrop, black chalk with watercolour, heightened with white, signed lower left, ruled border line, sheet 540 x 390 mm (21 1/4 x 1

A black chalk and red sanguine on paper drawing depicting a portrait of an Afghan man, by Alexandre Evgenevich Yakovlev, 1887 to 1938. Signed in Latin and dated 1934 lower left. One of a kind artwork.

Di Tito, Attributed to Santi (Italian 1536 - 1603), Portrait of an Older Man, black chalk , 5.5 x 3.75 inches, attached to a larger sheet under the mat, a written inscription at the lower left possibl

(French, 1699-1789) Vue du Campo Vaccino, unsigned, inscribed upper left ?C? Vacino??, light pencil drawings verso, inscribed verso in ink "169", black chalk heightened with gouache on laid paper, 11-