Sheldon Reich; John Marin: Catalogue Raisonne, Part II

Sheldon Reich; John Marin: Catalogue Raisonne, Part II. 1970. The University of Arizona Press

John Marin. A Stylistic Analysis and Catalogue Raisonne. Sheldon ReichTwo(2) Volume Set.

Oil on board. "Washday". Signed lower left. Artist name and title incised on front frame. Please note this work is not included in the Catalogue Raisonne. This work has been part of a private collecti

"Crying Girl", serigraph, Originally printed for Roy Lichtenstein’s exhibition at the Leo Castelli Gallery 1963. Catalogue Raisonne: Corlett II.1. Pencil signed in lower margin. Housed in black wood

Andy Warhol (1928-1978) "Commitee 2000, 1982." Screenprint in colour with rear copyright stamp Signed lower right and numbered 1305/2000 Catalogue raisonné: Feldman/Schellmann/Defendi II.289 Printed

Bald Eagle from Endangered Species Portfolio, 1983 Silkscreen in colors on Lenox Museum Board. Unsigned. Stamped. Andy Warhol Catalogue Raisonne 1962-1987 Page 218. II 293-302. Measures 38 x 38

Dalton (John) A New System of Chemical Philosophy, 2 vol. in 3 (Vol.1 Parts I & II and Vol.2 Part I), first edition, 8 engraved plates, vol.2 part I with half-title and 2pp. advertisements at end, som

Folio Society, The Letterpress Shakespeare, King John, Henry V, King Henry VIII, Richard III, Richard II, Henry IV Parts One and Two and Henry VI Parts One to Three, limited editions, blue leather spi

"Superficie de Argon II," 1997 Zacatecas polychrome clay, and glass on wood base Appears unsigned; titled to gallery label on underside 33.5" H x 14" W x 11" D Provenance: Couturier Gallery, Los

TLS in Polish, signed “Karol card. Wojtyla,” one page, 7.75 x 11.75, Metropolita Krakowski letterhead, Easter 1978. In part (translated): "As we unite ourselves with Christ the Lord on the

Gemini G. E. L. & MoMa, 1971. Brush and part of yellow paint detached, but present. Crack to lower left corner. IMPORTANT: Before bidding, please read the terms and conditions. When you registered for

JOHN MARIN (AMERICAN, 1870-1953), ETCHING AND DRYPOINT, 1913, PLATE SIZE: H 12 3/4", W 10 1/4", "WOOLWORTH BUILDING #2:Pencil signed (within the plate mark); signed, titles and dated in the plate; ins

"Marin Island No. I, Small Point, Maine", 1926, watercolor on Arches paper laid to board, signed lower right, label verso from the Portland Museum exhibition "Maine Moderns: Art in Seguinland, 1900-19

JOHN MARIN Woolworth Building (Swaying). Pencil on heavy cream wove paper, circa 1913-15. 370x298 mm; 14¾x11¾ inches. Signed in pencil, lower right recto. Strathmore paper blind stamp lower

JOHN MARIN Woolworth Building, No. 2. Etching and drypoint, 1913. 330x265 mm; 13x10½ inches, full margins. Second state (of 2). Edition of approximately only 10. Signed in pencil, lower right. Pu

JOHN MARIN From the Brooklyn Bridge, New York. Watercolor, gouache and pencil on thick, textured wove paper, circa 1930. 290x387 mm; 11½x15½ inches. Signed in watercolor on the building faca

JOHN MARIN Downtown, New York. Pencil on cream wove paper, circa 1920. 305x228 mm; 12¼x9 inches. Signed in pencil, lower right recto.Provenance: Estate of Patrick Roberts, founder of the American

JOHN MARIN Summer. Watercolor on cream wove paper, 1913. 394x467 mm; 15½x18 inches. Signed and dated in pencil, lower right recto. Provenance: Susanne Hilberry Gallery, Inc., Birmingham, Michigan

JOHN MARIN Brooklyn Bridge, No. 6 (Swaying). Etching, 1913. 272x222 mm; 11x9 inches, full margins. Edition of approximately only 12. Signed in pencil, lower right. Published by Alfred Stieglitz, 291 F

John Marin (American, 1870-1953) oil on canvas painting size: 17.75 x 25.75, 24 x 31.75 outside frame

JOHN MARIN Cityscape (Cover for World Service of the American Express). Watercolor, gouache and crayon on paper, circa 1920. 280x204 mm; 11x8 inches. Signed in crayon, lower right recto.Provenance: Pr

Kazimir Malevich Catalogue Raisonne Provenance: Collection of Michael and Gabrielle Boyd Complete Lot Details Kazimir Malewicz: Le Peintre Absolu Vol. 1 Andrei Nakov, Thalia E

JOHN MARIN Cityscape and Bridge Study. Pencil on cream wove paper, 1913. 200x250 mm; 7x9 inches. Signed and dated in pencil, lower left recto.Provenance: (with) Eastman Kodak Co., Rochester, with the

Lalique glass: ' Catalogue Raisonne des Vases , no. 876 ' Perruches ' ( in green mould no. 1205) , model created in 1919 , stopped in 1947, see page 410 of R. Lalique catalogue raisonne de l'oeuvre de