STEVE MCCURRY - Fishemen. Weligama. South Coast. Ski

McCurry, SteveFisherman. Welligama. South Coast, Sri Lanka. Späterer Abzug nach der Photographie von 1995. Digitaler C-Print auf Photopapier. 15 x 15 cm. Verso m. Etikett, dort signiert u. typogr

Note: Description Updated 11/23. Sharbat Gula. This lot includes two photos: Color, 1984. Glossy Type "C" print. Framed. Portrait of a young Afghan girl, Sharbat Gula. Signed in ink by photographer. 1

Alfred Augustus Glendening (British, 1840-1921) South Coast, Isle of Wight signed with initials and indistinctly dated 'A.A.G.81/2' (lower left) oil on canvas 61 x 91.4cm (24 x 36in). Footnotes:</

Bombay, India 1996, Red Boy, 1996/Printed 2005 Cibachome print Signed on verso Image: 12.5 x 19 inches, Framed: 23.5 x 30 inches

Note: Description Updated 11/23. Indian Child. Color, 1997. Type "C" print. Framed. Portrait of a young Indian boy. Signed and inscribed in ink to Neil Leifer by photographer, "For Neil, With great re

Steve McCurry (b. 1950): Baluchistan, Pakistan Chromogenic print, 2007, signed in ink lower right, with the artist's inkstamp, titled, dated and numbered 3/15 on the reverse.  39 x 27 in. (sight), 47

A Large Tie-Dye Textile with Colorful Border, South Coast, Peru, Late Intermediate Period, 1000-1470 CE Ica&nbsp; Tie-dyed cotton and camelid fiber in plain weave and interlocking tapestry. 272 x 178

Helen O'Hara (1846-1920) Coastal Scenes on the South Coast of Ireland A pair, watercolour, 36 x 53cm (14&frac14;x 21) Signed with initials

Henry Hillier Parker (English, 1858 - 1930) , "Harvest Time on the South Coast, Littlehampton, Sussex", oil on canvas, depicts haystacks in foreground, cottages and water in distance, signed lower lef

IMPORTANT NOTICE: All of our listed artworks come from trustworthy sources, however, despite the credibility we not always may prove the authenticity of these artworks. Therefore, we must add in style

A Square with men Holding Llamas, South Coast, Peru, Late Horizon, 1450-1550 CE Inca influenced local style Multicolored camelid fiber plain weave double cloth. 37 x 40 cm&nbsp; F

A Red and Blue Tie-Dye Shawl, Possibly South-Coast, Peru, Middle Horizon, 600-1000 CE Tiahuanaco and Huari tradition A plain weave tie-dyed camelid fiber. 46 x 128 cm For more details on

Dennis M. Doheny (born 1956) South Coast Splendor signed 'Dennis M. Doheny' (lower right) and signed again and titled (on the backing board) oil on canvas 24 x 30in framed 33 x 39in Footnotes: Prov

Pre-Columbian Huari South Coast Feather Mummy Face Mask/Head. Woven in natural cotton, the face applied with bright feathers, the eyes with streaming tear motif, long nose and open mouth of metal shee

Pre-Columbian, South Coast Peru, Huari / Wari, ca. 700 to 1000 CE. A striking poporo portrait head finely carved out of wood, its glistening gold sheet (80% gold, equivalent to 18K+) covered face pres

Pre-Columbian, south coast of Peru, Huari (Wari) culture, ca. 500 to 1000 CE. A massive wooden pillar, made from the wood of the huarango tree, with a long, cylindrical body that widens into a planar,

Pre-Columbian, South Coast of Peru, Nazca culture, ca. 100 to 300 CE. A massive, vibrant, tie-dyed textile mantle created from camelid fibers (llama or camelid wool), with a fantastical geometric desi

Pre-Columbian, south coast of Peru, Paracas or Proto-Nazca people, ca. 500 to 300 BCE. Three 12-14KT gold sea creatures - two lobsters, one crab. Each made from hammered sheet gold with low relief dec

**Originally Listed At $2500** Pre-Columbian, South Coast Peru, Proto-Nazca, ca. 500 to 300 BCE. A remarkably large muneca fringe mantle woven from natural camelid (alpaca or llama) wool yarns by the

Pre-Columbian, South Coast Peru, ca. 250 BCE to 250 CE. Tweet, tweet, tweet! An endearing polychrome terracotta effigy vessel in the form of a bird perched upon two feet and an outspread tail with a s

Pre-Columbian, South Coast Peru, Paracas, San Pedro culture, ca. 500 to 300 BCE. A charming blackware pottery stirrup vessel adorned with the highly stylized form of a falcon. Exhibiting a voluminous

Pre-Columbian, South Coast Peru, Proto-Nazca, ca. 500 to 300 BCE. A remarkable and large muneca fringe mantle of tightly-woven yarns made from natural camelid (alpaca or llama) wool fiber by the Proto

Pre-Columbian, Peru (south coast), probably Middle Nazca, Phase 5, ca. 450 to 550 CE. One of the most striking vessels I've seen from the Nazca! A kero (quero), a cup in the form of a trophy head with

Pre-Columbian, South Coast Peru, Proto-Nazca, ca. 500 to 300 BCE. A wonderful figural fringe register comprised of tightly woven camelid (alpaca or llama wool) fibers in hues of crimson, maroon, aqua,