McKINLEY & ROOSEVELT BRONZE JUGATE CAMPAIGN PLAQUE c1900 Thomas Williams Foundry: American (New

Thomas Williams Foundry (American (New York), circa 1900. William McKinley and Theodore Roosevelt jugate campaign bronze figural plaque with double portrait in relief depicted at bust length under eac

Frederick William MacMonnies (American 1863-1937) Diana, bronze with green verdigris patina, signed and dated 1890, copyright 1894, with foundry mark for Jaboeuf & Rouard, Paris. Dimensions: 31 in.h.

Tiffany Studios American, Early 20th Century Table Lamp with Geometric Jeweled Shade leaded glass, bronze base stamped TIFFANY STUDIOS NEW YORK 27420 to underside, shade with plaque to interior stampe

HARRIET W. FRISHMUTH & NUMBERED # QFHL, (AMERICAN, B.1880- ), GORHAM FOUNDRY, BRONZE SCULPTURE, 1925, H 21", 'CREST OF THE WAVE':Signed at the base, 'Harriet W Frishmuth 1925', 'Gorham Co. Founders QF

Rare Philip Kelvin LaVerne ( American New York 1907-1987 ) Table Bronze Body Completely Covered With Etched Partly Internalized Or Enameled Bronze Rectangular Base With Large Reserves And Profile Edge

attributed to Augusta Christine Savage (American, 1900-1962), bronze bust sculpture of a young African-American male. Roman Bronze Works, foundry mark to the reverse of the base. 12 1/2" high, 6" wide

An American Victorian Renaissance Revival cabinetMid-19th centuryAttributed to Pottier & Stymus, the backsplash with central bronze plaque of a Trojan figure with stepped central gallery over a double

William Wheeler (American 1832 - 1893) after Thomas Cole (English 1801 - 1848) "Mount Etna from Taormina" Oil on canvas Signed lower left "Copy by W.R. Wheeler from T. Cole" 46" x 64" Condition: some

John Henry Wilde, American (1919-2006). Known for surreal fanciful imagery, oil on board with bronze plaque 'Onion With The Artist Reading JOHN WILDE' bottom center and mounted in wood frame. Signed a

William Hemmerling (American/Louisiana, 1943-2009), "Plum Street Snowballs, New Orleans", unsigned, mixed media on wood panels, 60-3/4" x 38". Unframed.

Thomas Moran (American, 1837-1926) "Windsor Castle, from the Thames", 1883 oil on artist board signed and dated lower right, "Kennedy Galleries, New York" label and catalogue publication en verso. Fra

Thomas Hart Benton (American, 1889-1975) Huck Finn, 1936 Lithograph on paper 16-1/4 x 21-1/2 inches (41.3 x 54.6 cm) (image) Signed in pencil lower right Published by Associated American Artists, New

THOMAS HART BENTON The Race. Lithograph, 1942. 225x337 mm; 8x13¼ inches, wide margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb,

The novelty clock retailed by Camerden & Forseter, New York, American, 19th C. H. 43 cm (17 in.) Dimensions of base: W. 40.5 cm (15 7/8 in.) D. 19.5 cm (7 3/4 in.)

Thomas Hart Benton(1889-1975)"After the Blow", 1946Lithograph on paperFrom the edition of 250Signed in pencil in the lower margin, at right: Benton; Associated American Artists, New York, pub.Image: 9

Frederic Remington (American, Canton, New York 1861–1909 Ridgefield, Connecticut). “The Sergeant” bronze Makers marks and signatures include: "Frederic Remington", "Copyright @ Frederic Remingto

Nigeria, 19th century or earlier, crocodile head relief plaque fragment, known as the "policeman of the waters", label reads "Mathias Komor/Works of Art/New York/F 703", 11-1/2 in., black metal stand�

Thomas Hart Benton (American, 1889-1975), "The Race," 1942, lithograph, pencil signed lower right, signed in plate lower left, from an edition of 250, published by Associated American Artists, New Yor

panoramic triptych of New Hampshire landscape, mountains in distance middle panel sgn. l.r. William J. Kaula; o/c; each side panel 24 by 15 in.; center panel 24 by 2

Rare ALS signed “Edgar A. Poe,” one page, 7.75 x 9.75, August 24, 1846. Addressed from New York, a handwritten letter to writer Frederick William Thomas, who, from 1841 until 1850, worked

William Merritt Chase (American, 1849-1916) "Portrait of Louis Windmuller (1835-1913)", 1902 [sic?] oil on canvas signed far left center. Framed. 51-1/2" x 38", framed 67-1/2" x 55" Provenance: In the

William Samuel Parrott (American, 1843-1915) "Mt. Hood" oil on canvas signed lower right, a "William A. Kargas Fine Art, Los Angeles, CA" label with artist and title en verso. Period gilt frame. 42" x

William Skilling (British/American, b. 1949) "Mermaid" and "Merman" pair of oils on canvas both signed lower right. Presented in matching faux tortoiseshell frames. each 36" x 48", framed 41-1/5" x 54

Untitled (8-50), 2003 Oil on linen on panel Signed, titled and dated on the backboard of the frame: Thomas Nozkowski 22" H x 28" W Provenance: Max Protetch, New York, NY Property of an Estate, B