Anonymous (19th), View of a Gothic church, 1839, Pencil

LATE 19TH CENTURY OIL ON BOARD Church view at Bristol, signed in pencil on reverse Joseph Lane?, London and old gallery label for 'George Hughes' - in glazed moulded gilt frame.

Description: This lot includes a very unique 19th century church lectern made in a gothic style. Condition: Surface wear associated with age and use, otherwise in overall good condition. The wood is v

19th Century, Gothic Church In Landscape Oval Reserve, Lid With Scallop Edges, Interior Retains Velvet Writing Surface, Later Inserts, Height 3.75, Width 12, Depth 9 Inches. See Photos And Make Reques

A figure sitting in a cloister. Possibly Capri. Apparently unsigned. Dimensions: (Frame) H 11" x W 14", (Paper) H 6.25" x W 9" Condition: Paper age toned. Losses around edges. Frame with rubbing.

Luigi Kasimir color lithogrpah, View of the Church. Pencil signed. (19" x 13.5"). Framed.

Signed Abstract Mixed Media Painting, Church, signature and inscription to lower right illegible, date appears to read ‘60’, subject a view of a gothic church, measures 20 x 14 1/2 inches gilt woo

Large Pair of 19th Century French Gothic style Brass Church Candlesticks. Unsigned. Rubbing otherwise good antique condition. Measures 29-1/2" H, 9" W at base. Provenance: Collection of Robert Eigelbe

19th And 20th Century, Comprising Gothic Church Facade C.1860, A Cottages With Bocage, Stanfield Hall And Anne Hathaway's Cottage, Church 9.5 X 6.5 X 2 Inches, All With Crazing And Craquelure Hairline

Unknown (19th century): Rocky barren landscape with a view of a collapsed volcanic crater, 1848, Pencil Technique: Washed Pencil on Paper Inscription: Inscribed below with "Collapsed crater", next to

Circle of Edward Lear (19th Century), a pair of Italian views, pencil and watercolour, both dated 1859 and inscribed, one 14" x 10" (35 x 25cm) the other 10" x 14" (25 x 35cm).

19th century view of a marble bust, pencil drawing, 10" h x 12" w. Provenance: from the estate of the late Harry Reed Everson, an avid collector, from Marblehead, MA.

British School (19th century), "A View of St. Mary's Church, All Saint's Church, the Conduit, Carfax Church in the University of Oxford," engraving with hand-coloring, printed in London for Rob Sayer,

Set of Four Gothic Carved Church Panels, late 19th c., each with two inset arches, Each- H.- 52 1/2 in., W.- 39 in., D.- 7/8 in.

Gothic Church 14 1/2" x 12" etching pencil signed and dated 1939 lower right

A Collection of 19th Century British Drawings. Depicting landscapes and views. Pencil, ink, crayon, and watercolors, some signed Largest: 12" x 19.25"

English chiming double fusee clock, 19th c., the oak case fashioned as a Gothic church with front steps to the face door, shingled high angle roof, tracery ornamented windows at two sides, the foliate

M.S. Church (American, 19th Century) A View of the Apennine's near Florence. Oil on canvas, after a Flemish painting in the Uffizi, inscribed and signed en verso 12.5" x 14.25" Frame: 15.5" x 17.5"

Black and white etching on paper depicting the inside of a Gothic church. Titled Morning - St. Etienne du Mont, Paris. Signed Hedley Fitton in pencil in the lower right. Hedley Fitton, 1859–192

Late 19th Century Winterhalder & Hofmeier Gothic Revival Mantel Clock. Form resembling Gothic church architecture, foiate engraved brass dial with Roman numeral numbering, movement with eight hammer s

American School oil on canvas pastoral painting, depicting 19th century shepherds fishing in a lake while their cattle graze near the ruins of a Gothic church, signed MC Parcell (likely Mary C. Parcel

Augustus Bentley, British, 19th/20th century. A 19th century oil on canvas interior scene, titled "Cathedral at Aerschot, Belgium". Depicts a religious procession in a medieval Gothic church. Signed "

A. B. D., 19th century, Watercolour, Malines, Figures crossing the Fonteinbrug bridge in Mechelen, Belgium, with swans on the river and a view of Church of Our Lady of Hanswijk beyond. Signed with ini

Early 19th c. Flight Barr and Barr pair of plates painted with named views ‘Leeds Church .. Kent’ and ‘Amberley Castle Sussex’, Royal circular printed mark and impressed mark. 21cm wide

French Gothic Revival oak church cabinet, early 19th c., accented with pierced spires, tracery, linen fold carving and circular pendants, the upper part a capilla for statue display over the protrudin