European Cut Double Overlay Kerosene Lamp

European. 1860-1880s. Glass, brass. Rose cut to white cut to clear. Brass connector. Mottled marble stem and base with colours of rose and white. Brass feet, white ball shade. #1 chimney signed "Royal

American. 1860-1880. Glass, brass. Blue cut to white cut to clear font with two rows of punties and four quatrefoils. Brass connector, white milk glass base. #1 early lip chimney; #1 Jones burner. Thu

CUT DOUBLE OVERLAY MOORISH WINDOWS KEROSENE STAND LAMP, opaque cobalt blue to opaque white to colorless pyriform font, ribbed, brass stem and double-step marble base with stamped brass ornamentation,

CUT DOUBLE OVERLAY PUNTY AND PANEL KEROSENE STAND LAMP, bright rose to white to colorless pyriform font, clusters of five punties alternating with V-grooves and over a band of panels, brass stem, doub

CUT DOUBLE-OVERLAY PUNTY AND OVAL KEROSENE STAND LAMP, rose to opaque white to colorless pyriform font with gilt scrolling decoration, two rows of punty cuts and a lower band of oval cuts, raised on a

CUT DOUBLE OVERLAY PUNTY AND PANEL KEROSENE STAND LAMP, colorless to rose to opal, compressed urn-form font with a very faint etched squiggly pattern, waisted stem, brass connector, brass base, No. 23

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass, marble. Blue cut t

Two (2). 1850-1860. Glass, brass. White cut to clear, brass collar, double-tubed fluid burner, push-up brass candlesticks. From the Valerie Lister Collection. 13 ½”H.

CUT OVERLAY PUNTY AND OVALS KEROSENE BANQUET STAND LAMP, cobalt blue to colorless pyriform font, raised on a matching punty-cut stem and double-step marble base with gilt-brass ornamentation, brass co

CUT OVERLAY QUATREFOIL AND SPIKED OVALS KEROSENE BANQUET STAND LAMP, cobalt blue to colorless pyriform font, raised on a matching spiked quatrefoil with elongated cuts stem, and double-step marble bas

CUT OVERLAY GEOMETRICAL KEROSENE STAND LAMP, ruby to clear pyriform font, double-bands in a grid pattern over small punties pattern, opaque white Baroque base with gilt decoration, brass connector, co

CUT OVERLAY PUNTY KEROSENE STAND LAMP, amethyst to colorless compressed pyriform font, stamped-brass stem and single-step marble base, No. 1 fine-line collar. Fitted with a period brass double-tube bu

CUT OVERLAY PUNTY KEROSENE STAND LAMP, cobalt blue to colorless, brass ribbed stem, double-step marble base with stamped-brass ornamentation, brass connector, No. 2 fine-line collar, colorless wafer c

CUT OVERLAY FLORAL KEROSENE STAND LAMP, ruby to colorless pyriform font, large six-petal daisies and trefoil petals over small punties, brass stem, double-step marble base with stamped brass ornamenta

CUT-OVERLAY PUNTY KEROSENE STAND LAMP, sapphire blue to colorless pyriform font, five rows of small punty cuts, raised on a brass fluted stem and double-step marble base with stamped brass ornamention

European. 1880-1920s. Glass, metal. Candle or float lamp. Overlay pink cut to white cut to clear, bowl and smoke bell. Bowl-shaped font with a lipped top and finial at the bottom. Font suspended by 3

CUT OVERLAY PUNTY AND PANEL KEROSENE STAND LAMP, emerald green to colorless pyriform font, brass ribbed columnar stem and double-step marble base with cast-brass ornamentation, cast-brass connector, N

CUT OVERLAY PUNTY AND OVAL KEROSENE STAND LAMP, blue to colorless, inverted pyriform font with wafered peg, raised on a tall reeded brass standard and double-step marble base, No. 1 fine-line collar.

CUT OVERLAY PANEL AND PUNTY KEROSENE BANQUET STAND LAMP, green to colorless pyriform font, raised on a matching cut punty, elongated panels, and vesica stem, and double-step alabaster base with gold-p

EUROPEAN CUT DOUBLE-OVERLAY GOBLET, opaque white to cased cranberry with gilt decoration, quatrefoil decoration alternating with two small punties, base of the bowl with a band of larger punties. Prob

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass, marble. White cut

EUROPEAN GOTHIC CUT DOUBLE-OVERLAY TUMBLE-UP AND UNDERPLATE, opaque white to cased cranberry with gilt decoration, each with a matching pattern incorporating stylized quatrefoils and punty cuts, tumbl

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, metal. White cut to clear

1860-1880. Glass, brass, marble. Cranberry cut to clear font with a geometric design, brass connector, brass stem, 2 step marble base with brass accents. Brass prong burner, #2 big bulge chimney. Smal