J. MECHAU (1745-1808) attributed, The wild and the lovely side of nature, around 1780, Watercolor

American Rococo Revival Carved Rosewood Parlor Suite Attributed to J and J Meeks. John and Joseph Meeks. Stanton Hall pattern. A composite suite, comprising two settees, two side chairs, and an armcha

J.B. Murry. Double-Side Painting Featuring Strong Central Images and Spirit Writing. Signed in automatic writing. Watercolor, crayon and ink on poster. Excellent condition. Image is 17" w x 23" h. Fra

Suite of Eight George III-Style Mahogany Dining Chairs 19th century, attributed to W. & J. Sloane, New York, possibly Irish, consisting of two armchairs and six side chairs, each with a foliate-carved

American Neo-Renaissance-Style Mahogany Partner's Desk late 19th century, attributed to R. J Horner, New York, having a rectangular top with a molded edge, the front and back sides each fitted with a

J.L. REUTTER ATMOS Pendule Perpetuelle, France around 1935, chrome-plated case, 5 sides bevelled glazed, in front & back to open, silvered dial patinated/spotty due to age, enamelled art nouveau numbe

Attributed to Gai Qi (Chinese, 1774-1829), Qing Dynasty (1644-1901), "A Beauty in Autumn", ink and watercolor on paper, mounted on silk scroll, cut and framed, inscribed on upper right side and left w

AN ENAMEL ON WHITE GLASS SNUFF BOTTLE Attributed to Yangzhou，1780-1850 Of tapering shield shape with flattened sides and a cylindrical, slightly flared neck and an oval foot, decorated in famil

James Seymour (London 1702-1752) A brown thoroughbred, traditionally identified as 'Spanking Roger', held by a groom before an extensive landscape signed with initials and dated 'J.S.,/ 1745' (lower l

DATED 1863 NEW YORK OR CONNECTICUT RIVER VALLEY LANDSCAPE WITH STREAM AT SUNSET. INITIALED "J.S.J" (ATTRIBUTED TO) JOHN JAMESON (1842-1864) IN ORIGINAL GILT FRAME 20 1/2" X 11" TERMS: THIS IS AN ON-SI

bronze sculpture, Tibet, around 1780-1820, goddess Usnisavijaya, fine bronze cast, applies, engraved, with turquoises and coral, goddess with three faces and eight arms, various Attributes in her hand

Center stone estimate weight 2.80 cts, I-J, Vs2. Side stones est. .50 cts each. total ring weight est. 7.3 grams. size 6.5.

Paolo Buffa (1903-1970) , attributed to Side board Walnut and walnut veneer, brass Model created circa 1949 H 104 × L 220 × W 46 cm

GIV-29. Olive half pint blown-molded with crescent, hour glass and twin pillars (Boaz and Jachin) on both sides. Attributed to the Coventry Glass Works Coventry Connecticut. 6 inches.

Molded Copper and Zinc Horse Weathervane, attributed to J. Harris and Son, Boston, Massachusetts, late 19th century. Full body figure with soldered copper tail and mane, and cast zinc head and legs, v

Extremely Rare and Important Shenandoah Valley Multi-Glazed Redware Lamb Doorstop, attributed to J. Eberly & Co., Strasburg, VA, circa 1890, molded figure of a sleeping lamb with well-detailed fleece

Attributed to J. Harris & Co., Boston, Massachusetts, appears in their illustrated catalogue from 1878, no. 13. Depicted with empty bow raised but arrow in opposing hand. At the time, the 30-inch mode

An American Victorian Meeks-style parlor suiteMid-19th centuryAttributed to J.W. Meeks in the "Hawkins" pattern, each Rococo Revival-style carved and laminated rosewood with acanthine crest,

American Rococo Revival Laminated Rosewood Gentleman's Armchair mid-19th century, attributed to J. H. Belter, New York, in the "Tuthill King" pattern, profusely carved with a floral crest and the back

Philadelphia, 18th C., set of six maple rush seat side chairs, attributed to William Savery Some replacements. 39-1/2"h x 21"w x 16-1/2"d Provenance: This piece belonged to Josiah E. Coles and his wif

Ludwig Vierthaler, Munich. 'Crab' bowl, c1906. D. 31 cm. Made by J. Winhart, Munich (attributed). Brass, copper-plated, brown patina. Textured pattern and mother-of-pearl. Faint signature, inscribed:

PAIR MAGNIFICENT CARVED SPINACH GREEN JADE VASES The compressed baluster body is finely carved around the sides with a wide central band and two narrow bands of archaistic decoration. The waisted neck

Mixed media on paper surrealist composition with horned figure at center and others peering around its sides. Signed bottom right and dated "1947" above and inscription to "Manuel de la Torre". [Art (

The Tianhuang seal skillfully carved around the sides with scene of a scholar riding on donkey accompanied with an attendant within a rocky landscape nestled with trees, orchids, and pavillion, one si

The round body divided by a line border around exterior sides at the top rim, all supported on three paw-like feet. Comes fitted with a wooden base. Height: 4.75 " Diameter: 7.75 "