John Duncan Fergusson RBA (British, 1874-1961) A couple in a Paris café, c. 1909

§ JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961) SAILOR, PORTSMOUTH DOCK, 1918 Conté(16cm x 20cm (6.25in x 8in))In 1918 Fergusson spent six months working in Portsmouth after receiving permis

Sign. J.D .Fergusson 1910. Watercolor on paper. Born just outside Edinburgh in March 1874, there was no early hint or suggestion that John Duncan Fergusson would be anything other than a traditional m

Satyr and nymph Patinated bronze Signed to base: C. Godebski, with foundry pastille: Siot-Decauville / Fondeur / Paris 30.375" H x 18.5" W x 16" D Provenance: Private Collection, Los Angeles, CA.

Dorothea Sharp, RBA, ROI (British, 1874-1955) 'July Morning' signed with initials 'DS' (lower left); bears title (on the reverse) oil on board 33 x 40.7cm (13 x 16in). This lot is subject to the follo

John Sargent Noble, RBA (British, 1848-1896) The game bag signed 'J.S Noble' (lower left) oil on panel 38.1 x 26cm (15 x 10 1/4in). Footnotes: Provenance Anon. sale, Sotheby's, G

John Piper C.H. (British, 1903-1992) Jackfield by Ironbridge, Shropshire signed 'John Piper' (lower left) oil on canvas 71.1 x 91.4 cm. (28 x 36 in.) (unframed) Footnotes: Provenance The Artist's

John Piper C.H. (British, 1903-1992) Paziols, Provence signed 'John Piper' (lower left), titled '(Provence)/Paziols' (lower right) gouache and pen and ink on paper 35 x 52cm (13 3/4 x 20 1/2in). Paint

John Piper C.H. (British, 1903-1992) Mareuil-sur-Lay I signed 'John Piper' (lower right), indistinctly titled 'Mareuil-sur-Lay' (lower left) pen and ink, ink and pastel on paper 15 x 20cm (5 7/8 x 7 7

John C. Traynor (b. 1961) Still life painting of a large blue & white urn filled with flowers on a table. Signed lower right and dated 02'. Measures 40" x 30" on canvas and 41.5" x 31.5" w/ frame.

Sir Peter Scott (British, 1909-1989) Caspian Dawn, Lesser Whitefronted Geese signed and dated 'Peter Scott 1944' (lower left) oil on canvas 51 x 76.5cm (20 1/16 x 30 1/8in). Footnotes: Pr

Henry Barraud (1811-1874) British. 'Equine Companions', in a River Landscape, Oil on Canvas, Signed and Dated 1860, 28" x 36".

St. John the Baptist, Miniature on a leaf from the illuminated manuscript on vellum known as the Chester Beatty Book of Hours, with a text leaf from the same manuscript, [Paris, 1408]. c.174 x 130mm.,

John Hayls (British, 1600-1679). Pair of 17th century portraits "Michael Warton Esq. Son in Law of John first Lord Poulett" and "Susanna daughter of John first Lord Poulett and Wife of Michael Warton

(British, 1734-1797) Reverend John C. Carver of Morthen, South Yorkshire, wearing a brocaded dark blue velvet coat, waistcoat and holding a tricorn hat, 1760, inscription verso oil on canvas, 50-1/8 x

Property from the Collection of John and Virginia Duncan, Savannah, GA Description: Manota Kwakwaka Wakw Totem, c. 1910, finely carved and painted in tones of green, black, white and red, with lab

(British, 1761-1807), c. 1802, original frame bore a label that read "The property of Sir Charles Metcalfe, Baronet", together with a letter dated February 1938 explaining the origins of the portrait

J.C. Leyendecker, ink and oil on canvas, c. 1895, Joseph Christian Leyendecker (American, 1874-1951), "Elegant Couple", no signature observed, possibly for "Success Magazine", giltwood frame, 13.25"h

Pearls (1874) Oil on panel Signed with monogram Titled and dated by a later hand verso Size: 18 x 24 in.

Property from the Collection of John and Virginia Duncan, Savannah, GA Description: Federal Inlaid Mahogany Tall Case Clock, c. 1810, the painted dial with date aperture, phases of the moon and tw

19TH C. OIL ON CANVAS "WATERING THE ROSES" SIGNED LOWER RIGHT YEEND KING (JOHN YEEND KING BRITISH 1855-1924), HAVING SCHILLARY & REH INC LABEL ON REVERSE; 27.5"H X 21.5"W IMAGE, 34"H X 27.5" OVERALL;

John Frederick Herring was a British painter of the 18th and 19th century famed for his lively depictions of race horses and agricultural scenes. He is widely considered one of the best animal painter

Frederick Edward McWilliam, (British, 1909-1992), Seated Woman II, 1961, bronze, signed, edition of 5, 9.5"h x 15"w, Provenance: The Warshawsky Collection, Chicago, IL, Literature: Denise Ferran & Val

The figure of a crouching panther poised atop a rocky mound by British Royal Academy artist John Macallan (1847-1910), signed in script in the mold together with foundry mark & dated 1892, exhibiting

John Bellany C.B.E., R.A., H.R.S.A., L.L.D.(Lon) (British, 1942-2013) Sunset signed 'Bellany' (lower right) oil on canvas 50 x 60.5cm (19 11/16 x 23 13/16in). Footnotes: Provenance