Hogarth on Beauty 1753

William Hogarth's Analysis of Beauty Plate I, 1753. "Designed, engraved, and Published by W.M. Hegarth, March 5th 1753, according to Act of Parliament" stamped, lower right. Measures 19.25" x 14-5/8"

William Hogarth's Analysis of Beauty and The Graphic Illustrations, (3)Comprising: 1. The Analysis of Beauty. Written with a view of fixing the fluctuating Ideas of Taste. London: J. Reeves, 1753. Sec

A pair of framed prints after William Hogarth (English, 1697-1764) depicting illustrations from "The Analysis of Beauty". [Each, image: 16" H x 20 1/4" W; Each, frame: 23" H x 27" W]. In good conditio

Japanese woodblock print on paper, framed. Featuring a beauty. Signed Utamaro (1753-1806, Japanese). 39 x 25 cm, framed: 62 x 43 cm

1810 edition of plates I and II from William Hogarth's "The Analysis of Beauty". Large copper plate engravings fold out of small folio with title plate reading: "The Analysis of Beauty by William Hoga

Kitagawa Utamaro (Japanese, 1753-1806) - Two Beauties, Woodblock Print. 38x24cm. Wear and tear, folds, minor holes.

Lot 116 Kitagawa Utamaro Japanese (1753-1806) Two Beauties Admiring a Scroll color woodblock print having embossed detailing to robes sheet: 15 1/8 x 10 1/8 inches unframed Provenance: Private Collect

William Hogarth (after), (2) engravings, After William Hogarth (British, 1697-1764), "Analysis of Beauty" Plates I and II, possibly later impressions or reproductions, 15.5"h x 20.5"w (sight), 22"h x

Copper Plate Published 1822 [But C1835] by Baldwin, Cradock & Joy, London for "The Works of William Hogarth. From the Original Plates restored by James Heath" by John Nichols. Drawn & Engraved by Will

Copper Plate Published 1822 [But C1835] by Baldwin, Cradock & Joy, London for "The Works of William Hogarth. From the Original Plates restored by James Heath" by John Nichols. Drawn & Engraved by Will

After: William Hogarth, British (1697-1764) Engraving "Analysis Of Beauty Plate I". Engraved by T. Cook. Set in shadowbox frame. Frame measures 17" x 21-3/4" Condition: Significant toning or in good c

Including: "Gulielmus Hogarth", a self-portrait with palette marked "The Line of Beauty", a stack of books and his dog, painted by Hogarth, engraved by T. Cook, handcolored engraving on wove paper, pu

(lot of 4) English art prints on paper, after William Hogarth (United Kingdom, 1697-1764), including: (1) "Line of Beauty and Grace," (1) "Sigismunda," (1) "Captain Thomas Coram," (1) "Simon Lord Lova

DESCRIPTION: After William Hogarth (English, 1697 - 1764) framed and matted engravings entitled "The Analysis of Beauty, Plate 1" and "The Analysis of Beauty, Plate II". Marked along the base "Designe

Incl Analysis of Beauty set of 2, The Times set of 2, Don Quixote set of 6, Mariage a la Mode set of 6, Hudibras set of 12. Steel Engravings Published C1865, London for "The Complete Works of William

Incl Analysis of Beauty Plate 2, One Plate from Hudibras, Morning & Night - Two plates of four from the Four times of Day series, and A Taste in High Life. Copper Plates Originally Published 1822 [But

All single issued prints as issued, except Analysis of Beauty which is a set of 2 plates. Copper Plates Published 1808-10, London for "The Genuine Works of William Hogarth" by John Nichols. Paper Size

12 Prints in four sets - Four times of Day, The Invasion, Four Stages of Cruelty and Analysis of Beauty. Steel Engravings Published 1884, London for "Hogarth Illustrated" by John Ireland. Paper Size:

The Times and Analysis of Beauty, two sets of two prints. Steel Engravings Published C1870, London for "The Complete Works of William Hogarth" by James Hannay, Rev. Trusler and E. F. Roberts. Paper Si

'The Works of William Hogarth containing one hundred and fifty-nine engravings, by Mr. Cooke, and Mr. Davenport, with descriptions, in which are pointed out many beauties that have hitherto escaped no

Tatsumi Rokô (name in Rebus form), from the series "Renowned Beauties Likened to the Six Immortal Poets" (Kômei bijin rokkasen). Originally circa 1795. This edition was made in the 20th cent

after KITAGAWA UTAMARO (Japanese 1753-1806) A UKIYO-E PRINT, "Two Courtesan Beauties with Prince," intaglio woodblock print with ink on paper, signed and publisher stamp in plate; 13 1/2" x 9 1/2", fr

Kitagawa Utamaro (Japan 1753-1806) Woodblock Print on paper, bijin-ga portrait, Beauty at her mirror. From the series 'Seven Beauties Applying Make-Up". c1789. Mica in the mirror. One of the most high

(lot of 2) Japanese woodblock prints: Kitagawa Utamaro (1753-1806), 'Ueno', upper right with the title and signature; together with Kikukawa Eizan (1787–1867), from the 'Seven Beauties' series, sigh