Tom Evans Raku original glass creation plate

Signed Original Paul Evans to one tile. Chrome and brass finish Cityscape patchwork coffee table base and plate glass top. From a Long Island, NY estate. Dimensions: 42" w x 42" d x 15" h. Condition:

CUT HONEYCOMB PICKLE CASTER, colorless, jar with elaborate engraved floral band below rim and original glass cover with matching engraving and silver-plated finial, original quadruple-plate stand with

WAX-OVER CHARACTER LADY DOLL, solid dome head with shoulder plate, brown glass eyes and facial features, cloth body, pink kid leather arms with separated fingers, original brown-haired wig. Fitted in

AMERICAN COUNTRY ACCESSORIES, LOT OF TWO, comprising a paint-decorated foot stool, and a mahogany looking glass / wall mirror with likely original mirror plate. 19th century. Mirror 20 3/4" HOA, 12 3/

AMERICAN CLASSICAL GILT-WOOD LOOKING GLASS / WALL MIRROR, concave frame with corner blocks, reverse-painted glass upper tablet above the original mirror plate. Retains an old gold-painted surface over

AMERICAN / ENGLISH CHIPPENDALE MAHOGANY LOOKING GLASS / WALL MIRROR, the cut-out scrolled work applied to a molded rectangular frame set with its original mirror plate, and original backing board. Ret

MID-ATLANTIC PAINT-DECORATED PINE WALL MIRROR, rectangular form with reverse-painted glass tablet depicting a blue bird on a branch, above the original mirror plate. Original varnished stripe-painted

AMERICAN / ENGLISH CHIPPENDALE MAHOGANY LOOKING GLASS / WALL MIRROR, with cut-out and scroll-work crest with pierced stylized gilded shell, and possibly original mirror plate. Retains an old surf

French giltwood mirror with original glass plate. The crown is ornamented with central motifs of flaming torches flanked by urn shaped finials. The mirror is also accented by rosettes on each corner a

A neoclassical French trumeau mirror, circa 1780, in green, blue and cream painted finish with gilded decoration. Louis XVI period. Original glass plate. 40" w x 73" h

Empire State model camera by Rochester Optical Cowas designed for use with dry plates (this is the original glass plate coated with a gelatin emulsion of silver bromide) and possesses a slider box ( v

PHOTOGRAPH OF SELLS FLOTO BAND, 1924, WITH VICTOR ROBBINS AS CONDUCTOR. FROM THE ORIGINAL GLASS PLATE NEGATIVES AS DEVELOPED AT THE REQUEST OF JOHN HURDLE, THEN CURATOR OF THE RINGLING MUSEUM (SARASOT

Atget, Eugene (French, 1857-1927), Versailles, c. 1905-1915 (printed in 1975 from original glass plate negatives by Caisse Nationale), with Caisse Nationale stamp and accession number on reverse, 9.4

Atget, Eugene (French, 1857-1927), Pool, Versailles, c. 1905-1915 (printed in 1975 from original glass plate negatives by Caisse Nationale), with Caisse Nationale stamp and accession number on reverse

PHOTOGRAPH OF A CIRCUS PARADE WAGON FROM THE ORIGINAL GLASS PLATE NEGATIVES AS DEVELOPED AT THE REQUEST OF JOHN HURDLE, THEN CURATOR OF THE RINGLING MUSEUM (SARASOTA, FLORIDA). DEVELOPMENT BY JERRY UL

Atget, Eugene (French, 1857-1927), Rampe, c. 1905 (printed in 1975 from original glass plate negatives by Caisse Nationale), with Caisse Nationale stamp and accession number on reverse, 9.4 x 11.75 in

Atget, Eugene (French, 1857-1927), Detail, Urn at Versailles, n.d. (printed in 1975 from original glass plate negatives by Caisse Nationale), with Caisse Nationale stamp and accession number on revers

A late Regency dressing mirror and jewelry box, circa 1840, in mahogany with original glass plate.

PHOTOGRAPH OF FRANK "SLIVERS" OAKLEY AND ALEX SEABERT, FROM THE ORIGINAL GLASS PLATE NEGATIVES AS DEVELOPED AT THE REQUEST OF JOHN HURDLE, THEN CURATOR OF THE RINGLING MUSEUM (SARASOTA, FLORIDA). DEVE

Atget, Eugene (French, 1857-1927), Pond, Versailles, c. 1905-1915 (printed in 1975 from original glass plate negatives by Caisse Nationale), with Caisse Nationale stamp and accession number on reverse

Atget, Eugene (French, 1857-1927), Architectural Detail, Likely Versailles, c. 1905-1915 (printed in 1975 from original glass plate negatives by Caisse Nationale), with Caisse Nationale stamp and acce

PHOTOGRAPH OF THE BARBER'S TENT, FROM THE ORIGINAL GLASS PLATE NEGATIVES AS DEVELOPED AT THE REQUEST OF JOHN HURDLE, THEN CURATOR OF THE RINGLING MUSEUM (SARASOTA, FLORIDA). DEVELOPMENT BY JERRY ULESM

PHOTOGRAPH OF A SLEDGE GANG, C.1905, FROM THE ORIGINAL GLASS PLATE NEGATIVES AS DEVELOPED AT THE REQUEST OF JOHN HURDLE, THEN CURATOR OF THE RINGLING MUSEUM (SARASOTA, FLORIDA). DEVELOPMENT BY JERRY U

Oversized. Printed from original glass plates by Gustavo Parras. Nine in the lot.