Attributed to John Wilson Ewbank RSA (British, 1779-1847) Procession of Dido and Alexandra on th...

Attributed to John Wilson (British, 1774-1855) Rough Seas. Oil on canvas, unsigned 28" x 36" Frame: 34" x 42"

Attributed to John Wilson Carmichael (British, 1800–1868) On the Thames Bears signature 'J.W. Carmichael' on bottom stretcher verso; also titled on bottom stretcher verso, oil on canvas 10 1/4 x 14

John Wilson Carmichael (British, 1800-1868) Harbor Under a Looming Storm oil on canvas unsigned 23 1/2 x 35 1/2 inches. Property from a Private Collection, Palm Beach, Florida

John Wilson Carmichael (British, 1800-1868), Maritime Sceneoil on canvas (lined), 1845, signed and dated at lower right, presented in a later gilt frame with linen liner. Stretcher size 16 x 23 in.; F

John Wilson Carmichael (British, 1800-1868), Maritime Sceneoil on canvas (lined), 1850, signed and dated at lower left, framed. Stretcher size 18 x 30 3/4 in.; Frame dimensions 30 x 42 1/2 in. From th

John Bowles (British 1709 - 1779) "A New and Exact Map of America Laid Down from the Latest Observations and Discoveries", circa 1750 Two sheet map engraving of the "Representation of the Customs and

Attributed to John Opie (British, 1761-1807) "Portrait of Robert Brereton" oil on canvas unsigned. Framed. 30" x 25", framed 37" x 31-1/2"

John Constable (attrib), oil on canvas, Attributed to John Constable (British, 1776-1837), Landscape with Herdsmen, no signature observed, artist tag on frame, old auction label verso stretcher, 35"h

"Attributed to John Nost Sartorius (British, 1759–1828) Setting Out for the Meet Oil on canvas16 3/8 x 22 in. (41.6 x 55.9cm) Provenance Lane Fine Art Ltd., London, United Kingdom.Private

Attributed to John Nost Sartorius (British, 1755-1828), "Huntsman and Hounds at an Alehouse", oil on canvas, unsigned, period label with artist and title on stretcher, 17 5/8 in. x 22 5/8 in., framed,

Tiffany & Company, New York, sterling silver four-footed plateau, circa 1884-5, in the Japonisme taste, the design attributed to Charles Osborne (British-American, 1847-1920), the plateau allover hamm

Swiss double open-face The (Dutch) Kitchen automaton pocket watch attributed to Pierre-Simon Gounouilhou (France/Switzerland, 1779-1847). 18K gold surround and stem, enamels, brass, and steel with bac

ARTIST: James Wilson Carmichael (British, 1800 - 1868) NAME: Seascape with Sail Ship MEDIUM: oil on canvas CONDITION: One tear 2 1/2" long. Some craquelure. Some small scattered inpaintings/touch ups.

''The Trial of Effie Dean'', courtroom scene, appears unsigned, titled on a frame plaque, oil on canvas, 33'' H x 50.75'' W, est: $1000/2000 Provenance: The Estate of Julius Hauser, Los Angeles, CA by

(British, 1701-1779) Portrait of a Gentleman in a Fur Trimmed Blue Velvet Jacket and Holding a Tricorn Hat, within a feigned spandrel, unsigned, oil on canvas, 29-1/2 x 24-1/4 in.; gilt wood cove mold

The figure of a crouching panther poised atop a rocky mound by British Royal Academy artist John Macallan (1847-1910), signed in script in the mold together with foundry mark & dated 1892, exhibiting

Robert Gavin, RSA (British, 1827-1883) Rebekah giving water to Abraham's camels signed, inscribed and dated 'R GAVIN ARSA/TANGER/1878' (lower right) oil on canvas 96 x 124.5cm (37 3/4 x 49in). Footn

Attributed to John James Audubon, American (1785-1851). Watercolor on paper. 'The Stanley Hawk'. M. Knoedler & Co, New York label on verso. Paper is laid on board. Paper measures 20 7/8" H x 14 1/4" W

Beechey, William, attributed (British, 1753-1839) Lord Wallis, Luit of the Buffs, oil on canvas, 29 by 24 inches, in a gold frame measuring 38 by 32 inches.

Attributed John Singer Sargent (American, 1856–1925): Porta della Carta, Venice, c.1913. Oil on stretched linen canvas, unsigned, framed. 14.5 x 21.5 inches sight, 19.75 x 26.5 inches framed. T

Amelia Goddard (British, 1847-1928) The orange sellers signed and dated 'Amelia Goddard./1875' (lower left) oil on canvas 104.5 x 76.5cm (41 1/8 x 30 1/8in). Footnotes: Provenance

HOYLAND, John, (British, 1934-2011): Untitled abstract composition, Watercolor/Acrylic/Paper, Fine Gallery label verso with date, blind stamp upper left corner, 20" x 28", framed 24.5" x 32.75". Condi

Arthur John Elsley (British, 1861-1952) Love at First Sight signed and dated 'Arthur J Elsley/ 1907' (lower left) oil on canvas 107 x 143cm (42 1/8 x 56 5/16in). Footnotes: Provenance</

§ CHARLES OPPENHEIMER R.S.A., R.S.W. (BRITISH 1876-1961) IN THE EVENING LIGHT Signed, oil on canvas(63.5cm x 76cm (25in x 30in))Note: For a very similar but larger composition see My Garden at Twil