ETCHING JOHN CONSTABLE VIEW ON THE STOUR, NEAR DEDHAM

After John Constable NOON; STOKE BY NAYLAND, SUFFOLK, both engraved by David Lucas; Anonymous, EVENING LAKE VIEW, stipple engraving; Two etchings after Gainsborough, one after Lockhart; sheets 11 ¾ x

Large Frederick Waters Watts (1800 - 1862) "A view near Dedham". A large and important extensive river landscape. An idyllic composition with a sailing barge on the bank and the town beyond. Accompani

Robert Dighton etching "A View Near Hyde Park Corner" 1802, pen signed Mr. Tattersall, maple framed and matted; together with an Isaac Cruikshank in "My Pol and My Partner, Joe" mounted in an ornate g

School Of John Constable (British, 1776-1837) View In Suffolk. Oil on panel Panel: 13.5" x 11.75" Frame: 16.5" x 14.5"

This circa 1820 etching of Netley Abbey by John Constable is signed with his monogram JC in the upper left hand corner of the plate. The frame verso has handwritten information on it and the original

School Of John Constable (British, 1776-1837) View In Suffolk. Oil on panel Panel: 13.5" x 11.75" Frame: 16.5" x 14.5"

This beautiful mezzotint engraving was composed by John Constable and engraved by David Lucas. It is from the much sought-after "English Landscape" series; this impression on cream wove paper is from

This beautiful mezzotint engraving was composed by John Constable and engraved by David Lucas. It is from the much sought-after "English Landscape" series; this impression on cream wove paper is from

John Marin etching of a view of a Venetian Canal, faintly signed lower left in pencil. Provenance: From the Jeffrey M. Kaplan Art Collection. [Art: 5 1/4" H x 4" W; Frame: 15 1/2" H x 12 1/2" W].

etching on thin sheet laid down to white wove paper, 19th century, pencil inscription to wove sheet states title, additional pencil inscription to accompanying sheet included in framing states artist,

Circle of John Constable R.A. (Suffolk 1776-1837 Hampstead) Portrait of a lady, in a red cape and a black hat, a view to a landscape beyond oil on panel 30.7 x 24.8cm (12 1/16 x 9 3/4in). Footnotes:

Follower of John Constable.....20.5 x 16 inches sight...mounted in gilt wood frame, old canvas, unsigned...note on verso from private estate in UK* not removed from frame

Three mezzotint engravings from paintings by John Constable (1776-1837). Engraved by David Lucas, 19th century. Comprised of 1) Hampstead Heath, 2) Autumnal Sun Set, 3) Cornfields near Brighton. Sheet

2 Antique Framed Hand Colored John Constable and David Lucas Engravings of England. There is a crack in the glass at base of one of the etchings. 19 inches x 17 inches in frame.

2 Antique Framed Hand Colored John Constable / David Lucas Engravings of England. There is a crack in the glass at base of one of the etchings. 19 inches x 17 inches in frame.

Henry John Kinnaird (British, fl. 1880-1920) watercolor and gouache on paper titled 'View near Salisbury' depicting a pastoral scene of cows in a lake with a thatched cottage and village beyond, artis

For your consideration is a lovely limted edition colored and aquatint etching titled "View of Lake Michigan from Sleeping Bear" with an annotation 55/150, hand-signed by John Brunsdon. In excellent v

IRVING WOLFSON Etching Print. "John Street New York". New York City Street view. Pencil signed. Signature in plate. -- Dimensions: Image Size: H: 13 inches: W: 8 inches ---

Hand colored Antique 1751 Engraving: 'A view taken near Limehouse Bridge, looking down the Thames', one of the many views of England and Wales published by John Boydell (1719-1804). Boydell specialise

John Sloan estate etching. Signed by in pencil by wife Helen Farr Sloan "John Sloan (per HFS) lower right Approximate image size 7 1/4" x 8 7/8" and sheet size 13" x 14". Near mint condition. Unframed

Framed etching on paper, mid 18th c., "Veduta della Basilica di S. Giovanni Laterano" (view of the Basilica of St. John Lateran), etched by Giovanni Battista Piranesi (Italy, 1720-1778), from "Vedute

A John Taylor Arms etching of New York and an unsigned pencil drawing of New YorkThe Arms etching of a view From Knoedler's Window MCMXXXV, 1936, signed and dated in pencil; together with a pencil ske

Ivan Dmitryevich Telegin (Russian engraver, 1779-1800s) etching painting on paper, View of The Stone Bridge in Gatchina Near the Connetable Square, not later than 1801. According to the original by Se

John Sloan estate etching. Signed by in pencil by wife Helen Farr Sloan "John Sloan (per HFS)" lower right. Measures 4.25" x 5.75" plate size and 10" x 11" sheet size. Near Mint condition. Unframed, l