WILL HENRY STEVENS (AMERICAN, 1881-1949) NEW ORLEANS WATERFRONT SCENE

WILL HENRY STEVENS (AMERICAN, 1881-1949) NEW ORLEANS WATERFRONT SCENE, pastel on paper, a vibrant, semi-abstract depiction of shrimp boats moored at a waterfront, signed lower right. Fitted in mat and

Will Henry Stevens (American/New Orleans, 1881-1949) "Trees", 1932 pastel on paper signed and dated lower right, titled en verso. Matted, glazed and framed. sheet 20" x 16", framed 25" x 20-3/4"

Will Henry Stevens (American/Louisiana, 1881-1949) , "French Quarter Street Scenes", 2 pastels on paper, both signed lower left, 12 in. x 10 in. and 10 in. x 12 in., framed alike. (2 pcs.)

Will Henry Stevens (American, 1881-1949) Untitled (Flowers) pastel on paper 14 x 14 inches. Estimate $800-1,200

Will Stevens (American, 1881-1949) Landscape with Town pastel on paper signed lower left 18 1/2" x 22 1/2"Provenance: From a Prominent Midwest Corporation

Will Stevens (American, 1881-1949) Landscape with Mountains and Tower pastel on paper signed lower right 18 1/2" x 22"Provenance: From a Prominent Midwest Corporation

Will Henry Stevens watercolor/paper, 19 x 15 inches. Provenance: private owner. Biography: 1881 - 1949. Will Henry Stevens was born in Vevay, Indiana near the Ohio River. After his father recognized a

Amazing Will Henry Stevens seashore watercolor. 20 x 16 inches. Provenance: private owner. Biography: 1881 - 1949. During his career, Stevens captured the spirit of the Southern landscape from the hig

Group of Five British and American Copperplate Engravings of Southern Scenes, third quarter 19th century, including "The Valley of The Shenandoah", after William Henry Bartlett (British, 1809-1854), e

(Am. 1866-1949) signed lower right "Chas H Grant '94". Frame size: 18 1/2" high, 20 1/2 wide. Property of a New Jersey collector.

Alexander John Drysdale (American/New Orleans, 1870-1934), "Bayou Scene with Live Oak", oil wash on board, signed lower left, 20 in. x 30 in., framed

Alexander John Drysdale (American/New Orleans, 1870-1934), "Bayou Scene with Oak Tree and Pirogue", 1931, oil wash on board, pencil-signed and dated lower left, 8 in. x 12 7/8 in., framed.

KERMIT OLIVER (American/Texas b. 1943) A PAINTING, "New Orleans Street Scene," 20TH/21ST CENTURY, oil on canvas, signed L/L; 7 1/4'' x 7 1/4'', framed 11 3/4'' x 11 3/4''.

John Raymond Henry (American, b. 1943) "Cypress Peninsula" red-painted aluminum incised signature and illegibly dated at bottom, unnumbered from an edition of six, with a white stand. h. 48", w. 20",

Walter Koeniger (American, 1881-1943) "Winter Landscape", 1925 oil on canvas signed and dated "25" lower left. Craftsman carved giltwood frame. 32" x 32", framed 39-1/2" x 40"

WILLIAM AIKEN WALKER (AMERICAN, 1839-1921) PORTRAIT OF A MAN, oil on board, a rare New Orleans scene, featuring full-length depiction of African-American subject in tattered clothes, cotton bales and

William Skilling (British/American, b. 1949) "Mermaid" and "Merman" pair of oils on canvas both signed lower right. Presented in matching faux tortoiseshell frames. each 36" x 48", framed 41-1/5" x 54

Pair of American Rococo Revival Laminated Rosewood Armchairs in the "Henry Clay" Pattern, mid-19th century, attributed to John Henry Belter, New York, each with a floral-, foliate- and fruit-carved cr

William Alexander Gaw (American/California, 1891-1973) "Big Sur, Coastal Scene with Two Fishermen" oil on canvas signed lower right, "George Stern Fine Arts" label en verso. Framed. 16" x 20", framed

Pair of early American dessert or coffee spoons, decorated with busts of Washington, Thomas Harland, Norwich, CT, circa 1800, or Henry Harland, Norwich, CT & New Orleans, LA, circa 1832, the bowls are

Henry Lawrence Faulkner American, 1924-1981 Untitled Interior Scene Oil on Masonite 8 1/8 x 12 1/8 inches (20.6 x 30.8 cm) C From the Estate of Norma Kipnis Wilson, Philanthropist and Activist

Henry Hobart Nichols (American, 1869-1962) or Hobart Nichols (American 1897-1955) "Beach scene," signed lower left, "Hobart Nichols," partial label on reverse, "Salmagundi Club," oil on wood panel. Im

Randy Leo "Frenchy" Frechette (American/New Orleans, b. 1970) "Dreams Come True: Big Chief Bo Dollis", 2015 acrylic on canvas signed lower right, and signed, titled, dated and inscribed "Official Jaz

Clarence Millet (American/New Orleans, 1897-1959), "Keep Out: Construction of the Levee along the Mississippi River", oil on canvas, signed lower right, 26 1/4 in. x 38 in., framed. Provenance: Acquir

George Bauer Dunbar (American/New Orleans, b. 1927), "Coin du Lestin", gold leaf over red and black clay on board, signed lower right, 48 in. x 42 in., framed