LISTER, James Wren (1897 – 1952). Avalon Town / Santa Catal...

LISTER, James Wren (1897 – 1952). Avalon Town / Santa Catalina Island California. 1948. L.C.B. Co. Bird’s eye map showing Avalon Bay in the foreground with numerous aspects of life in the

the back, apron, and arms carved in relief Provenance: the Estate of James Jarvaise, Santa Barbara Condition: with sun fading 74 inches wide; 46 inches deep

the saint depicted casting Satan into Hell Provenance: the Estate of James Jarvaise, Santa Barbara 42 inches high

Kerry James Marshall, Santa Monica Musuem of Art 20th Anniversary Artist Ceramic Plate, 2008, in a limited edition of 125 plates each numbered on the back of the plate and on thehgift box.

ROBERT CHADEAYNE (AMERICAN, 1897-1981), "SANTA YNEZ MOUNTAINS" (BETWEEN SANTA BARBARA AND SANTA YNEZ), OIL ON CANVAS, 20" X 36", EXHIBITIONS: COLUMBUS MUSEUM OF ART.

the foliate surmount above a rectangular frame and plate Provenance: the Estate of James Jarvaise, Santa Barbara Condition: with loss and repair 88 x 62 inches

1970 lithograph printed in colors signed in pencil, dated, and numbered 24/90 Provenance: with label verso from James Corcoran Gallery, Santa Monica Condition: good. Framed floating under Plexiglas. N

Edward S. Curtis(1868 - 1952)The Potter - Santa Clara, 1905photogravure on Japanese vellumnumbered in plate, upper left: Plate 602titled in plate, lower left: THE POTTER - SANTA CLARAinscribed in plat

ALL BLACK, 1986-87, oil and acrylic painting on paper, presumably signed and dated on verso, 32 ¾ x 25”, frame 36 x 28” with Plexiglas. Provenance: James Corcoran Gallery Santa Moni

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 32 ¾ x 25”, frame 36 x 28 no glass. Provenance: James Corcoran Gallery Santa Monica; Proceeds to benefit

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 32 ¾ x 25”, frame 36 x 28” no glass. Provenance: James Corcoran Gallery Santa Monica; Proceeds to b

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 32 ¾ x 25”, frame 36 x 28 no glass. Provenance: James Corcoran Gallery Santa Monica; Proceeds to benefit

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 32 ¾ x 25”, frame 36 x 28 no glass. Provenance: James Corcoran Gallery Santa Monica; Proceeds to benefit

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 24 x 18”, frame 28 x 21” no glass. Provenance: James Corcoran Gallery Santa Monica, lacking tag with inven

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 32 ¾ x 25”, frame 36 x 28 no glass. Provenance: James Corcoran Gallery Santa Monica; Proceeds to benefit

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 22 x 16 ½”, frame 25 ¼ x 19 ¼” no glass. Provenance: James Corcoran Gallery Santa Mon

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 33 x 25 ¼”. Provenance: James Corcoran Gallery Santa Monica (lacking label); Proceeds to benefit UCLA Hea

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 32 ¾ x 25”, frame 36 x 28” no glass. Provenance: James Corcoran Gallery Santa Monica; Proceeds to b

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 32 ¾ x 25”, frame 36 x 28” no glass. Provenance: James Corcoran Gallery Santa Monica; Proceeds to b

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 22 x 16 ½”, frame 25 ¼ x 19 ¼” no glass. Provenance: James Corcoran Gallery Santa Mon

James "Corb" Reed (1897-1987), Decorative Preening TealChincoteague, Virginia, circa 1970, carved and painted wood, preening head with animated wing positions, glass eyes. Length 12 in. Reed had no k

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 22 x 16 ½”, frame 25 x 19 ½” no glass. Provenance: James Corcoran Gallery Santa Monica; Proc

LARRY COHEN (B. 1952) View of the Santa Monica Pier, 2014 signed twice 'LARRY COHEN' (on the reverse); signed again 'LARRY COHEN' (on the stretcher bar) oil on canvas 16 x 26 in. 40.6 x 66 cm. Footnot

An Adams & Westlake No. 11 Steel Guard model (1897 pat.), nicely embossed "SANTA FE ROUTE" on the lid reflector, with "A 772" lightly stamped in embossed panel adjacent. Bayonet fount with No. 2 funct