Samuel Dixon (1750-1769) Irish, Embossed gouache and

A fine basso relievo painting of shorebirds in their environment by Irish artist Samuel Dixon of Dublin. Circa 1755. Gouache on raised, dimensional paper (basso relievo). Framed. Original 18th century

Samuel Dixon (Irish, 1748-1769) A pair of small oils on paper of birds (attributed en verso on one). The larger painting is unsigned. Sight of Dixons: 1-1/2in x 2in. Frames: 4in x 3in. Larger: 3-1/2in

A Set of Six Irish George III Embossed Bird Pictures by Samuel Dixon Circa 1755 11 1/2 x 15 1/2 inches. Property from the Collection of Tina and Simon Beriro, Aspen, Colorado Note: These illustrations

SAMUEL SHELLEY 1750 London - 1808 ebenda ARMBANDSCHLIESSE MIT DEM PORTRT EINES GENTLEMAN Gouache auf Elfenbein. 48 x 36 mm / 52 x 40 mm. Auf der rckseitigen Papierabdeckung signiert 'S. Shelley Henrie

SAMUEL ANDREWS (IRISH, 1767-1807) MINIATURE PORTRAIT OF ANGLO-INDIAN INTEREST, watercolor / gouache, finely executed bust-length profile depiction of a distinguished gentleman with ponytail, signed an

A George II Irish sterling silver sugar bowl, Dublin circa 1750, by Samuel Walker (active 1731-69). Sides with repousse cartouche engraved with leopard head, bird with outstretched wings, and hunting

(Irish, 1797-1868). Watercolor and gouache, signed "Lover Pxt," framed, sight size - 3 1/8 in. H., 2 1/2 in. W.

No COA Shipping in USA $ 100. Maynard Dixon was an American artist. He was known for his paintings, and his body of work focused on the American West.

A GEORGE II CARVED GILTWOOD MIRRORPOSSIBLY IRISH, CIRCA 1750 109cm high, 61cm wide

Pete Acquisto sterling cruet set styled after the original by Samuel Wood circa 1750, cruet frame raised on four feet with cartouche contains two glass cruets, two silver cruet lids and three silver c

A George III sterling silver salver, John Carter II, London, 1769, and a small Irish George II sterling silver tray, Dublin, 1730 Comprising a salver by John Carter II, London, 1769, with scalloped an

Colonial America 1750-Dated Ship's Bill of Lading from Newport, Rhode Island Triangular Slave Shipping Trader Samuel Vernon October 2, 1750-Dated Colonial Newport, Rhode Island to Boston, Partially-Pr

Pre-Prohibition embossed beer glass, Samuel Wainwright & Co's, St. Louis Lager Beer, 7.0'' ht., excellent condition

LAWRENCE SULLY (firmly attributed to) (Irish-American, Richmond, VA, 1769-1804), oval painted portrait miniature of woman in white, circa 1775-1803. The portrait is set in a rose gold frame with a sma

A pair of Irish delftware platters, circa 1750-60 Probably Dublin, of octagonal shape, painted in blue with the 'Chinese Flower-bowl' pattern, the central bowl overflowing with exotic vegetation, Daoi

DANIELL, Samuel (1775-1811) and William Daniell (1769-1837) Sketches Representing the Native Tribes, Animals and Scenery of Southern Africa. London: Richard and Arthur Taylor [for] William Daniell and

IRISH STERLING SILVER FOOTED SALVER C. 1750 PROB. WILLIAM TOWNSEND, 13 1/4" DIAM. APPROX. 38.95 TROY OZ

William Samuel Schwartz (American, 1896-1977) Untitled [Flowers]. Gouache on paper. Signed "William S. Schwartz" upper right. Glued down to cardboard. Unframed Sheet: 24.5" x 20"

Irish silver coffee pot, of pear form, embossed and chased with flowers and large birds. [11 3/8 x 9 (handle to spout) x 5 inches]. Weighs 29.64 ozt. inclusive of handle. In good condition.

Late 20th c. 15" by 19" including frame, signed dated and titled in lower margin.

Irish country house in a river landscape River landscape with a fishing party in a boat Oil on canvas (2) James Coy (fl. 1769-1780) was born in Dublin and commenced his artistic career at The Dublin S

SAMUEL SPODE (ENGLISH, 1798-1872) Figure on a dapple grey hunter with a dog at its feet Signed oil on canvas 61 x 72 cm. Worldwide shipping available. Contact shipping@sheppards.ie for quotes prior to

Approximately 37 autographs total, plus a few loose autographs. Partial listing: Henry Irving, Ellen Terry, Edwin Booth (brother to John Wilkes Booth), Helena Modjeska, Agnes Booth, Maggie Mitchell, T

Probably late 18th century. A period copy of the original by John Singleton Copley which was "well known and frequently copied on canvas" according to the Schiller Institute. The wide pine stretchers