EVENING & SECOND DAY WEDDING DRESSES c. 1895 & c. 1853

2-pc evening dress of cream silk satin w/ pastel ombre rainbow silk faille, short leg o’ mutton sleeve & bias band trim & bows, draped chiffon yoke insertion w/ double pom-pom stock collar, mismatch

2-piece, woven green & white stripe w/ tiny black dot brocade, boned bodice, eyelet lace trim, B 36", W 27", (few small stains) very good.

1 of woven ecru silk lace w/ V neckline, scalloped collar & elbow length sleeve, rose pink silk satin over bodice w/ bloused back, fitted W w/ bow at CF & tiered straight skirt shaped from hemline, c.

2-pc cream patterned wool wedding gown w/ pleated crepe chiffon ruffle to band collar & yoke & extending over shoulder of extreme leg o’ mutton sleeve, applied chemical lace & lg satin bows, very fu

Groom's black wedding coat & vest, label "Lee Bros, Decorah Iowa", C 40", L 35", vest C 38", L 17", excellent; 1 traveling dress for honeymoon in plaid weave w/ high collar, front & back yoke trimmed

Silk day dress in green & black vertical stripe pattern w/ horizontal cross stripes in raised bars of magenta & green, silk corded edging & tassels at sleeves & bodice front, china silk slv linings w/

Block printed cotton evening dress in blue & brown interlacing floral sprig motifs w/ wide bateau neckline, short cap sleeve w/ triple row of silk ribbon trim, bodice fullness gathered to W CF & CB, f

1 custom black velvet evening gown, long tapered sleeve w/ self-covered buttons, plunging V-neck, evening skirt w/ hobble skirt inspired pulled drapes at CF & CF slit, c. 1937-1939, label "Joset Walke

1 black lace evening dress w/ matching bolero jacket, silk chiffon slip, c. 1930, B 34”, W 28”, L 46”, slip B 32”, bolero L 16”, (opaque slip N/I, pulls/small holes, slip

Siwa Oasis Berber Wedding Dress, Egypt, Mid 20th C.White wedding dress known as "Ashirah Lamilal" and worn by the bride on the third wedding day. Embroidered cotton, many mother of pearl buttons, larg

This 2-piece wedding dress is cotton and lace and in excellent condition! Stand up collar has wire to keep it in place and the fitted wrists attach to a puffy sleeve. Cotton is strong as is the lace.

Second half 19th C reproduction silk walking dress, in oyster and cream check with black trim including pleated walking skirt, off shoulder evening bodice in ruffled lace trim with corset front closur

Ansonia Mantle Clock, C.1895-1900. Eight day strike, Roman numeral dial, carved wood body with glass panel door etched Ansonia within a crescent moon along with a bird perched on a branch and a spider

Very early Heilmann machine embroidered standing notched edging to broad neckline & short double puff sleeves, bodice & skirt gathered into piped fitted self-W, CB closures, B 41", W 22", L 50", (few

Cream silk satin evening dress w/ wide bateau neckline trimmed w/ satin, short puff sleeves, empire W, skirt pleated across back, piping, CB hook & eye closures w/ decorative self-covered buttons, bod

VIRGILIO KANECLIN CLOAK AND DRESS 30s Ensemble (cloak and dress) 1) A burgundy silk velvet cloak, gold cord piping 2) A gold lamè evening dress General conditions grading B/C (signs of wear)

c. 1750, sgn. on dial: Johannes Logge, Amsterdam dial with moon-phase indicates hours, minutes, seconds, day of week (showing engraved astrological symbols and figures), and date; six pairs of tunes p

Circa 1900-1915, almost exclusively women's costumes, including a Wedding Dress with flowered veil, black net Evening Dress with black undergarments, black fur detachable collar; Pink Day Dress; black

c. 1860, including a 2-piece wedding dress with an outer coat having silk and silver threads and a shift of silk & lace, approx. size 6; and a 2-piece brown & black silk dress, approx. size 6

Two couture evening gowns, 1950s, comprising Pierre Balmain grey satin cocktail dress with undulating ivory bands, c.1955, with Lesage embroidery of chenille flowerheads with silver borders; together

Affortunato Gori (French / Italian, fl.1895-1925) 'Oriental Dancer' Bronze Sculpture c.1920, gilded bronze sculpture on a marble base, signed on tail of dress Property from: a Chicago, Illinois estate

Enamel face with painted hours and minutes, AM, PM, Moon Face, Days, Hours, Minutes, and seconds. Hand hewn wood case finely inlaid. Early 19th c. Possibly one the 4000 clocks made in collaboration be

Early Two-Day Marine Chronometer by W.L. Craighead, c. 1870 3 ¾ in. silvered dial, marked "W.L. Craighead, London", no. 159, with fusee, second dial and up-and-down dial for 54 hours, in gimbaled bra

Bronze, gold-plated and cloisonné enameled, brass, metal, glass France, c. 1900 Back plate numbered ‘1236’ and ‘55’ Circular brass movement, spring driven, lever escapement 8 day running dura