63016: Manner of Richard Wilson (British, 1713-1782) Th

Circle of Richard Wilson (British, 1713-1782) Wooded landscape by a lake with figures fishing and ruins in the distance oil on canvas 9 3/4 x 13in (25 x 33cm)

19th c hand-colored engraving 'Paysage' by E. J. Havell after Richard Wilson (British, 1713-1782), depicting two men, one walking and one riding a horse, along a winding path in a pastoral landscape,

Richard Wilson, R.A. (British, 1713-1782), L'Anconetta with Venice beyondoil on canvas, unsigned, circa 1762, retains remnants of a piece of James Orrock's writing paper of 48 Bedford Square, London,

(lot of 2) Framed oil on board paintings, Italianate Landscapes, signed Wilson, in the manner of Richard Wilson (Welsh, active in Italy, 1713-1782), sight: 5 7/8"h, 5 7/8"w, overall: 9"h, 9"w; 2lbs to

Richard Wilson, R.A. (1713-1782), The Thames near Marble Hill, Tickenhamoil on canvas (lined), unsigned, framed. Stretcher size 24 5/8 x 36 5/8 in.; Frame dimensions 29 x 41 in. John Waterloo Wilson (

AN 18TH C. LANDSCAPE FROM THE CIRCLE OF RICHARD WILSON R.A (WELSH, 1713/14-1782).Oil on canvas, inscribed "A.L." lower left. A very finely rendered landscape at dusk, a shepherd and flock at

Oil on canvas, relined Great Britain, 18th century Circle of Richard Wilson (1714-1782) - British landscape painter Size: 7 inches (h) x 9 inches (w) only canvas Golden stucco frame: 13 inches (h) x 1

Richard Wilson (1714- 1782), black and white chalk on blue paper depicting a meadow on the edge of a forest, housed in a giltwood frame with fine French matting, 4 7/8" x 9 3/4" on paper, 10 1/4" x 15

Richard Barrett Davis Painting (British, 1782-1854), Oil on Canvas, Fox Hunt Scene with Hunter on Horseback and Group of Dogs Emerging From the Woods, C. 1820. Canvas Size: 18" High, 24" Wide

MANNER OF JOHN E. FERNELEY, SR. (BRITISH 1782-1860)Portrait of a Bay Horse and King Charles Spaniel, oil on canvas87 x 99 cm (34 1/4 x 39 in.)framed dimensions: 99 x 111 cm (39 x 43 3/4 in.)

RICHARD EARLOM (British, 1743 - 1822) "A Fish Market," 1782, mezzotint, Image size: 16 x 22.25 inches. Overall: 26 x 33.5 inches. Print made by Richard Earlom and published by John Boydell, from ''the

(1714 Penegoes/ Wales - 1782 Llanberis) attr.; Capriccio-Landschaft mit Tempeln, Ruinen und antiken Skulpturen Der Blick des Betrachters wird von einer Ruinenarchitektur mit Götterstandbildern vo

(British, 1782-1854) Two Figures and a Horse, signed lower right "R. B. Davis 1837", oil on canvas, 17 x 21 in.; gilt wood and composition frame,. Condition: crackle, flaking with some voids, retouch

(British,1782-1854) Plates 1-4 from The Hunter's Annual No. 2 J. W. G. Giles lithographer, published by Davis and Bailey, London, 1838, includes "Bramshill Hounds.", "Cottesmore Hounds..", "Donnington

from Lee Lorenz estate/ The New Yorker incl. Wm Sakren, Woodman, Donald Reilly, Alan Dunn, Th Cheney, S. Gross, Gahan Wilson, FP Modell, Al Ross and Richard Decker, plus Lorenz

Manner of Terence Harold Robsjohn-Gibbings (British-American, 1905–1976), second-half 20th century. Mid-century modern mahogany six-door credenza, the center compartment having four-drawers, flanked

Victoria and George Cross multiple signed 75th Ann Royal British Legion cover. Signed by Richard Annand VC, John Kenneally VC, Eric Wilson VC, Eynon Hawkins GC, E Wilcox GC, Tony Gledhill GC, Frank Na

Manner of Sir Peter Lely (British, 1618–1680) Portrait of a Man, Bust-Length, Said to be Sir Richard Newdigate Oil on canvas 30 x 25 in. (76.2 x 63.5cm) PROVENANCE: Private Collection, Virginia.

Manner of Allan Ramsay (1713 - 1784) United Kingdom, Scotland, EnglandCirca 1770. Well rendered portrait of a nobleman in high dress. The work is housed in a silver gilt frame of the period. The piece

§ Scottie Wilson (British 1891-1972) Birds and Tree signed 'SCOTTIE' (lower right), coloured inks and crayons on paper laid on board (61cm x 86.5cm (24in x 34in), unframed)

Attributed to John Wilson (British, 1774-1855) Rough Seas. Oil on canvas, unsigned 28" x 36" Frame: 34" x 42"

[AUTOMATON]. Saturday Night. Richard Wilson “Master of Miniatures,” ca. 1970s-1980s. Large, elaborate diorama model of a bordello-saloon in the Wild West, with three dancing “Can-Can

John Ferneley (British, 1782-1860) The horse 'Vagabond', owned by Henry Everard Esq, and the dog 'Nell', owned by his fiancé Miss Helen Stuart signed, dated and inscribed 'Ferneley/Melton Mowbray

Oil on canvas equestrian portrait depicting a dapple-grey hunter in a hilly landscape set against a cloudy sunset or sunrise sky. Signed lower left, "John Ferneley," (British, 1782-1860). Handwriting