JOHN W. HATCH (1919-1998) Early Figure Study

"Articulated Hand Study" charcoal on artist paper 25 x 19 inches, signed, unframed

"Full Length Male Figure Study" charcoal with chalk highlights on artist paper 25 x 19 inches. unsigned, unframed. Estate stamped.

"Male Figure Study" charcoal on artist paper 19 x 25 inches. signed, unframed

JOHN WOODSUM HATCH(American 1919-1998)A Haying Scene - circa 1930s, possibly a mural studyOil on canvas boardInscribed on verso Hatch and also J.W. Hatch16 inches x 20 inches, unframed SHIP

"Blizzard on Bailey Hill" watercolor 8 1/2 x 11 inches. signed and dated 1939, unframed

"Still Life with Fruit and Vase" oil on canvas 18 x 22 inches. signed lower right below rabbit of frame. framed 22 x 26 inches. (overall)

"Indoor Garden Lake Place, New Haven" watercolor 14 x 11 inches. signed and dated 1947. unframed.

"Hatch! Gesture Sketch" charcoal 22 1/2 x 17 inches, signed, unframed

(2) "Manila Joe Studies" pencil on tissue paper and casein on celluloid. 11 1/2 x 17 inches (each) unsigned, pencil on tissue taped to paper board. 16 1/2 x 20 inches. Estate stamped.

"Army Engineers Mural Study" oil on canvas 13 x 51 inches, unsigned, annotated verso, unframed Note: The 29th Army Engineers were stationed in Portland, Oregon from 1942-1944 to provide combat troops

"Egyptian Mural Study" gouache and gold paint on celluloid transparent sheet. 6 x 11 1/4 inches. unsigned. matted 10 x 15 inches (overall). Estate stamped.

"Rochester-Gateway to the White Mountains" pencil on paperboard. 6 x 16 inches. unsigned mural study for Rochester Bank. cropped from a 14 x 22 inch sheet. unframed. Estate stamped.

"Study for Morning Haul" ink and wash on paper 19 x 24 1/2 inches. unsigned and annotated verso. unframed. Estate stamped.

"Manila Painting Study" pencil on paper laid to board 12 1/2 x 16 1/2 inches, unsigned, unframed. Estate stamped.

"World War II Mural Study" gouache on paper board 5 1/2 x 10 1/2 inches, partially matted 9 x 12 1/2 inches (overall) Note: The 29th Army Engineers were stationed in Portland, Oregon from 1942-1944 to

"Hindu Temple with Animated Figures" gouache and pencil on paper laid to masonite. 13 1/2 x 19 inches. unsigned, unframed. Estate stamped.

(2) "Manila Joe Studies" pencil on tissue paper. 11 1/2 x 17 inches (each) unsigned, taped to paper board 30 x 20 inches. Estate stamped.

(New Hampshire/Massachusetts, 1919-1998), on paper, 24.75 x 17.5 inches, sight, signed and dated 1959 lower right, John Hatch was a professor of art at the University of New Hampshire from 1949-1985.

Louis Moreau (1855-1919), "Halte-La," early 20th c., patinated spelter figure on a stepped rouge marble base, titled on the front, impressed signature verso, H.- 17 1/2 in., W.- 10 in., D.- 7 3/4 in.

Figure study of a young girl Charcoal pencil and graphite on paper under glass Signed lower right: W. Gwyn Sheet: 11" H x 14" W

John R. Grabach Figure Study charcoal on paper 38 h × 25 w in (97 × 63 cm) Signed to lower right 'JR Grabach'. This work will ship from Rago in Lambertville, New Jers

A Continental silver articulating peacock figureEarly 20th centuryThe silver bird figure with articulating wings and detachable head8.75" H x 15.25" W x 3.25" D

"Early Summer", figures dancing Oil on canvas laid to canvas Signature incised lower right: H.B. Kayn, titled on a label affixed to the stretcher 24" H x 34" W Provenance: The Milch Galleries, New Yor

After Louis Moreau (1855-1919), "Vendangeuse," and "Vendangeur," early 20th c., pair of patinated spelter figures on stepped turned faux marble wooden bases, now mounted as lamps, H.- 18 in., W.- 7 in