RANDALL GRUBB (AMERICAN, XX/XXI) CUT DOUBLE-OVERLAY

American. 1860-1880. Glass, brass. Blue cut to white cut to clear font with two rows of punties and four quatrefoils. Brass connector, white milk glass base. #1 early lip chimney; #1 Jones burner. Thu

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass, marble. Blue cut t

CUT DOUBLE OVERLAY PUNTY AND PANEL KEROSENE STAND LAMP, bright rose to white to colorless pyriform font, clusters of five punties alternating with V-grooves and over a band of panels, brass stem, doub

VINTAGE BACCARAT CUT DOUBLE-OVERLAY MUSHROOM MILLEFIORI ART GLASS PAPERWEIGHT, red to opaque white to colorless, six U-form cuts to the side creating a concave hexagonal top window, interior mushroom

CUT DOUBLE OVERLAY MOORISH WINDOW AND TREFOIL COLOGNE BOTTLE, deep blue to white to colorless, pyriform with punties cut around the shoulder ring and foot, tall panel-cut neck, factory-polished flange

CUT DOUBLE OVERLAY MOORISH WINDOWS KEROSENE STAND LAMP, opaque cobalt blue to opaque white to colorless pyriform font, ribbed, brass stem and double-step marble base with stamped brass ornamentation,

CUT DOUBLE-OVERLAY PUNTY AND OVAL KEROSENE STAND LAMP, rose to opaque white to colorless pyriform font with gilt scrolling decoration, two rows of punty cuts and a lower band of oval cuts, raised on a

VINTAGE BACCARAT CUT DOUBLE-OVERLAY MUSHROOM MILLEFIORI ART GLASS PAPERWEIGHT, yellow to opaque white to colorless, six U-form cuts with interrupting flute cuts to the side creating a concave hexagona

VINTAGE SAINT-LOUIS CUT DOUBLE-OVERLAY MUSHROOM MILLEFIORI ART GLASS PAPERWEIGHT, emerald green to opaque white to colorless, faceted, central stardust-type cane encircled by five exterior garlands co

CUT DOUBLE OVERLAY HOURGLASS WINDOW AND PUNTY COLOGNE BOTTLE, deep blue to white to colorless, waisted form with panel-cut neck, oval-cut neck ring, and flanged mouth, raised on a slight foot with pol

VINTAGE BACCARAT CUT DOUBLE-OVERLAY MUSHROOM MILLEFIORI ART GLASS PAPERWEIGHT, pastel green to opaque white to colorless, six U-form cuts to the side creating a concave hexagonal top window, interior

CUT DOUBLE OVERLAY PUNTY AND LEAF COLOGNE / PERFUME BOTTLE, deep blue to white to colorless, pyriform with oval-cut neck and factory-polished flanged mouth, raised on a pinched foot cut with a six-poi

EUROPEAN GOTHIC CUT DOUBLE-OVERLAY TUMBLE-UP AND UNDERPLATE, opaque white to cased cranberry with gilt decoration, each with a matching pattern incorporating stylized quatrefoils and punty cuts, tumbl

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, metal. White cut to clear

Mid 19th century. Matching designs. Two with differing stoppers, white to clear and cranberry to clear. 16”h. And pink to white to clear, 12”h. Minor flakes.

CUT DOUBLE OVERLAY ROSETTE AND PUNTY FLASK, blue to white to colorless, flattened ovoid form with same design on both sides, short neck, and plain mouth, polished pontil mark. 1860-1890. 9" H, 5 1/2"

CUT DOUBLE OVERLAY QUATREFOIL AND TREFOIL CHAIN COLOGNE BOTTLE / STOPPERED JAR, deep blue to white to colorless, low cylindrical form with additional leaf and star cuttings, angled shoulder with row o

CUT DOUBLE OVERLAY LOOP AND Q-TIP COLOGNE BOTTLE, deep blue to white to colorless, conical form with trefoil cuttings around the base, loop-with-punty-base cuttings around the shoulder, an applied pla

European. 1860-1880s. Glass, brass. Rose cut to white cut to clear. Brass connector. Mottled marble stem and base with colours of rose and white. Brass feet, white ball shade. #1 chimney signed "Royal

CUT DOUBLE OVERLAY PUNTY AND PANEL KEROSENE STAND LAMP, colorless to rose to opal, compressed urn-form font with a very faint etched squiggly pattern, waisted stem, brass connector, brass base, No. 23

EUROPEAN GOTHIC CUT DOUBLE-OVERLAY TUMBLE-UP AND UNDERPLATE, cobalt blue to white to colorless, each piece with trefoil motifs, with the bottle and tumbler having alternating teardrop trefoils and Moo

Blown Double Overlay Glass 5” Beaker. Ruby over white over clear. Facet cut body. Bohemian circa 1880. Mint.

CUT DOUBLE OVERLAY TREFOIL AND PUNTY COLOGNE BOTTLE, white to deep cobalt-blue-cased colorless with traces of gilt decoration, squat skirted form with panels cut under skirt, punty-cut shoulder ring,

CUT DOUBLE OVERLAY PAPERWEIGHT COLOGNE BOTTLE, turquoise to white to colorless, oval and punty cuttings, bottle with millefiori base, original stopper with millefiori umbrella. 20th century. 8 1/4" HO