Rembrandt van Rijn - Joseph

Artist: Rembrandt van Rijn Title: Joseph and Potiphar's Wife Year: 1880 Dimensions: 3.5in. by 4.5in. Edition: From the rare limited edition Medium: Original etc

Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching and engraving, 1634, a good but later impression of New Hollstein's third state (of four), on laid paper without watermark, sheet 91 x 1

Artist: Rembrandt van Rijn (After 1883) Title: Joseph Telling His Dreams Year: 1883 Dimensions: 5.5in. by 4in. Edition: From the rare limited edition Suite: LOe

Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) Joseph and Potiphar's wife etching 3 3/4 x 4 1/2 inches. Property from the Collection of Dr. Kianoosh Jafari

After REMBRANDT VAN RIJN (Dutch 1606-1669) "Joseph and Potiphar's" Black and white etching (19th century impression) 3 3/4 x 4 7/8 inches; Frame: 18 3/4 x 19 1/4 inches. Signed and dated in plate l/l.

REMBRANDT VAN RIJN (Dutch, 1606-1669)Young Man in a Velvet Capetching and drypointsheet: 4 x 3 3/8 in., frame: 12 3/4 x 9 5/8 in. Provenance: The Collection of Louis Joseph; by descent to the current

REMBRANDT VAN RIJN (Dutch, 1606-1669)Three Heads of Women, One Asleepetchingsheet: 5 1/2 x 3 7/8 in., frame: 12 1/2 x 9 3/4 in. Provenance: The Collection of Louis Joseph; by descent to the current o

“Joseph’s Coat Brought to Jacob”. Signed in plate l/r. Ca 1633. Engraving. Image measuring 4” by 3 1/4” Sheet measuring 4 1/2” by 3 3/4”. Framed under Plexiglas. (Cond: toning) (1000/150

18th Century Rembrandt Etching Entitled JOSEPH'S COAT BROUGHT TO JACOB by Johann Georg Hertel (German, Augsburg ca. 1700–1775 Augsburg), after Rembrandt van Rijn (Dutch, Leiden 1606–1669 Amsterdam

Artist Name: Rembrandt (Harmensz Van Rijn) | Title of Art: (Plate Eleven) Jacob Blessing the Sons of Joseph c.1656 | Medium: Fine Art Print from Museum Artist | Unsigned & Unnumbered | Art Size: Appro

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (Netherlands, 1606–1669) . Ephraim Bonus, Jewish Physician, Etching. B 278; Three margins have been trimmed, Verso, adhesive on corners; staining . 8 5/8" x 6 7/8".

Rembrandt van RijnLeiden 1606 - 1669 Amsterdam, attributedThe Departure of the Prodigal SonOil on wood24 x 28 cm, with frame 53 x 60 cmHdG 112cProvenance: Auction M. P. D. Baron van Sijtzama u. A. in

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Artist: Rembrandt Van Rijn Title: Self Portrait with Saskia Dimensions: 3.5in. by 4in. Edition: From the rare limited edition Medium: Etching Condition: Excell

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi

Title:Follower of Rembrandt van Rijn Huge Family Portrait Interior Oil Painting Dutch Old Master from Estate of Olympian Description: Massive oil-on-canvas interior family portrait, signed Rembrandt,

Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,

Rembrandt van Rijn (1606-1669) etching, portrait of a gentleman. Triple matte, in painted and gilt wood frame. [Art: 3 1/4 x 2 1/2 inches; Frame: 10 x 9 1/4 inches].

A rare etching with margins on paper titled "Bald Headed Man in Profile Right; Small Bust (the artist's father?)" (B. 294, H. 24, BB. 30-11) by Rembrandt Van Rijn, c. 1630. Signed and dated, R L 1630,

REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the