Thomas Daniell (1749-1840) and William Daniell (1769-1837) View of the Palace, Madura Aquatint

Thomas Daniell (English, 1749-1840) & William Daniell (English, 1769-1837) Set of Four Aquatints from 'Oriental Scenery' Signed in pencil lower right Aquatint 19 in. h. x 25 in. w., image 28 1/4 in. h

Thomas Daniell (1749-1840) & William Daniell (1769-1837), Mausoleum of Kausem SolamaneeColored aquatint, later printing, in a Flemish-style ebonized frame.19 x 25 1/2 inches (visible)

Thomas Daniell (1749-1840) and William Daniell (1769-1837) [INDIAN SCENES] Six color reproduction prints (two duplicates), from Oriental Scenery: Twenty-Four Views in Hindoostan, framed. Images 19 7/8

Suite of (4) contemporary reproduction prints of earlier engravings by Thomas Daniell (1749-1840) and William Daniell (1769-1837) from Oriental Scenery (1795-1808). Dimensions: (Frame) H 28" x W 33.5"

18th century, c. 1798. 'Interior View of the Palace, Madura' aquatint, drawn and engraved by Tho & Daniell. Overall good condition; measures 30 x 21 inches.

Thomas Daniell (1749-1840) Aquatint Part of the Interior of Hindoo Temple at Bahar. Heavy discoloration at edges. Approx. 21.5 x 29.5 in.

Thomas Daniell (1749-1840) Aquatint, Portico of Excavated Temple of Island of Salsette. Heavy discoloration at edges. Approx. 21.5 x 29.5 in.

Thomas Daniell (1749-1840) Aquatint Rameswara. Heavy discoloration at edges. Approx. 21.5 x 29.5 in.

Thomas Daniell (1749-1840) Aquatint, The Ashes of Ravana. Heavy discoloration at edges and restoration top edge. Approx. 21.5 x 29.5 in.

18th century, c. 1798. 'South East View of Tritchinopoly' aquatint, drawn and engraved by Tho & Daniell. Overall fantastic condition; measures 30 x 21 inches. Clean margins.

19th century, c. 1803. Aquatint with hand coloring, plate 16 from 'Hindoo Excavations in the Mountain of Ellora near Aurangabad,' after the drawing by James Wales, published by R A Howland, Lo

18th century, c. 1795. 'Part of the Palace in the Fort of Allahabad' aquatint, drawn and engraved by Tho & Daniell. Overall good condition; measures 25 x 20 inches.

William Daniell (British 1769-1837)- ''Exterior of Fingal's Cave, Staffa''- 1817; ''Cromarty''- 1821; ''Ramsgate''- 1823; ''Exmouth, Devon''- 1825; ''Port Wrinkle, Cornwall''- 1825; ''Clam-Shell Cave,

Thomas Daniell (British, 1749-1840), "Das Avatara," 1803, aquatint with hand coloring, plate 16 from "Hindoo Excavations in the Mountain of Ellora near Aurangabad," after the drawing by James Wales, p

Large, hand-colored aquatint view of Hindoo Temples at Bindrabund on the River Jumna from Daniel's Oriental Scenery. Hindoo Temples at Bindrabund on the River Jumna by Thomas and William Daniell Large

Thomas Daniell RA (British, 1749-1840), "The Taje Mahel, at Agra," 1796, hand-coloured aquatint, published by Robert Bowyer (British, 1758-1834), plate: 18.25"h x 24"w, overall (with frame): 24.5"h x

Early 19th-century view of Gwalior Fort by Daniells and Orme. Fortress of Gwalior, taken by General Popham in 1780 by Edward Orme & Thomas and William Daniell Hand colored aquatint engraving, His Maje

Daniell, William RA (1769 - 1837) Three Studies of Eastern Gentleman Pencil on paper In one frame Property of Stephanie Hoppen  Dimensions: (Frame) 15 in (H) x 13 in (W) [Each image] 3.5 (H)

Thomas and William Daniell, 19th Century aquatint, 'The rock of Trichinopoly', 17.5" x 23.5".

Daniell (Thomas) and William Daniell. Three plates from 'Oriental Scenery', etchings and aquatint with full hand-colouring, excellent impressions on Whatman wove paper, each platemark approx. 490 x 65

Daniell (Thomas) and William Daniell. Ryacotta, in the Barramah'l; Sankry Droog, two works from Oriental Scenery and Twenty-Four Landscapes, etchings and aquatint with full hand-colouring, both excell

Daniell (Thomas) and William Daniell. An Hindoo Temple, at Deo, in Bahar, from Antiquities of India, etching and aquatint with full hand-colouring, an excellent impression on thick Whatman wove paper

Daniell (Thomas) and William Daniell. Exterior of an Eed-Gah near Chaynpore, Bahar, from Oriental Scenery, etching and aquatint with full hand-colouring, an excellent impression on thick Whatman wove

Thomas and William Daniell (British, 18th-19th Century) Two Hand-Colored Aquatints. 'A Baolee Near the Old City of Delhi' 1802, and 'The Entrance to Kailasa' engraved by Thomas Daniell after James wal