Rapperswil Vue de Rapperschweil. Kol. Aquatinta von F.

Bleuler, Louis (Feuerthalen 1792–1850 Laufen) "Réunion de l'Ill et du Rhin, No. 28". Kol. Aquatinta von Salathé nach Schmid aus dem Werk "Der Rhein von den Quellen bis zur Mündung", 1827/43. 19x2

Swiss Alps.- von Mechel (Christian) Vue perspective de la Partie la plus élevée du Centre de la Suisse où l'on découvre tout le Canton de Lucerne ..., bird's-eye view of the Swiss

Braque, Georges Tzara, Tristan La bonne Heure. Mit einer Aquatinta-Radierung von Georges Braque. Paris o.D. (Presses de Raymond Jacquet) 1955. 1 Bl., 13 S., 1 Bl. Kl.-12° Lose Lagen in OBrosch. W

Meyer, Johann Jakob (Meilen 1787–1858 Zürich) "Vue prise près de l'auberge du Corbeau à Zurich". Kol. Umrissradierung, 1817. 32,7x45,7 cm. Gerahmt.

Miró, Joan Frénaud, André Le miroir de l'homme par les bêtes. Mit 3 Aquatinta-Radierungen und 2 Carborundum-Radierungen von Miró. Paris, Maeght éditeur, 1972. Folio. Lose

Batache, EddyLa mysticité charnelle de René Crevel. Mit 13 von 14 signierten Radierungen teils in Aquatinta. Paris, George Visat, 1976. Folio. Lose Lagen in Seidenchemise in OSchuber.Eins vo

Roberts, David La Terre Sainte. Vues & Monuments. Avec une description historique sur chaque planche. Mit 60 getönten lithogr. Tafeln (30 ganzs.) von Stroobant nach Haghe. Brüssel, A. de Wasme, 1843

Vicq d'Azyr, F Traité d'anatomie et de physiologie. Tome premier (alles Erschienene). T. 1, 2, 3, u. 5 (ohne T. 4 mit den zugehör. Kupfern). Text- u. Tafelband. 2 Bände. Mit 54 (von 69, davon 27 in

Marc Chagall (1887-1985) Vue de Notre-Dame (Mourlot 977) Lithograph in colours, 1980, on Arches wove paper, signed and numbered 34/50 in pencil, published by Maeght, Paris, the full sheet, with pale t

MARC CHAGALL (1887 - 1985)"VUE DE NOTRE DAME"Lithograph in colors, on Arches paperSigned in pencil, numbered XX/50Published by Maeght, ParisYear : 1980Dimensions (image): 92.7 cm x 59.7 cmFramedLitera

Henri Hayden (French/Polish, 1883-1970) Vue de St. Tropez oil on canvas signed Hayden (lower left) 15 x 18 1/4 inches. Provenance: Sold: Christie's South Kensington, London, June 18, 1999, Lot 76 Acqu

Late 19th Century School Vue de Pont Manech, Brittany, France, 1897 Inscribed Assam and dated 1897 (lr) Oil on canvas 26 7/8 x 36 1/4 inches (68.3 x 92 cm) Provenance: Galerie Gloux, Concarneau Collec

Noé Canjura (Salvadoran-French 1922-1970) “Vue de Mon Jardin" (View of my Garden) Signed lower right: "Canjura" Mid 20th century Oil on canvas Image: 30" x 45" Framed: 40" x 55" Provenance: Campbel

Davide ORLER (1931-2010) Vue de village Huile sur papier marouflé sur carton 70 x 94 cm

Color aquatint and etching with hand coloring in watercolor. With--PHILIBERT-LOUIS DEBUCOURT. "Paysage, effet de neige," color aquatint and etching with hand coloring in watercolor, 1811. 292x393 mm;

19th c. Oil on Canvas by Ernest Victor Paul Morot (French, active 1880-1920). "Vue de Village et Prarie" c. 1890, View of the town and prairie, signed lower left. Beautiful Pastoral French Landscape.

Patrick Caulfield (1936-2005) Les Demoiselles d'Avignon vues de Derrière (Cristea 90) Screenprint in colours, 1999, on wove paper, signed and numbered 24/65 in pencil, printed by Advanced Graphic

Heading: -1860 Author: Title: Vue de San Francisco en 1860 / View of San Francisco in 1860 Place Published: Paris / San Francisco Publisher:Henry Payot Date Published: 1860 Description

Large German Tower Clock, 1882 Manufactured by F.A. Beyes in Hildesheim. Cast-iron frame, bronze wheels, on heavy table, overall size 44 ½ x 23 x 55 in. Turmuhr von F.A. Beyes in Hildesheim, 1882 Geg

This lot includes:Gallery COA & free domestic shipping (*insurance and international shipping for an additional charge)Artist: Jacques BouyssouTitle: Vue De La Seine de Conflans Ste HonorineMedium: Oi

Description Française: LAPICQUE, Charles (1898-1988) Paris, Vue de Montmartre Huile sur toile Signée et datée en bas à droite: Lapicque 57 Provenance: Collection de M. J.S., Montr&

Two Sets of Three Sevres Porcelain Plates, royal blue with gilt border and landscape painted centers, 1844, Chateau De Compiegne, Restes De La Table Du Roi Font, Pavillon De Sully, Chateau De F. Bleau

Attributed to Jean-Jacques Henner (French, 1829-1905) "Femme Nue Vue de Dos" oil on academy board unsigned. Framed. 19" x 15", framed 24" x 20" Provenance: Private collection, Georgia.

After Mornay, three Vues de. St. Petersburgh, March: Vies of the Square and the Grand Theater at St. Petersburgh, and two companion prints (June and July) by Matthew Dubourg and John Heaviside Clark (