After Nicolas Poussin (1594-1665) Vue de Campagne

after Nicolas Poussin (Italian 1594-1665)- ''Venus and Mars'', (Andresen 349); (De Vesme 2); (Wildenstein 122 i/ii)- etching, 1635 by Fabrizio Chiari (Italian 1615-1695)- before the address of De Ross

Jean PESNE (ROUEN, 1623 - PARIS, 1700) D'APRÈS NICOLAS POUSSIN (VILLERS, 1594 - ROME, 1665) - La grande sainte Famille servie par les anges. Paris, chez Vallet. s.d. Gravure. 495 x 658 au TC. Nom des

ENGLAND/SCOTLAND, 1721-1791 A copper engraving after Nicolas Poussin's (1594-1665) "The Judgement of Hercules" by Robert Strange. The work is signed and annotated within the plate. Provenance: An exac

Assumption of the Virgin, by Nicolas Poussin (1594–1665). Triumph of Galatea by Domenichino. 2 19th C. prints. 14 1/4" x 11".

Follower of Nicolas Poussin (French, 1594-1665) "Enlevement", ca. 1700 oil on linen unsigned. Framed. 38-1/4" x 53-1/4", framed 56-1/2" x 69-1/2"

Guillaume Chasteau (French, 1635-1683) after Nicolas Poussin (French, 1594-1665). 2 plates. "Le matin la terre fut couverte comme d'une bruyne qui estant inconnue aux Hebreux, leur fit dire en leur la

Frederick Christian Lewis (English 1779-1856) print. Artist name ("F.C. Lewis, fc 1808") printed lower right. Etching is of work by Nicolas Poussin (French 1594 - 1665), printed lower center. Printing

Nicolas Poussin (French, Italian, 1594-1665) print on paper, Venus en Mercurius. Signed with initials lower left and stamped lower right. Framed. Nicolas Poussin was the leading painter of the classic

Nicolas Poussin (French, Italian, 1594-1665) print on paper, Venus en Mercurius. Signed with initials lower left and stamped lower right. Framed. Nicolas Poussin was the leading painter of the classic

IN THE MANNER OF NICOLAS POUSSIN 1594 Les Andelys (Normandy) - 1665 Rome DIANA AND ACTAEON Oil on canvas. 62 x 74 cm (F. 75,5 x 87,5 cm). Verso: Old monogrammed 'BL' on the back. Part. slightly old re

NICOLAS POUSSIN (SCHOOL) 1594 Les Andelys, Normandie - 1665 Rom VENUS AND CUPID WITH PANFAMILY AND GOATS Oil on canvas (old relined). 43,5 x 34,5 cm (F. 60 x 52 cm). Part. min. old restored. Frame. Pr

(French, 1594-1665) Assumption of the Virgin, oil on canvas, 36-1/4 x 28-1/4 in.; unframed [Old Masters] Provenance: The Estate of Peter H. Tillou, Litchfield, Connecticut

(Les Andelys, 1594 - Roma 1665) Studio per deposizione Penna e bistro su carta, cm 7,5X13,5 Studio per Compianto Matita e bistro su carta, cm 9X12 (2) Poussin dipinse simili composizioni almeno due vo

Circle of Nicholas POUSSIN (1594-1665) in Rome: "Figures Among Ancient Ruins". Brown pen ink and grey wash on laid paper. With a similar subject on the verso in pen and ink only. Sheet size: 8 3/8 x 1

''Nicolas Poussin: Les ecrits de Jacques Thuillier'', 2 vols, Editions Faton, Paris, 2015, xxv, 688pp, 4to, hard bound in maroon cloth cover with embossed and gilt lettering, d.j., slip case for both

Vue de la Rade de Tiniam, double antique coast view of the Mariana Island. The islands were named after the influential Spanish queen Mariana of Austria. Jacques Nicolas Bellin (1703 – 21 March 1772

Etching by Claude Duflos (1665-1727) and Nicolas de Larmessin III. Featuring the Blessed Virgin and Child. After Raphael's 'Madonna of Orleans' Measurements: 11 1/2"x15 3/4"

Wilhelm Friedrich Gmelin (Germany) 1792 Etching Italian Landscape Titled Vue des Petites Cascatelles avec la Maison de Campagne de Mecene à Tivoli, dedication to Le Margrave Regnant de Bade. Some f

Francesco Piranesi (Italian, 1758-1810) 2 Engravings. "Vue de la Cave spacieuse ou Cantine, qui regnoit sous les trois Ailes du Cavedium, cour de la Maison de Campagne a Pompeiia," 1805, Vol. 5, Pl. C

The Royal Palace of Madrid, Spain. Title: Vue du Palais de Matrit du côte de la Campagne. Published by: Pieter van der Aa (Leiden, 1659 – Leiden, 1733) in 1715 for 'Delices de Espagne et Po

Gabriel Perelle (French, 1604-1677), "Nouvelles Cascades pour St. Cloud", etching, printed by Nicolas Langlois, Paris, from Vues des Belles Maisons des Environs de Paris sheet 8 1/2 in. x 12 1/2 in.,

Nicolas Sanson (1600-1667), "Le Royaume d'Anglaterre, divise dane les sept Royaumes ou Heptarchie des Saxons; et la Principle de Galles," 1665, hand colored, H. - 18 in., W. - 24 in.

Brusoni Girolamo, Le Campagne dell'Ungheria de gl'Anni 1663, e 1664... In Venetia: Appresso Valentino Mortali, 1665. In-4° (mm 235x170). Pagine [12], 143. Fregio e cornice tipografica incisi in le

Noel le Mire, hand-colored engraving, Noel le Mire (French, 1724-1801), "Vue du Basin et de la Ville de Bruges", hand-colored engraving on paper, from a 1665 painting by Hendrik von Minderhout, 17.25"