SILVIA ZICHE - La Prova Costume

Originale di copertina per l'antologia di racconti di Asimov, Biggle, Brackett ed altri pubblicato nella collana “Urania”, Mondadori, n. 493, Luglio 1968 (titolo originale “The Fun T

Signed Erte Romain De Tirtoff (Russian/French, 1892-1990) Gouache on Paper La Cleopatra Costume Design for Les Garcon. Signed & titled inscribed Verso N.18.356, measures 15" x 11", 9" frame & matte

IDEAL MISS REVLON IN BLUE CHERRIES A LA MODE COSTUME. 20”. Marks: Ideal Doll VT 20. Vinyl socket head, jointed lady body with swivel waist, rooted hair with bangs, blue nylon dress with tulle puff s

IDEAL MISS REVLON IN PINK CHERRIES A LA MODE COSTUME. 20”. Marks: Ideal Doll VT 20. Vinyl socket head, jointed lady body, swivel waist, rooted hair with bangs, pink nylon dress with tulle puff sleev

Costume jewelry ring assortment, group of three, including colorful faux-gemstones, one faux-pearl with rhinestones, two signed: "Heidi Daus," one signed: "La Vintage." Ring sizes: 6.5 to 7.5.

Three works on paper: Gouache and metallic paint, "Poor Weldy, Modes Eccentriques," 1921, 11132; Gouache, "'La Timidite' costume 'Obstacles,'" 1934, 13492; Pen and ink, Untitled (beaded silk head-dres

IDEAL MISS REVLON IN RARE YELLOW CHERRIES A LA MODE COSTUME. 20”. Marks: Ideal Doll VT 20. Vinyl socket head, jointed lady body with swivel waist, rooted hair with bangs, yellow nylon dress with tul

Two(2) embellished costume design prints. La Belle au Bois Dormant La Reine; Costume De Barbizon Dans "La Lampe D'Aladin". Circa 1920; 5.5in. X 8.5in., 8in. X 8.5in.(image sizes)

Lot includes 4 fashion books THE BIKINI BOOK (Publ 1996 UNIVERSE PUBLISHING), LINGERIE IN VOGUE SINCE 1910 by CHRISTINA PROBERT (Publ 1981 Abbeville Press Inc.) LE COSTUME LA HAUTE COUTURE DE 1940 A N

Karate Kid gets new costume LA Ref: 117-81041

Erte / Romain De Tirtoff (1892-1990), Russian-French School, Gouache, Theatrical costume design, La Comtesse, A woman with opera glasses wearing a jewelled dress and fur shawl. Signed lower right and

Cm 49,40 x 31,00. 61/200. Provenance: Lucio Amelio, Naples, Private Collection.

SMALL FRAMED ERTE PRINT, "LA TOISON D'OR", COSTUME DESIGN FOR "THE GOLDEN FABLES", GEORGE WHITE'S SCANDALS, NEW YORK. 1926. UNSIGNED, FRAMED SIZE APPROX 13.5" X 11.5"

Les Costumes de la Peuple Polonais. Knygos autorius Leon Zienkowicz (1808-1870). Dailininkas Jan Nepomucen Lewicki (1795-1871). Litografavo Simon Fils Strasbure. Paris, la Librairie Polonaise, 1841. T

204. UNCUT COSTUMES FROM "LA POUPEE MODELE". Two 7 1/4" x 11" sheets with four front and back costumes, each representing an activity; French, from La Poupee Modele supplement, Sept 1912- Feb 1913; Pa

Oscar de la Renta designer costume jewelry gold-tone metal necklace with faceted rhinestones in blue hues, marked "Oscar de la Renta" to plaque and "Made In USA" near hook closure. 19" L x 1.7 5" W.

Costume Parisien: Fiche en Marmotte; Chapeaux et Capotes de Taffetas, Chapeau de Paille, Bonnet de Lingere; Capote de Paille petits fichus, Costume pour la promenade; Chapeau de Paille, Retrousse. Fou

Oscar de la Renta designer costume jewelry black enameled gold-tone metal necklace in the form of a tulip flower, marked "Oscar de la Renta / Made In USA" to plaque near hook closure. 21.5" L x 3" W.

Gustav Oppel for Schwarzburger Werkstatten Art Deco period porcelain group featuring a male and female dancers with oriental " a la Turque" style costumes. 2nd quarter of the 20th century. Incised "G.

(lot of 2) Framed hand-colored prints on paper, from "Costumes Historiques de la France" (Historical Costumes of France), P.L. Jacob (Paul Lacroix, French, 1806-1884), Regne de Napoleon, including: (1

Leon Bakst (1866 - 1924), Costume Design for La Legend De Joseph Watercolor, gouache and pencil on paper Signed (bottom right) and inscribed "Joseph  convive" (upper right) and marked

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and