L'Art D'Aujourd'hui, 1925

L'Art D'Aujourd'hui. Albert Morance, Paris, 1925. Loose with various illustrations. Portfolio cover.

L'Art D'Aujourd'hui #5. DeLuxe Edition with an original eau-forte signed and numbered in pencil by Dufy. Peintures dessins Estampes Sculptures de notre temps. Spring 1925. Dufy, Orloff, Masereel, Alla

Henri Matisse. Femme en robe brune. pochoir. 1924. 7 x 5 inches. Albert Morance. Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now

Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image

L'Art D'Aujourd'hui 1924 with an original etching signed and numbered in pencil by Andre Dunoyer de Segonzac. Peintures dessins Estampes Sculptures de notre temps. Autumn / Winter 1924. Utrillo, Laure

Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morancé for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the

Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image

Medium: pochoir (after the watercolor). Published in Paris in 1929 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image

"Laster der Menschheit" (Vice of Mankind) poster design by Jan Tschichold. Illustration plate 18 from the portfolio L’Art International d’Aujourd’hui published 1929 by Charles Moreau, Paris. Col

Illustration plate 46 from the portfolio L’Art International d’Aujourd’hui published 1929 by Charles Moreau, Paris. Collotype with ochoir (hand stencil) red lettering. Good condition with some s

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The imag

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The shee

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The imag

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The shee

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The shee

Medium: pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The sheet size

Editions "Art D'Aujourd'hui", Boulogne 1952. Small square 4to. 295+(2) pages. Extensively illustrated with photographs in b/w and 30 original litographs on plates, hereof the majority (29) in colour.

BOOKS: (10) Vols Ikebana w/color 1930s-60s, 10 volumes on Ikebana and Japanese flower arrangements: 1) Donald Richie. L'Art des Fleurs au Japon Hier et Aujourd'hui. Bibliotheque des Arts, Paris. 1967.

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The imag

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The shee

131 Tradition en transition Tradition en transition La mère et l'enfant dans la sculpture africaine - hier et aujourd'hui Tradition in Transition Mother and Child in African Sculpture - Past and Pres

GENEVIÈVE LECORNU (DATES UNKNOWN) GRAND PALAIS PARIS /5EME EXPOSITION DE L'HABITATION. 1938. 46½x30¼ inches, 118x76¾ cm. L'Architecture d'Aujourd' Hui, Boulogne. Condition A-: mino

Medium: silkscreen (after the painting). Printed in Paris at the studio of Arcay and published in 1953 by Editions d'Art d'Aujourd'hui, of Boulogne (Andre Bloc was the founder and editor of this revue

Medium: silkscreen / serigraph (after the painting). Printed in Paris at the studio of Arcay and published in 1953 by Editions d'Art d'Aujourd'hui, of Boulogne. Sheet size: 12 x 9 1/4 inches (305 x 23