A 19TH CENTURY MARBLE BUST OF PARIS AFTER ANTONIO CANOVA (1757-1822)

Antonio Canova (Italian, 1757 - 1822) carved parian marble sculpture of a young Napoleon. Signed Canova 1808. Circa: Late 19th/Earl 20th Century. Measures 17" Tall x 9-1/4" Wide. From a Miami Beach es

After Antonio Canova (Italian, 1757-1822) "Maiden", ca. 1900 carved alabaster after the first quarter 19th century marble discovered in the artist's studio after his death and now conserved at the Nat

An Italian carrara marble model of the Venus Italicaafter the model by Antonio Canova (1757-1822)19th centuryOn a variegated white marble and oak fluted columnar pedestal. (2)overall height 61in (155c

AFTER ANTONIO CANOVA (ITALIAN, 1757-1822), A PAIR OF BRONZE MODELS OF THE PUGILISTS CREUGAS AND DAMOXENOSITALIAN, LATE 19TH CENTURY Set on black marble bases Creugas 26.5cm high bases 17.5cm wideProve

After Antonio Canova (Italian, 1757-1822) Late 19th Century Psyche Revived by Cupid's Kiss marble apparently unsigned Height 21 1/2 inches. Property from Bishop's Hall and the Collection of Richard Sa

Italian Carrara Marble "Venus Italica", second half 19th century, after the ca. 1812 sculpture by Antonio Canova (Italian, 1757-1822), now at the Pitti Palace, Florence, h. 40", w. 11", d. 9-1/4". Pro

After Antonio Canova (Italian, 1757-1822) Late 19th/Early 20th Century Psyche Revived by Cupid's Kiss carved marble inscribed Made in Italy Height of sculpture 17 1/2 x width 31 inches. Property from

Western Europe, probably Italy, Neoclassical period, ca. 19th century CE. A fine portrait bust of the Italian Neoclassical sculptor Antonio Canova, skillfully carved from red marble boasting a deep hu

Large patinated cast-iron fountain, The Three Graces, modeled after the original 19th c. sculpture by Antonio Canova (Italian, 1757-1822), having three graduated tiers, over floral twined central colu

Italian Neoclassical-Style Alabaster Statue of a Female Bather, fourth quarter 19th century, in the style of Antonio Canova (1757-1822), standing contrapposto, holding her gown, and looking over her s

Large composition bust of Paris, after the model by Antonio Canova (Italian, 1757-1822), depicted gazing sinister while judging which of the three goddesses, Juno, Minerva, or Venus, was the most beau

Full title: After Antonio Canova (1757-1822): 'Pauline Bonaparte as Venus Victrix', Italy, 19th C. Description: H 60 x L 96 x D 33 cm

ParianPorcelain Figural Group after "Cupid and Psyche" by Antonio Canova (Italian, 1757-1822), 19th c., marked, impressed "2266", h. 11 1/4 in., w. 14 in., d. 7 1/2 in.; Condition: wings can be detach

Pair of Serpentine Stone "Canova" Lions first half 19th century, the sleeping mottled green lions based on the originals by Antonio Canova (Italian, 1757-1822), sculpted for the tomb of Pope Clement X

Early 20th Century French Metal Mantle Clock "Amour and Psyche" After: Antonio Canova (Italy, 1757 - 1822). Mounted on marble base. Foundry mark on obverse side. "Amour et Psyche, D'apres Canova Musse

patinated bronze mounted to marble plinth; signed, numbered A 9507, and with foundry mark "J.B. Deposee, Bronze Garanti Paris"; Provenance: The Estate of David Karpeles, the Karpeles Manuscript Museum

AN ENGLISH CARVED GREEN MARBLE RECUMBENT LION After Antonio Canova (Italian, 1757-1822), circa 1830 height 9 1/4in (23.5cm); length 18in (46cm); width 5 1/2in (14cm) Footnotes: Provenance Stair & Comp

Italian Grand Tour carved marble copy after Antonio Canova (Italian, 1757 - 1822) of 'Cupid & Psyche' on marble base, with detachable wings. 16.5" H x 18" W x 8" D.

Antonio Bacci (Italian 19th C.) Seravezza Marble bust sculpture of female. Signed reverse Antonio Bacci Seravezza Dimensions: 23 1/2" X 12 1/2"

After Antonio Canova, "The Three Graces" Italian carved marble statue. Signed on base, "Canova". Antonio Canova (Italian, 1757-1822). 23.25"H x 13.25"W, Circa - 20th C.

French spelter figural mantle clock, "Amour et Psyche, D'apres Canova Mussee du Louvre", (after Antonio Canova, Italy, 1757-1822), Paris, foundry mark verso, time and strike works, enameled dial showi

Marble sculpture 'Cupid and Psyche' after Antonio Canova, (Italian 1757-1822), depicting a recumbent Psyche held in Cupid's embrace, her face lifted for his kiss, rising on a naturalistic base, restin

A RARE VERY LARGE PAIR OF 19TH CENTURY ITALIAN GRAND TOUR BRONZE FIGURES OF THE PUGILISTS After Antonio Canova (1757-1852) , modelled as Creugas & Damozenos, upon original serpentine bases, Chiurazzi

After Antonio Canova 1757 - 1822, The Three Graces representing Youth (Euphrosyne), Mirth (Aglaea) and Elegance (Thalia).120 cm. high; 70 cm. wide